-
Opinion | Features
My memo to your boss
So let me guess?
You really want to come to Mumbrella360, but you’ve got to justify the time and cost to your boss?
Good news! I think I can help.
Woz not great
In this guest post Tony Prysten argues that the thousand dollar price of seeing out-of-touch Apple co-founder Steve Wozniack on his Australian tour was a waste of money.
This week, for the cost of two iPads (yep, two) I went to the Woz Live conference in Melbourne. I was not impressed.
What the hell is transmedia?
From advertising campaigns to online video series, the term ‘transmedia’ gets quite the work out. But what does it actually mean? Cathie McGinn trawls the media landscape for a definitive definition.

Transmedia, all media and multiplatform are terms often used interchangeably when referencing modern storytelling techniques. Yet, depending who you speak to, there are distinct differences between them.
According to industry experts Encore spoke to, the key elements that define transmedia can be summarised as follows: platform, time, audience, adaptation, and creative collaboration.
Innovation is the remedy for the ailing magazine industry
With magazine circulations plummeting, FHM closing and rumours rife on future ownership of ACP Magazines, Paul Merrill says the only way forward is launching new titles.Eight years ago in the UK, nearly a quarter of all magazine sales came from magazines that were less than four years old. In Australia, the figure was slightly lower, but still significant. Today, the situation is very different. For a start there are so few new magazines. Yes, Masterchef briefly flared, and Top Gear made an initial impact. But Grazia and Alpha fizzled, and now ACP has shelved their plans to launch Elle.
More than a game: broadcasting the Olympics
The 2012 London Olympics will be the biggest televised sporting event of our time. Brooke Hemphill discovers the logistical challenges and technical requirements of producing the event.
From July 27 to August 12, the Australian media will go sport crazy as the Games of the XXX Olympiad, aka the 2012 London Summer Olympics, unfold. The games will be the most televised sporting event of our time as broadcasters look to master every manner of technology at their disposal.
The Voice - Australia's best example yet of social TV
I am an addict of Channel Nine’s hit show The Voice. Such is the extent of my addiction I seriously think my housemate might kick me out of our apartment for the semi-frenzied yelling and tweeting that ensues in our lounge room each time the show airs.It’s the first time in almost three years that such disagreement has resulted in less than civil behaviour towards one another, and it’s made me think it might be a microcosm of the large volume of online debate about the show and, correspondingly, an explanation for its success as a social TV experience.Why brands are the US Army - and culture jammers are the Viet Cong
In this guest posting, Dave Burgess, who painted ‘No War’ on the Sydney Opera House, claims that ‘amoral’ advertisers have copied his idea.
Culture jamming is a 28-year-old term coined by the San Francisco-based band Negativland, who declared that the ‘Studio for the cultural jammer is the world at large’.
Branded content is dead. Long live branded content
In this guest posting, Anthony Freedman argues why branded content is making a comeback.
A few short years ago, probably concurrent with the advent of the PVR, a new term emerged within the marketing communications industry; branded content. This was really synonymous with advertiser funded TV shows where programming was created by brands and deals struck with networks to broadcast them.
There were varying degrees of success with this model.
Shock advertising: 30 ads that would give Australia's ad watchdog a coronary
Is shock an underused weapon in Australian advertising, asks Robin HicksToday, Sydney agency The Cabana Boys used an image of a mouth sewn together to shock people with the idea that problem gamblers lie to conceal their habit. Is it the most disturbing image ever? No. Will it get banned by the Advertising Standards Bureau? No. But it did make me wonder why shock is not used more often in Australia – and not just by charities and government bodies. (WARNING: NSFW)
The making of ratings blockbuster The Voice
Jason Mountney goes on the set of Channel Nine’s talent search series, The Voice, to see how the format, based on an international franchise, has come together. What ingredients have gone into making this certified hit that’s rated more than two million viewers on three consecutive nights?
Mike Goldman has one of the toughest jobs on the set of the Nine network’s new talent show, The Voice. He not only has to narrate the show, but also keep the audience from losing their enthusiasm as they realise shooting TV programs takes a lot longer than the one-hour bursts they see in their lounge rooms. A lot longer.
Nine problems stopping The Global Mail from getting an audience
While it’s a shame The Global Mail has failed to make an impact on the media landscape, the signs have been there for some time.I love the concept of a well resourced, philanthropically-funded independent news site. Anywhere in the world, that’s a rare and wonderful thing. In Australia even more so. So I hope that Grame Wood gets to see his investment make a difference.
And I have no inside info on whether Monica Attard’s sudden departure is linked to the site’s failure to find an audience so far.
Regardless, here are nine areas they can easily start to address:
Journalism’s new model?
Does the launch of philanthropically funded news site The Global Mail signal a new era for journalism or is the model destined to be a passing fad, asks Cathie McGinn in this article first published in Encore magazine.With little fanfare, philanthropically funded news site The Global Mail launched in February this year.
