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Opinion | Features
My memo to your boss
So let me guess?
You really want to come to Mumbrella360, but you’ve got to justify the time and cost to your boss?
Good news! I think I can help.
Woz not great
In this guest post Tony Prysten argues that the thousand dollar price of seeing out-of-touch Apple co-founder Steve Wozniack on his Australian tour was a waste of money.
This week, for the cost of two iPads (yep, two) I went to the Woz Live conference in Melbourne. I was not impressed.
What the hell is transmedia?
From advertising campaigns to online video series, the term ‘transmedia’ gets quite the work out. But what does it actually mean? Cathie McGinn trawls the media landscape for a definitive definition.

Transmedia, all media and multiplatform are terms often used interchangeably when referencing modern storytelling techniques. Yet, depending who you speak to, there are distinct differences between them.
According to industry experts Encore spoke to, the key elements that define transmedia can be summarised as follows: platform, time, audience, adaptation, and creative collaboration.
Innovation is the remedy for the ailing magazine industry
With magazine circulations plummeting, FHM closing and rumours rife on future ownership of ACP Magazines, Paul Merrill says the only way forward is launching new titles.Eight years ago in the UK, nearly a quarter of all magazine sales came from magazines that were less than four years old. In Australia, the figure was slightly lower, but still significant. Today, the situation is very different. For a start there are so few new magazines. Yes, Masterchef briefly flared, and Top Gear made an initial impact. But Grazia and Alpha fizzled, and now ACP has shelved their plans to launch Elle.
More than a game: broadcasting the Olympics
The 2012 London Olympics will be the biggest televised sporting event of our time. Brooke Hemphill discovers the logistical challenges and technical requirements of producing the event.
From July 27 to August 12, the Australian media will go sport crazy as the Games of the XXX Olympiad, aka the 2012 London Summer Olympics, unfold. The games will be the most televised sporting event of our time as broadcasters look to master every manner of technology at their disposal.
The Voice - Australia's best example yet of social TV
I am an addict of Channel Nine’s hit show The Voice. Such is the extent of my addiction I seriously think my housemate might kick me out of our apartment for the semi-frenzied yelling and tweeting that ensues in our lounge room each time the show airs.It’s the first time in almost three years that such disagreement has resulted in less than civil behaviour towards one another, and it’s made me think it might be a microcosm of the large volume of online debate about the show and, correspondingly, an explanation for its success as a social TV experience.Why brands are the US Army - and culture jammers are the Viet Cong
In this guest posting, Dave Burgess, who painted ‘No War’ on the Sydney Opera House, claims that ‘amoral’ advertisers have copied his idea.
Culture jamming is a 28-year-old term coined by the San Francisco-based band Negativland, who declared that the ‘Studio for the cultural jammer is the world at large’.
Branded content is dead. Long live branded content
In this guest posting, Anthony Freedman argues why branded content is making a comeback.
A few short years ago, probably concurrent with the advent of the PVR, a new term emerged within the marketing communications industry; branded content. This was really synonymous with advertiser funded TV shows where programming was created by brands and deals struck with networks to broadcast them.
There were varying degrees of success with this model.
Shock advertising: 30 ads that would give Australia's ad watchdog a coronary
Is shock an underused weapon in Australian advertising, asks Robin HicksToday, Sydney agency The Cabana Boys used an image of a mouth sewn together to shock people with the idea that problem gamblers lie to conceal their habit. Is it the most disturbing image ever? No. Will it get banned by the Advertising Standards Bureau? No. But it did make me wonder why shock is not used more often in Australia – and not just by charities and government bodies. (WARNING: NSFW)
The making of ratings blockbuster The Voice
Jason Mountney goes on the set of Channel Nine’s talent search series, The Voice, to see how the format, based on an international franchise, has come together. What ingredients have gone into making this certified hit that’s rated more than two million viewers on three consecutive nights?
Mike Goldman has one of the toughest jobs on the set of the Nine network’s new talent show, The Voice. He not only has to narrate the show, but also keep the audience from losing their enthusiasm as they realise shooting TV programs takes a lot longer than the one-hour bursts they see in their lounge rooms. A lot longer.
Nine problems stopping The Global Mail from getting an audience
While it’s a shame The Global Mail has failed to make an impact on the media landscape, the signs have been there for some time.I love the concept of a well resourced, philanthropically-funded independent news site. Anywhere in the world, that’s a rare and wonderful thing. In Australia even more so. So I hope that Grame Wood gets to see his investment make a difference.
And I have no inside info on whether Monica Attard’s sudden departure is linked to the site’s failure to find an audience so far.
Regardless, here are nine areas they can easily start to address:
Journalism’s new model?
Does the launch of philanthropically funded news site The Global Mail signal a new era for journalism or is the model destined to be a passing fad, asks Cathie McGinn in this article first published in Encore magazine.With little fanfare, philanthropically funded news site The Global Mail launched in February this year.
The online-only title received a generous five-year funding commitment from businessman Graeme Wood, founder of accommodation website wotif.com, who donated $15million.
Five things that make a great suit
In this guest posting, Gareth Collins argues that the role of a great account manager is to make the work betterI’m surprised at how many suits I meet who don’t know their role in the advertising business. The question ‘what does an advertising account manager or director do?’ is frequently met with answers such as project manager, relationship manager, plate spinner or go between … and those are the nice ones.
Success is judged on the ability to manage a process, be strong administratively and get stuff done. And while a good suit needs to do all of these things brilliantly, if these are the traits that define a great suit, then I’m in the wrong job.
