Community television is facing the axe — again.
The stations have been earmarked for eradication from our screens after Communications Minister Malcolm Turnbull suggested removing the stations’ broadcast spectrum licenses, to be put to use elsewhere.
It shouldn’t be a surprise. Free-to-air television has always been a challenge of practical limitations. The rarity of broadcast spectrum — the radio waves over which TV is transmitted — as well as the cost of doing business, means broadcasters have always faced a choice of what they air, how they air it and when.
Procurement is always a hot button issue in agency land. Navigare’s Jeff Estok argues that clients and agencies need to understand the different types of procurement and to nail down the detail of their expectations.
We all know there are three sides to every story. Your side; their side; and the truth, which often sits somewhere in between. Read more »
Take the hypothetical chief marketing officer of an even more hypothetical major brand. What does he or she really think of the agencies and people they work with? What are their challenges and frustrations? And what don’t those agencies know? Based on in-depth, off-the-record conversations with a string of senior marketers, Nic Christensen puts himself in the client’s shoes.
I’m going to begin with a confession: there’s a lot that I don’t tell my agencies. Read more »
The nature of communications planning has changed dramatically in recent years, Naked Communications cofounder, Will Collin argues that agencies need to focus on reciprocity rather than engagement if they are to win the fight to capture consumer attention.
Communications planning, or connections planning, or whatever you call it, is a discipline in crisis. I say that as someone closely involved in its development, with no small amount of my professional life spent promoting its cause to clients and industry alike.
So it gives me no pleasure to condemn it. Read more »
Former Sunrise executive producer Adam Boland spoke to Miranda Ward about how his new memoir Brekky Central is mostly about his own failings, and why he can never return to commercial TV.
Adam Boland admitted he was caught “on the hop” when his memoir, which details both his time at Seven and Ten, was rushed into bookstores today following court action from Seven, but claimed “if anyone gets heavily criticised in the book, it’s me”. Read more »
Most brands and agencies aim to create seamless experiences for people. We design them to be easy, coherent and united across channels. Most of the time, that’s great. It means a world where things just work, quickly and well.
But for brands it is dangerous, because ultimately it could also lead to a world of bland sameness. Read more »
In this cross-posting from The Conversation Craig Batty of RMIT University argues most Australian TV drama is lacking one essential element: drama.
After a spate of criticism around brand journalism Tracey Fitgerald argues journalists need to be part of the solution, not the problem.
Having just returned from a week working on a client project in Nepal, I cannot explain how frustrating is to read articles by fellow writers and journalists who are quick to criticise the term ‘brand journalism’ and pick holes in what they deem to be a contradictory term. Read more »
With reports Australians are increasingly looking to overseas streaming services for their content Ramon Lobato and Scott Ewing of Swinburne University of Technology look at the numbers in a cross-posting from The Conversation.
In recent months there have been many reports of Australians covertly signing up for the US streaming service Netflix, using fake postcodes and software workarounds to fool its geo-blocking system.
With Ten’s new drama Party Tricks set for an October 6 premiere, coverage has focused on the social media campaign to promote the show. In advance of the screening, Ten has created in-character accounts for the lead characters, Kate Ballard (Asher Keddie) and David McLeod (Rodger Corser).
But to date there’s been a relative lack of buy-in to the campaign from the social media public. Read more »
If you’ve spent any time on the internet recently, you could be forgiven for thinking Apple just invented the smartwatch. Read more »
With consumers increasingly concerned about their personal data on social media Luke Heemsbergen of the University of Melbourne looks at new ad-free platform Ello, and what it will mean for the privacy debate in a cross-posting from The Conversation.
Droga5 executive creative director and partner Ted Royer sat down with Miranda Ward at Spikes Asia to discuss his experience as president of the jury for film, print, outdoor and radio, the changing creative landscape in the region and plans for a Droga5 Asia office.
After being the Jury president across the traditional categories, what do you make of the state of creativity in the region?
I was a little bit nervous before coming out here because in past years I had heard some of my more cynical friends say that Asian advertising hadn’t really moved on from a lot of the formulas of the past. I think that’s bullshit. Read more »
I joined the 21st Century on Sunday and bought my first flat screen TV. It’s a 40-inch smart TV, with full HD of course, that’s standard. Now all I need to find is something to watch on it.
After recently giving up some time to mentor students Jaid Hulsbosch asks why the industry isn’t doing more to help nurture future talent.
A recent opportunity to reflect didn’t involve a spiritual retreat or a bucket list review or a winter mood rebalance at a luxe resort. It simply provided a time to reassess one of the edicts of good karma and a recommitment to ‘giving back’ to the industry for a purposeful corporate journey. Read more »
BBH China chief creative officer Johnny Tan sat down with Miranda Ward at Spikes Asia to discuss the need for creative nuance in China, the overuse of the word content, risk averse clients causing scam and how hard it is to find staff with talent.
How can international or Australian brands flourish in China?
I think from an advertising standpoint the most important thing is for brands to stay curious about this culture and be respectful about it.
I’ve worked on many global brands where they’re from the perspective of New York or London or even in this region, and far too often there are people who still talk about ‘one size fits all’, ‘why can’t we just re-cast in Asians but in the same spot?’ Or ‘oh yeah, this is a universal truth it will work everywhere’. No it isn’t, the nuances are so different. Read more »
The latest responsible drinking campaign from DrinkWise is a cleverly disguised beer ad, not a public health message, argues FARE’s Michael Thorn.
The alcohol industry’s latest beer advertisement masquerading as a public health message was created, according to DrinkWise, ‘to promote a safer healthier drinking culture by keeping the event the focus, not the drinking’.
Perhaps something was lost in translation, although this seems unlikely with one of the country’s smartest ad agencies, Clemenger BBDO on the job. More likely, DrinkWise, an industry financed and controlled body, just couldn’t help themselves. Read more »
A hush falls over the boardroom as the CMO delivers his six-months-in-the-making strategy; a strategy, if rumours are to be believed, that will revolutionise the way business is done and, in one fell swoop, drag the company kicking and screaming into the modern marketing era. Read more »