The online-only title received a generous five-year funding commitment from businessman Graeme Wood, founder of accommodation website wotif.com, who donated $15million.
Five things that make a great suit
In this guest posting, Gareth Collins argues that the role of a great account manager is to make the work betterI’m surprised at how many suits I meet who don’t know their role in the advertising business. The question ‘what does an advertising account manager or director do?’ is frequently met with answers such as project manager, relationship manager, plate spinner or go between … and those are the nice ones.
Success is judged on the ability to manage a process, be strong administratively and get stuff done. And while a good suit needs to do all of these things brilliantly, if these are the traits that define a great suit, then I’m in the wrong job.
What the hell is transmedia?
From advertising campaigns to online video series, the term ‘transmedia’ gets quite the work out. But what does it actually mean? Cathie McGinn trawls the media landscape for a definitive definition.
Transmedia, all media and multiplatform are terms often used interchangeably when referencing modern storytelling techniques. Yet, depending who you speak to, there are distinct differences between them.
The top seven...most patronising pieces of communication
Sometimes brands have big ideas. Sometimes marketers get so caught up with a grandiose idea that instead of finding engaging ways to sell breakfast cereal, they start to believe their own rhetoric. And sometimes it’s just lazy marketing. Here are my top seven inadvertently patronising pieces of communication…
1) Last night thousands of women gathered in Sydney’s Centennial Park to take part in She Runs the Night, an event created by Nike.
30 Seconds TV audience falls away
Viewer interest in adland comedy 30 Seconds appears to have significantly faded, according to weekly ratings figures for pay TV.
The first episode of the show – created by Three Drunk Monkeys founders Justin Drape and Scott Nowell and Prodigy’s Tim Bullock – was the 20th most watched on subscription television that week with an average audience of 38,000.
But a fortnight later, according to an analysis of the last week prepared by the Seven network, the Comedy Channel show no longer even makes the top 100, meaning it had less than 19,000 viewers per screening.
However, it should be noted that the Comedy Channel does not come as part of the basic pay TV package, so not all subscription TV viewers would have access to it. And that data does not include repeat screenings on Comedy Channel +2.
Last night the Comedy Channel screened the first three episodes of 30 Seconds together as a catch-up. And the show also picked up some welcome publicity with co-star Stephen Curry talking it up on Rove on Ten.
The most watched pay TV show of last week was the Crime & Investigation channel’s The Winchester Assassination which investigated the 1989 murder of ACT police chief Colin Winchester. It rated 68,000 viewers.
-
-
Follow Us
-
Email Newsletter
-
-
Dr Mumbo
Latest Comments
- Fionn on PostClick founder Andrew Lockwood to depart
- Aretic Disposition on Treasury launches fortnight of consultation on LAFHA legislation
- NewAussie on LAFHA chaos as overseas staff excluded from transition period
- Bob on LivingSocial-Pizza Hut deal sees 163,093 pizzas sold in a week – ‘biggest group buying deal yet’
- helen on The Voice – Australia’s best example yet of social TV
- Strugglestreet on LivingSocial-Pizza Hut deal sees 163,093 pizzas sold in a week – ‘biggest group buying deal yet’
- helen on Bikie Wars skids to under 1m for Ten
- waz on ‘First talent agency for bloggers’ launches
Latest Jobs- Sales & Marketing Assistant - Crows Nest
- Account Director - Sponsorship - Sydney
- Digital Producer - Melbourne
- Digital Producer - Melbourne
- Agency TV Sales - Sydney
- Agency Account Manager- Digital, TV, Radio - Sydney
- Contract Bid Writer | Tender Writer | Technical Writer - Melbourne
- National Display Advertising Director - Sydney
- Display Advertising Business Director - Sydney
- Display Advertising Business Director - Sydney
F.Y.I.
- CumminsRoss hires new director for its Adelaide agency
- Bruce Mackenzie appointed VP of GreenLight
- BlueArc Group appoints Joe Smith
- Naked Singapore managing partner Richard Leong departs
- SBS appoints new online sales manager
- Mi9 partners with InMobi and makes several new hires
- Momentum Worldwide PR wins AMF Bowling
- OgilvyOne partners with Endless Rewards
Most Discussed
- TAC campaign urges bikers to slow down
With 143 comments - Kyle straddles the line with the spider baby
With 88 comments - LAFHA chaos as overseas staff excluded from transition period
With 76 comments - Two year LAFHA reprieve for overseas agency staff already in place
With 72 comments - BlackBerry confirms it is behind 'Wake up' campaign
With 70 comments - Treasury launches fortnight of consultation on LAFHA legislation
With 63 comments - SATC exposed for paying celebs to tweet about Kangaroo Island, agency: 'It's not illegal'
With 62 comments - Why media agencies suck at Facebook advertising
With 55 comments
- TAC campaign urges bikers to slow down


Comments
28 Sep 09
11:18 am
Unless I’m off the pace Tim Bullock works with Prodigy Films, not Revolver as stated above in your story… Certainly the Toyta ad he just directed – featuring elsewhere on this blog – is credited that way.
