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Opinion | Features
My memo to your boss
So let me guess?
You really want to come to Mumbrella360, but you’ve got to justify the time and cost to your boss?
Good news! I think I can help.
Woz not great
In this guest post Tony Prysten argues that the thousand dollar price of seeing out-of-touch Apple co-founder Steve Wozniack on his Australian tour was a waste of money.
This week, for the cost of two iPads (yep, two) I went to the Woz Live conference in Melbourne. I was not impressed.
What the hell is transmedia?
From advertising campaigns to online video series, the term ‘transmedia’ gets quite the work out. But what does it actually mean? Cathie McGinn trawls the media landscape for a definitive definition.

Transmedia, all media and multiplatform are terms often used interchangeably when referencing modern storytelling techniques. Yet, depending who you speak to, there are distinct differences between them.
According to industry experts Encore spoke to, the key elements that define transmedia can be summarised as follows: platform, time, audience, adaptation, and creative collaboration.
Innovation is the remedy for the ailing magazine industry
With magazine circulations plummeting, FHM closing and rumours rife on future ownership of ACP Magazines, Paul Merrill says the only way forward is launching new titles.Eight years ago in the UK, nearly a quarter of all magazine sales came from magazines that were less than four years old. In Australia, the figure was slightly lower, but still significant. Today, the situation is very different. For a start there are so few new magazines. Yes, Masterchef briefly flared, and Top Gear made an initial impact. But Grazia and Alpha fizzled, and now ACP has shelved their plans to launch Elle.
More than a game: broadcasting the Olympics
The 2012 London Olympics will be the biggest televised sporting event of our time. Brooke Hemphill discovers the logistical challenges and technical requirements of producing the event.
From July 27 to August 12, the Australian media will go sport crazy as the Games of the XXX Olympiad, aka the 2012 London Summer Olympics, unfold. The games will be the most televised sporting event of our time as broadcasters look to master every manner of technology at their disposal.
The Voice - Australia's best example yet of social TV
I am an addict of Channel Nine’s hit show The Voice. Such is the extent of my addiction I seriously think my housemate might kick me out of our apartment for the semi-frenzied yelling and tweeting that ensues in our lounge room each time the show airs.It’s the first time in almost three years that such disagreement has resulted in less than civil behaviour towards one another, and it’s made me think it might be a microcosm of the large volume of online debate about the show and, correspondingly, an explanation for its success as a social TV experience.Why brands are the US Army - and culture jammers are the Viet Cong
In this guest posting, Dave Burgess, who painted ‘No War’ on the Sydney Opera House, claims that ‘amoral’ advertisers have copied his idea.
Culture jamming is a 28-year-old term coined by the San Francisco-based band Negativland, who declared that the ‘Studio for the cultural jammer is the world at large’.
Branded content is dead. Long live branded content
In this guest posting, Anthony Freedman argues why branded content is making a comeback.
A few short years ago, probably concurrent with the advent of the PVR, a new term emerged within the marketing communications industry; branded content. This was really synonymous with advertiser funded TV shows where programming was created by brands and deals struck with networks to broadcast them.
There were varying degrees of success with this model.
Shock advertising: 30 ads that would give Australia's ad watchdog a coronary
Is shock an underused weapon in Australian advertising, asks Robin HicksToday, Sydney agency The Cabana Boys used an image of a mouth sewn together to shock people with the idea that problem gamblers lie to conceal their habit. Is it the most disturbing image ever? No. Will it get banned by the Advertising Standards Bureau? No. But it did make me wonder why shock is not used more often in Australia – and not just by charities and government bodies. (WARNING: NSFW)
The making of ratings blockbuster The Voice
Jason Mountney goes on the set of Channel Nine’s talent search series, The Voice, to see how the format, based on an international franchise, has come together. What ingredients have gone into making this certified hit that’s rated more than two million viewers on three consecutive nights?
Mike Goldman has one of the toughest jobs on the set of the Nine network’s new talent show, The Voice. He not only has to narrate the show, but also keep the audience from losing their enthusiasm as they realise shooting TV programs takes a lot longer than the one-hour bursts they see in their lounge rooms. A lot longer.
Nine problems stopping The Global Mail from getting an audience
While it’s a shame The Global Mail has failed to make an impact on the media landscape, the signs have been there for some time.I love the concept of a well resourced, philanthropically-funded independent news site. Anywhere in the world, that’s a rare and wonderful thing. In Australia even more so. So I hope that Grame Wood gets to see his investment make a difference.
And I have no inside info on whether Monica Attard’s sudden departure is linked to the site’s failure to find an audience so far.
Regardless, here are nine areas they can easily start to address:
Journalism’s new model?
Does the launch of philanthropically funded news site The Global Mail signal a new era for journalism or is the model destined to be a passing fad, asks Cathie McGinn in this article first published in Encore magazine.With little fanfare, philanthropically funded news site The Global Mail launched in February this year.
