-
Opinion | Features
My memo to your boss
So let me guess?
You really want to come to Mumbrella360, but you’ve got to justify the time and cost to your boss?
Good news! I think I can help.
Woz not great
In this guest post Tony Prysten argues that the thousand dollar price of seeing out-of-touch Apple co-founder Steve Wozniack on his Australian tour was a waste of money.
This week, for the cost of two iPads (yep, two) I went to the Woz Live conference in Melbourne. I was not impressed.
What the hell is transmedia?
From advertising campaigns to online video series, the term ‘transmedia’ gets quite the work out. But what does it actually mean? Cathie McGinn trawls the media landscape for a definitive definition.

Transmedia, all media and multiplatform are terms often used interchangeably when referencing modern storytelling techniques. Yet, depending who you speak to, there are distinct differences between them.
According to industry experts Encore spoke to, the key elements that define transmedia can be summarised as follows: platform, time, audience, adaptation, and creative collaboration.
Innovation is the remedy for the ailing magazine industry
With magazine circulations plummeting, FHM closing and rumours rife on future ownership of ACP Magazines, Paul Merrill says the only way forward is launching new titles.Eight years ago in the UK, nearly a quarter of all magazine sales came from magazines that were less than four years old. In Australia, the figure was slightly lower, but still significant. Today, the situation is very different. For a start there are so few new magazines. Yes, Masterchef briefly flared, and Top Gear made an initial impact. But Grazia and Alpha fizzled, and now ACP has shelved their plans to launch Elle.
More than a game: broadcasting the Olympics
The 2012 London Olympics will be the biggest televised sporting event of our time. Brooke Hemphill discovers the logistical challenges and technical requirements of producing the event.
From July 27 to August 12, the Australian media will go sport crazy as the Games of the XXX Olympiad, aka the 2012 London Summer Olympics, unfold. The games will be the most televised sporting event of our time as broadcasters look to master every manner of technology at their disposal.
The Voice - Australia's best example yet of social TV
I am an addict of Channel Nine’s hit show The Voice. Such is the extent of my addiction I seriously think my housemate might kick me out of our apartment for the semi-frenzied yelling and tweeting that ensues in our lounge room each time the show airs.It’s the first time in almost three years that such disagreement has resulted in less than civil behaviour towards one another, and it’s made me think it might be a microcosm of the large volume of online debate about the show and, correspondingly, an explanation for its success as a social TV experience.Why brands are the US Army - and culture jammers are the Viet Cong
In this guest posting, Dave Burgess, who painted ‘No War’ on the Sydney Opera House, claims that ‘amoral’ advertisers have copied his idea.
Culture jamming is a 28-year-old term coined by the San Francisco-based band Negativland, who declared that the ‘Studio for the cultural jammer is the world at large’.
Branded content is dead. Long live branded content
In this guest posting, Anthony Freedman argues why branded content is making a comeback.
A few short years ago, probably concurrent with the advent of the PVR, a new term emerged within the marketing communications industry; branded content. This was really synonymous with advertiser funded TV shows where programming was created by brands and deals struck with networks to broadcast them.
There were varying degrees of success with this model.
Shock advertising: 30 ads that would give Australia's ad watchdog a coronary
Is shock an underused weapon in Australian advertising, asks Robin HicksToday, Sydney agency The Cabana Boys used an image of a mouth sewn together to shock people with the idea that problem gamblers lie to conceal their habit. Is it the most disturbing image ever? No. Will it get banned by the Advertising Standards Bureau? No. But it did make me wonder why shock is not used more often in Australia – and not just by charities and government bodies. (WARNING: NSFW)
The making of ratings blockbuster The Voice
Jason Mountney goes on the set of Channel Nine’s talent search series, The Voice, to see how the format, based on an international franchise, has come together. What ingredients have gone into making this certified hit that’s rated more than two million viewers on three consecutive nights?
Mike Goldman has one of the toughest jobs on the set of the Nine network’s new talent show, The Voice. He not only has to narrate the show, but also keep the audience from losing their enthusiasm as they realise shooting TV programs takes a lot longer than the one-hour bursts they see in their lounge rooms. A lot longer.
Nine problems stopping The Global Mail from getting an audience
While it’s a shame The Global Mail has failed to make an impact on the media landscape, the signs have been there for some time.I love the concept of a well resourced, philanthropically-funded independent news site. Anywhere in the world, that’s a rare and wonderful thing. In Australia even more so. So I hope that Grame Wood gets to see his investment make a difference.
And I have no inside info on whether Monica Attard’s sudden departure is linked to the site’s failure to find an audience so far.
Regardless, here are nine areas they can easily start to address:
Journalism’s new model?
Does the launch of philanthropically funded news site The Global Mail signal a new era for journalism or is the model destined to be a passing fad, asks Cathie McGinn in this article first published in Encore magazine.With little fanfare, philanthropically funded news site The Global Mail launched in February this year.
The online-only title received a generous five-year funding commitment from businessman Graeme Wood, founder of accommodation website wotif.com, who donated $15million.