What the hell is transmedia?
From advertising campaigns to online video series, the term ‘transmedia’ gets quite the work out. But what does it actually mean? Cathie McGinn trawls the media landscape for a definitive definition.
Transmedia, all media and multiplatform are terms often used interchangeably when referencing modern storytelling techniques. Yet, depending who you speak to, there are distinct differences between them.
The top seven...most patronising pieces of communication
Sometimes brands have big ideas. Sometimes marketers get so caught up with a grandiose idea that instead of finding engaging ways to sell breakfast cereal, they start to believe their own rhetoric. And sometimes it’s just lazy marketing. Here are my top seven inadvertently patronising pieces of communication…
1) Last night thousands of women gathered in Sydney’s Centennial Park to take part in She Runs the Night, an event created by Nike.
Fairfax answers video criticism
Fairfax Digital has undertaken a review of videos carried on its websites and removed a number that did not meet its “fair dealing” requirements following an item by Mumbrella over its appropriation of YouTube content.
Ricky Sutton, Head of Video at Fairfax, told Mumbrella that staff have been reminded of the company’s policy on fair dealing, which defines when it is acceptable to use content that has originated from elsewhere.
He said:
“Since your piece on Fairfax content theft on Mumbrella on Monday we have taken the following action to clarify our position on the issue you raised. As a result we have since;
“1. Removed any video that did not meet our existing fair dealing requirement.
“2. Re-iterated our existing policy, which governs fair dealing, to all our staff in Fairfax Digital Productions and spoken directly to senior staff. If future video material is either part of the news story or is itself the news story and where additional Fairfax Digital production value has been added, it can be used as editorial content, with any identifying marks clearly displayed and the source attributed. In any other instance we endeavour to contact the underlying rights holder to gain permission to publish through our player. If this permission cannot be obtained the aggregator’s player should be embedded.
“We will continue to use content from YouTube, under this policy. We currently publish over 1,100 videos a month, compared with around 700 at this time last year and try to ensure that our team adhere to the policies in place amidst this growth of interest in online video.”
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Comments
30 Jun 10
2:55 pm
i think you cut out his last line
“we will, of course, continue to play you videos when you don’t press play. cream – get the money – pageviews, pageviews, pageviews y’all
30 Jun 10
3:01 pm
Nice one Mumbrella. It really was complete hypocrisy for Fairfax to be using content like YouTube videos etc while all Publishers continue to cry foul over their own measly links and article descriptions being used on content aggregators. A bit out of whack.
30 Jun 10
3:25 pm
Mitch P- It’s not cool for Fairfax to pass off content it didn’t produce as its own. But I always thought that News Ltd didn’t like content aggregators, like Google, stealing their work; not Fairfax. I could be wrong…
30 Jun 10
3:40 pm
Content theft? This is how the big boys play: http://www.nytimes.com/2010/06.....?ref=media
30 Jun 10
5:21 pm
Why does every news article need a sketchily produced video with a half arsed voiceover to go along with it?
30 Jun 10
5:23 pm
And one that auto plays to boot!
As Ouchie said, pageviews, pageviews, pageviews.
30 Jun 10
5:58 pm
The good news is that you can go to a TV channels web site and read the news free of pesky videos… How funny is that!
30 Jun 10
7:01 pm
Fairfax: I am beginning to swerve your online newspapers, because you keep slowing down your pages and depleting my experience by showing crap videos.
If I want to watch video news I will go to Reuters, CNN, Youtube etc (where you get yours from…)
When I am reading your articles how about put the video (if you have to) at the bottom of the page and let me choose if I want to watch it.
- Oh, sorry or are you fooling your ‘video’ advertisers into thinking their ad’s are actually being watched when they are probably harming their brand because their ad’s are inconveniencing me!!!!!!!!!!!
Sort it out!!! Is there so much red tape at Fairfax that you cant see this annoyance?? Or do you not use your own news sites? have a try – click on a news article and see how your videos get on your nerves!!!
Nice work Tim on the initial post. A bit of a ‘Media Watch’ style success!!
30 Jun 10
9:28 pm
How does this use of a film trailer fit Fairfax’s ‘fair dealing’ requirement.
http://www.smh.com.au/lifestyl.....utostart=1
No genuine context, no comments….just ripping content to drive clicks and therefore ad revenue.
And I note this video was posted after Mr Sutton’s response to Mumbrella.
1 Jul 10
8:49 am
has anyone noticed that Fairfax Dig will run irrelevant videos next to stories – in a desperate grab for revenue at any cost.
The difference between their print and digital products is ridiculous. Digital product is right at the low end of Demand Media/ehow clicks at any cost approach … print product still has some pride.
1 Jul 10
11:12 am
Ouchie and Anon-Coward- would you rather pay to read the SMH online or put up with a few annoying ads?
I for one would rather read it for free.
It’s a pity that websites like Crikey didn’t try other avenues before going to pay for content format.
1 Jul 10
11:22 am
Pay! Think of it this way – Advertising only funded online news sites will be the MX of news, while subscription based ones will be like newspapers with a cover-price. Personally, I would pay to get quality reporting and clarity of what is editorial and what is advertorial. And free from Youtube journalism! Really, c’mon!
1 Jul 10
11:32 pm
Sure have, Value Guy. Sometimes videos from days earlier are ending up ‘autoplaying’ on new stories. Guess that policy will continue until Tim decides to write a criticism of it – then Fairfax will suddenly realise that readers hate it and change their policy, like they didn’t already know.