The online-only title received a generous five-year funding commitment from businessman Graeme Wood, founder of accommodation website wotif.com, who donated $15million.
Five things that make a great suit
In this guest posting, Gareth Collins argues that the role of a great account manager is to make the work betterI’m surprised at how many suits I meet who don’t know their role in the advertising business. The question ‘what does an advertising account manager or director do?’ is frequently met with answers such as project manager, relationship manager, plate spinner or go between … and those are the nice ones.
Success is judged on the ability to manage a process, be strong administratively and get stuff done. And while a good suit needs to do all of these things brilliantly, if these are the traits that define a great suit, then I’m in the wrong job.
What the hell is transmedia?
From advertising campaigns to online video series, the term ‘transmedia’ gets quite the work out. But what does it actually mean? Cathie McGinn trawls the media landscape for a definitive definition.
Transmedia, all media and multiplatform are terms often used interchangeably when referencing modern storytelling techniques. Yet, depending who you speak to, there are distinct differences between them.
The top seven...most patronising pieces of communication
Sometimes brands have big ideas. Sometimes marketers get so caught up with a grandiose idea that instead of finding engaging ways to sell breakfast cereal, they start to believe their own rhetoric. And sometimes it’s just lazy marketing. Here are my top seven inadvertently patronising pieces of communication…
1) Last night thousands of women gathered in Sydney’s Centennial Park to take part in She Runs the Night, an event created by Nike.
AFR falls four days behind The Oz
On Saturday, we woke up to discover that Wall Street had suffered a big fall.
Not only that, but there’d been significant announcements from Google, American Express and Nokia. So for those interested in financial stuff, there was a fair bit to catch up on.
However, The Australian Financial Review, Australia’s “daily” financial paper was on a break – not returning until after Australia Day. An “Australia Day bumper edition” covering January 22-26 will have to suffice.
Now I understand that newspapers have it tough. And there’s not much incentive to Fairfax to publish if newsstands are going to be down and there won’t be many ads.
But on the odd chance that a regular AFR reader was buying a paper to find out what was going on in the markets, the likelihood is that they picked up a copy of The Australian instead. And found some pretty good coverage inside from its News Corp sister title the Wall Street Journal.
They may even have repeated the pattern on Monday.
Newspapers are about habits.
I suspect that by the time we see the next AFR on Wednesday, a handful more readers may have crossed over to The Oz.
Why do the words death spiral come to mind?
Tim Burrowes
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Comments
24 Jan 10
10:14 pm
The Australian loves to beat up the Fin over this. And in some cases I reckon it’s unjustified – does a business paper REALLY need to publish the week of Christmas, Easter, etc?
But in this case – ditching three editions because of a public holiday on a TUESDAY – that’s pretty poor form, Fairfax. And it’ll cost you.
27 Jan 10
7:46 am
Tedious. You sound like a mouthpiece for the Oz.
27 Jan 10
10:29 am
Yes, Brent.
High praise indeed for the Oz – being a daily paper and coming out every day.
Sadly it should be quite a low bar to jump. The Australian jumped it, and the AFR fell on its backside. It’s not about the Australian looking good; it’s about the Fin/ Fairfax taking a short term view.
Cheers,
Tim – Mumbrella
27 Jan 10
10:56 am
As a regular reader of the Fin Review I made the switch during this period to stay on top of things. As much as I bemoan News Corp, I agree with Tim’s views. Might be picking up The Aus a bit more often from now on..
27 Jan 10
12:09 pm
This is one of those instances where Fairfax management simply don’t get the role of news and newspapers because they don’t have any ink in their veins. Compare this to News, where Murdoch and his management culture is inky through and through.
I disagree with Murdoch’s politics and business practices but you have to hand it to him – he is investing in his products and mastheads, and making smart decisions (such as standardising national section editors and section editorial such as food, travel, TV, technology and motoring across his metro dailies) while Fairfax dithers over cost-control and cost-cutting.
Letting a blue-chip business daily vanish for a few days might have looked good to Fairfax management on paper, or more likely on an Excel spreadsheet, but they didn’t have the sense to realise they were going against the very raison d’etre of the Fin and ignoring the reason The Fin reader _are_ readers of The Fin.
Maybe News didn’t make as much money as usual from the decision to continue publishing as usual throughout the break, but Murdoch’s guys are smart enough to know that part of the ‘contract’ with the reader is delivering daily what they want, and that what you lose on the swings you make up on the roundabouts.
28 Jan 10
3:31 pm
Having no vested interest I can tell you atht as someone who gets the Oz, AFR and SMH delivered to my desk every working day (and living in Sydney) I have shifted my main read from the SMH to the OZ over the past 6 months. I now frequently dont even bother to open the SMH – and only for a quick scan.
The Oz’s syndicated columns from US & UK are a particularly strong point of difference.
As I skipped work on Monday I did’t notice the AFR absence but agree that is poor form.