Five things that make a great suit
In this guest posting, Gareth Collins argues that the role of a great account manager is to make the work betterI’m surprised at how many suits I meet who don’t know their role in the advertising business. The question ‘what does an advertising account manager or director do?’ is frequently met with answers such as project manager, relationship manager, plate spinner or go between … and those are the nice ones.
Success is judged on the ability to manage a process, be strong administratively and get stuff done. And while a good suit needs to do all of these things brilliantly, if these are the traits that define a great suit, then I’m in the wrong job.
What the hell is transmedia?
From advertising campaigns to online video series, the term ‘transmedia’ gets quite the work out. But what does it actually mean? Cathie McGinn trawls the media landscape for a definitive definition.
Transmedia, all media and multiplatform are terms often used interchangeably when referencing modern storytelling techniques. Yet, depending who you speak to, there are distinct differences between them.
The top seven...most patronising pieces of communication
Sometimes brands have big ideas. Sometimes marketers get so caught up with a grandiose idea that instead of finding engaging ways to sell breakfast cereal, they start to believe their own rhetoric. And sometimes it’s just lazy marketing. Here are my top seven inadvertently patronising pieces of communication…
1) Last night thousands of women gathered in Sydney’s Centennial Park to take part in She Runs the Night, an event created by Nike.
Eleven of the world’s best ads
Last week saw the Cannes Lions advertising awards – a global competition showcasing the world’s best ads.
It was a poor year for Australia (and indeed downright disastrous in the print category) but there were plenty of good ads from the rest of the world.
For those unfamiliar with the Lions, over a week, trophies are handed out across every advertising discipline, to agencies from across the world.
As well as Bronze, Silver and Gold, the ultimate winner of each category picks up the Grand Prix. In theory, it’s a list of the world’s best ads.
So here, based on the Cannes Lions juries’ verdicts, are the world’s 11 best ad campaigns of the year (you can click on the links to read more about the strategies behind them):
Film: Wieden + Kennedy Portland, USA – Old Spice – ‘The Man Your Man Could Smell Like’
Film Craft: RSA Films, London – Philips Cinema TV – ‘The Gift’.
Integrated Wieden + Kennedy, Portland’s, ‘Livestrong’ for the Nike Livestrong Foundation
Titanium: Crispin Porter + Bogusky, Boulder – Best Buy’s ‘Twelpforce’
Press: ALMAPBBDO São Paulo, Brazil – Billboard magazine

Outdoor: Anomaly New York – Diesel Apparel

Direct: Special Group, Auckland – Orcon + Iggy Pop
Cyber: DDB Stockholm – VW – The Fun Theory & Livestrong Nike Chalkbot (as above)
Radio: No Grand Prix awarded
Promo: TBWA\CHIAT\DAY LA, USA – Gatorade – Replay
Design: Happiness Brussels – IQ font – Toyota
Grand Prix for Good: Abbott Mead Vickers BBDO, London – Metropolitan Police – ‘Choose a Different Ending’
-
-
Follow Us
-
Email Newsletter
-
-
Dr Mumbo
Latest Comments
- Dr Oyvind on The final piece of the Can’t teaser – a jigsaw puzzle
- Clive Burcham on The final piece of the Can’t teaser – a jigsaw puzzle
- Jacob on Reed Pacific Media axes editorial team, ‘We need to focus on staff who make us money, not those just producing content’
- AdGrunt on Greenpeace says KFC is ‘Junking the jungle’ by sourcing paper from Solaris
- Rob on A Current Affair: We’re not grubby journalists
- Rob on Help us crowd source a crowd sourcing sceptic for Mumbrella360
- Steve Fontanot on Locked and unloaded
- Caspian Smith on A Current Affair: We’re not grubby journalists
Latest Jobs- Strategy Director - Sydney
- Marketing/Project Manager - Crows Nest, Sydney
- BDM Mobile Specialist - Sydney
- National Account Manager - Pyrmont NSW
- Account Manager Advertising Media - Sydney CBD
- Strategic Integration Manager - $140,000 package - Sydney
- Ad Sales and Business Development - Sydney CBD
- Customer Service / Social Media Superstar - Sydney
- Business Development Manager Outdoor Senior Role - Sydney CBD
- Junior Digital Producer - sydney
F.Y.I.
- Populace appointed by app publisher Sportsmate to rep Victorian media sales
- Play Communication appoints Jenna Setford
- St Kilda Film Festival announces nominees
- CumminsRoss hires new director for its Adelaide agency
- Bruce Mackenzie appointed VP of GreenLight
- BlueArc Group appoints Joe Smith
- Naked Singapore managing partner Richard Leong departs
- SBS appoints new online sales manager
Most Discussed
- TAC campaign urges bikers to slow down
With 144 comments - Kyle straddles the line with the spider baby
With 88 comments - LAFHA chaos as overseas staff excluded from transition period
With 76 comments - Two year LAFHA reprieve for overseas agency staff already in place
With 72 comments - BlackBerry confirms it is behind 'Wake up' campaign
With 70 comments - Treasury launches fortnight of consultation on LAFHA legislation
With 63 comments - SATC exposed for paying celebs to tweet about Kangaroo Island, agency: 'It's not illegal'
With 62 comments - Why media agencies suck at Facebook advertising
With 55 comments
- TAC campaign urges bikers to slow down


Comments
28 Jun 10
2:33 am
Awesome stuff))
28 Jun 10
11:57 am
hate to be a party pooper but the AMV ad is a direct copy of a BRILLIANT idea 7 years ago by publicis dialog which won the dma grand prix at the time.