28 Sep 09
11:42 am
You’re never off the pace, Mr Zerhut… now corrected – ta
28 Sep 09
12:30 pm
30 seconds problem is that it isn’t funny.
28 Sep 09
1:51 pm
I agree , the laughs just dont come often enough or hard enough. I’ve watched all three but recently with growing reluctance. Still a worthy effort as it does get across the pointlessness of the majority of what goes on in agencies. I’m hoping it will improve based on some deeper exploration of the lead characters who are still cardboard cut outs. Not holding my breath though.
28 Sep 09
5:59 pm
Yes unfortunately I’m still waiting to find the funny. It doesn’t help that none of the characters are remotely likable. I really really wanted to like 30 Seconds.
29 Sep 09
11:13 am
Sadly, 30 Seconds is even more disposable than the average 30 second spot.
If you really want a laugh on Monday nights at 8.30pm, try Gavin & Stacey on UKTV.
29 Sep 09
2:29 pm
Unfortunately with such a funny subject matter, this story falls so flat it’s not funny. To use a comparison, imagine a documentary about WWF that failed to make someone laugh – that would ultimately just be sad.
Hey Hey It’s Saturday was funnier.
29 Sep 09
2:30 pm
Sorry, *WWE….
Slight difference.
29 Sep 09
3:30 pm
I concur, I tried to love 30 seconds and even saved it on IQ to ensure I do not miss it. After 3 episodes, I am rapidly turning off it. If I do not find the latest episode remotely funny, it is gone!
30 Sep 09
11:29 am
I don’t usually respond to such reporting but your analysis of 30 SECONDS’ performance is inaccurate and incomplete, although considering your source of information (Ch7), it’s no surprise.
I won’t bore you with the critical acclaim this show has already received, as I’m sure you’re already aware, I’ll just give you the facts.
Firstly, you mention the first episode averaging 38,000. In fact, it’s average audience for the 8.30pm premiere was 49,000, plus an additional 12,000 tuned in at 10.30pm on Comedy +2.
Secondly, let me re-introduce you to a concept with which I am sure you are already familiar. It’s called ‘Time Shifted Viewing’, and it is the way content is consumed these days.
Unlike the commercial networks Foxtel is all about choice – the choice to watch what you want, when you want.
Based on that philosophy, our viewers have FOUR opportunities to watch 30 SECONDS each week, Monday 8.30pm, Monday 10.30pm, Sundays 7.00pm and Sunday’s 9pm.
We therefore look at a cumulative audience as a measure of a show’s success and not the individual outings.
Total numbers to date:
Ep 1 – 100,124 Average Audience
Ep 2 – 73,984 Average Audience
Ep 3 – 71,234 Average Audience
Despite a small drop from launch (as expected), we consider this show a huge success, and have the numbers to prove it is holding up strongly and consistently.
Also, FYI, in some cases the Sunday screening out rates the Monday night, as does the Comedy +2 channel out rate the main channel.
And finally, if that’s not all, there’s also the IQ factor.
Foxtel has experienced extraordinary uptake of the IQ, clearly demonstrating that people are now watching from their recorders – at a time that is convenient, not a time that is dictated by programmers.
Early research suggests that scripted content and serialised dramas are mostly subjected to IQ recording.
The good news is that come November/December, time shifted viewing will be measured as part of the ratings system and everyone will finally get the real facts on show performance.
We would therefore expect a significant increase in the numbers above.
As a personal supporter and commissioner of creative works I urge you to tread carefully in your reporting of a show’s success, especially in this current fragmented media landscape.
Considering our business is based on perception, you have a very powerful role. If we fail to support these shows and give viewers all the facts, then we may bring about a shows demise prematurely.
Do you recall a little show called Seinfeld? Well they said it would never work.
Alex Ristevski
General Manager – The Comedy Channel & 111 HITS
30 Sep 09
11:36 am
The above comment was originally by email to me from Alex, and I’m reproducing it here with his permission.
While every point he makes is valid, and accurate, the numbers that Mumbrella usually uses are the overnight, headline 5-city metro OzTam figures.
These do not take into account time shuifted viewing or regional audiences.
While this gives an imperfect picture, it does provide somethign of a yardstick. Clearly if a show was the 20th most watched one week, and slipped out of the top 100 the next, there has been a shift, regardless of whether we are talking about audiences of 38,000 or 100,000.
And as I’ve mentioned before, it’s still a good show.
Cheers,
Tim – Mumbrella
11 Oct 09
4:10 pm
Alex, your reply was too long and even though it says ‘I wont bore you’ obviously you have. Also, your underlying tone of facetious arrogance is very unprofessional and makes me thankful that I’m not subscribed to the comedy channel.
11 Oct 09
4:10 pm
Also, how dare you put Seinfeld anywhere near the ball park of thirty seconds???