All distributors, big and small, have hits and disappointments; it’s the nature of the business. Encore spoke with a number of distribution executives about their year and their relationship with Australian films.
The last 18 months have seen an unusual number of Australian films cross the $1m line, with Mao’s Last Dancer ($15.4, Roadshow/Hopscotch), Bran Nue Dae ($7.5m, Roadshow), The Kings of Mykonos: Wog Boy 2 ($4.9m, Paramount/Transmission), Animal Kingdom ($4.3m, Madman), Charlie & Boots ($3.9m, Paramount/Transmission), Beneath Hill 60 ($3.2m, Paramount/Transmission) and Samson & Delilah ($3.2m, Paramount/Transmission/Footprint) all delivering strong results – they may not all have made their budget back, but it’s a step forward in recapturing local audiences beyond niche numbers. Read more »
Currently running on the home page of YouTube is a promotion for the Subaru XV Rescue campaign.
The accompanying video ad features a car bombing about what looks like Sydney’s The Rocks. Read more »
Although I didn’t realise it at the time, looking back I know the moment when I fell out of love with Foursquare. Read more »
The ‘Harold rumour’ rarely goes away.
Last time round WPP was rumoured to be looking at buying Mitchell Communication Group. On another occasion one of the trade magazines hoaxed a rival into reporting that Telstra was the buyer.
This time, the rumour appears to have a great deal more substance. Read more »
I was, I must confess, mistaken about last night’s Gruen Nation. Read more »
Eight years ago Barrett stayed at the first cast concrete lighthouse in Australia, Green Cape, in southern NSW – it now provides accommodation for visitors. She was there doing research for a film she had written, about whaling in the early 1900s. Read more »
In Australia, there is a lingering perception that the arts are an optional extra rather than an essential component of a contemporary nation, with tangible economic and social benefits. This perception casts artists as applicants and supplicants rather than as serious contributors to national wellbeing.
Julianne Schultz on Australia’s cultural global presence (or lack thereof). Read more »
I hope the ABC moves quickly to freshen up the promos for the new service [...] For the Homer Simpson “Doh” award, I nominate the line: “The best thing about 24-hour news is that things happen when they’re not expected.” Hey, who would have thought it?
Mark Day on the launch of the ABC News 24 channel
The wheels have been turning in South Australia to bring the state’s film industry to the forefront of the entire nation. Micah Chua reports on the state’s progress and finds out just how this ambitious goal is being acted out.
The vision for the South Australian Film Corporation (SAFC) as stated in their Strategic Plan for 2012 is to have SA ‘recognised globally as the most dynamic screen industry in Australia’, with measurable targets such as doubling the state’s feature production by 2014 and increasing the number of credited producers and writers in the state. Read more »
In this guest posting, Tactical TV’s Tony Richardson argues that Masterchef shows Australian TV audiences are ready for multiculturalism but not older faces
When the popularity of a TV show bumps the prime minister and the leader of the opposition to an earlier time slot, you know you have a phenomenon. Read more »
So yesterday Fairfax launched its Sydney Morning Herald iPad app. The strategy – designed to shore up print – and the execution – already derided by users as a “glorifed PDF reader” – are both laughable.
If there were ever doubts that Fairfax is two companies pulling in different directions, then the handling of the iPad app dispels them. Read more »
Gone are the days when TV networks only had to compete with a few rivals to get the attention of potential viewers. Creating compelling content is only the beginning; in a world of fragmented audiences and thousands of platforms and products competing for the same eyeballs, everyone is trying to stand out. Miguel Gonzalez reports.
It’s no secret that television has become a segmented market where audiences are no longer limited by the offerings of the five networks that for years were Australia’s preferred source of entertainment and information. It is a world of multi-channels, pay TV, IPTV, games and an explosion of local and international content available at home or on the go. All of these options are competing for the same viewers so, more than ever, broadcasters must remain visible and attractive. Read more »
So would you watch a kettle boiling? The weekend magazines carriedied an unusual ad.
It was a plain, unbranded address for the url Life is too short.com.au. Read more »
After Mumbrella criticised the Facebook campaign by Sensis to give socks to the homeless, we invited the brand to explain its thinking. In this guest posting, Sensis communications manager Danielle Horan explains the background to the idea
The debate about the intention behind the Sensis 1234 Warm Up campaign certainly unearthed a range of differing opinions. Read more »
I often enjoy giving the Hungry Jack’s ads a kicking, so it’s good to see a new one where there’s an interesting idea. Read more »
As an occasional media commentator, I’m sometimes asked: ‘Tell me Tim. Given that politicians want to engage the electorate beyond the hardcore politics junkies, would it be a good idea to schedule the leaders’ debate at the exact same time as the final of Masterchef, arguably Australia’s favourite TV programme and likely to be the most watched show of the year?” Read more »
If you read the last few days’ papers, you would think that the Twitterati will decide the outcome of the election. Read more »
While any brand has to worry about the legal implications of running a contest, there does come a point where the entire thing looks so unappealing it may be worth going back to the drawing board. Read more »