See some details here
http://www.marketingmagazine.c.....-activity/
This campaign actually generated 10% – yes 10% – donation to eyeballs ratio!
Can’t wait for the internet on TV over here
28 Jun 10
1:08 pm
Choose a different ending has to be one of the most innovative and immersive campaigns that I have come across in a long time. They deserve the Grand Prix and I hope the results were what they planned on achieving. Congratulations to everyone involved.
28 Jun 10
5:59 pm
How is this a poor year for Australia? 44 lions in total by my count, a Grand Prix for media, and 11 Golds in total. Not too shabby at all for a nation of twenty-something million.
What would have been a more appropriate figure?
28 Jun 10
6:10 pm
Hi Mg,
Fair point – At the time I wrote that post, I didn’t have the final results. The solid performance in the final day’s Film Lions lifted things back up somewhat – not quite as good as last year’s Best Job- driven highs, but not bad.
Cheers,
Tim – Mumbrella
29 Jun 10
1:40 am
Tim, I’ve just worked out the world rankings for 2010 Cannes Lions: Australia once again ranked #6; NZ placed equal 9th. A bloody good performance by the Australasians… http://www.campaignbrief.com/2.....-aust.html
29 Jun 10
1:46 am
In your list above you haven’t included Australia’s Media Lions Grand Prix, won by Leo Burnett Sydney for Canon ‘EOS Photochains’:
http://www.campaignbrief.com/2.....out-m.html
29 Jun 10
8:46 am
Samsung Canada ran an awesome ‘choose your own adventure’ style you tube campaign in 1998. Let the instinct guide you – http://www.youtube.com/watch?v=HoOCiaxIZF4
29 Jun 10
10:32 am
Hi Lynchy,
It was deliberate. I left out the PR Grand Prix too. I’m not sure you could count media and PR as advertising.
Cheers,
Tim – Mumbrella
29 Jun 10
11:38 am
Pretty serious omission if you’re going to categorise our showing as ‘poor’.
‘Everything under Australia’s media and marketing umbrella.’
30 Jun 10
3:54 am
Tim, doesn’t Mumbrella stand for everything under the media and advertising umbrella? I think our industry should definitely be celebrating an idea for a major brand, Canon, which transcends both the advertising and media industries. This idea is world class and shows that no matter which banner you march under, media or advertising, we are all lead by great ideas. Pretty massive omission.
30 Jun 10
9:48 am
Hi Advermedia person,
I totally agree that all comms ideas are worth celebrating. But it just so happens that this particular post was about the best creative campaigns.
Being the media category, the grand prix will have been given for the media thinking, not the execution.
Cheers,
Tim – Mumbrella
1 Jul 10
12:41 am
Thanks for your reply Tim. However I have to say your thinking is pretty old school. This same ‘media thinking’ also picked up a gold in Direct at Cannes and was a recent Silver winner at Clio in Integrated. Trust me, you don’t win in media without a great creative execution. Would you have posted LynxJet a few years ago?
Also, #6 in the world for Australia is a bloody great year. Spread the love my friend. The slaughtering of Droga 5 is a bit rough as well. I guess everyone’s entitled their opinion but surely there is something positive happening in the world.
1 Jul 10
9:58 am
I don’t think I disagree, Advermedia. It’s good media thinking.
But again, it’s not the ad that won the award, it’s the media strategy.
It so happens that the same agency did both (which in itself is a massive criticism of the Cannes Media Lions – media agencies don’t seem to have the award-entering skills to win this category, so it tends to be dominated by ad agencies. You put your finger on it: “you don’t win in media without a great creative execution”. isn’t that a big flaw of the category?)
Again, this post is the best ads, not the round-up of grand prix winners, or round-up of best communication ideas (to include the PR category too). There’s a place for that, but this piece isn’t it. If I was doing a post on the ten bets PR camapigns (which seems like a good idea, actually), I wouldn’t include ads.
Cheers,
Tim – Mumbrella
1 Jul 10
3:19 pm
Media agencies certainly do have the award entering skills. OMD Auckland won the Media Lions Grand Prix in 2007, Universal McCann Sydney won it in 2006 and in 2002, Mediacom Tel Aviv in in 2005, OMD Santiago in 2004 and 141 Palace Plus Auckland in 1999
1 Jul 10
3:26 pm
By the way, while Leo Burnett Sydney entered Canon EOS Photochains, some credit should also go to media agency MEC Sydney.
2 Jul 10
12:01 am
lynchy. stop.
2 Jul 10
8:02 am
16, so if MEC Sydney had bothered to enter the award they would have won the Media Grand Prix? Bet they wish they made the effort!
And if they were the media agency how could Leo Burnett win it?