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Opinion
What's in a name?
In this guest post, Moensie Rossier wonders about the power of names for brands and marketers.
Brands have been having a bit of fun with names lately, not to mention a fair bit of success. Interbrand just named a headhunting firm Cloak & Dagger. And ‘Share a Coke’ showed how much power there is in a name.
The Coke campaign effectively short-circuited the usual mechanics of communication. It undoubtedly stroked people’s egos. But, I believe, its success stems from the fact that it directly and automatically affected people’s behaviour, rather than doing so indirectly by shaping attitudes.
Best ads from Super Bowl 2012
The Super Bowl is all done and a team from North America won. But as well as some sort of sporting event, it’s the world’s biggest advertising showcase. See the best of them right here… and please tell us what you think.
How to debunk media myths
In this post, UWS’s Ullrich Ecker, John Cook and Stephen Lewandowsky argue that cognitive science can help PRs form strategies in managing media misreporting.
A growing cohort of commentators has bemoaned the descent of contemporary political “debate” into a largely fact-free zone.
How about simply focusing on what consumers want?
In this guest post, Peter Mountford argues that brands should think more about what is really going on for consumers
Who here is hoping their favourite brand of toilet paper is going to be organizing a flash mob on their way home from work today?
What the Optus web copyright victory means
In this analysis first published on The Conversation, RMIT’s Marita Shelly examines the implications of Telstra’s defeat over the online rights to the AFL broadcast deal
This week’s Federal Court ruling that Optus customers are able to view sporting matches minutes after they are streamed live without breaching copyright is a landmark decision that alters our understanding of copyright law, and has significant implications for the AFL’s broadcasting rights deal.
Does Gina Rinehart’s bite of a chunk of Fairfax make her an oligarch?
In an article that first appeared in The Conversation, Mark Rolfe wonders whether the mining magnate’s move could turn Fairfax into something resembling America’s Fox network.
Australia’s richest person Gina Rinehart has moved to increase her stake in Fairfax Media, owner of The Age, Sydney Morning Herald and a number of radio stations. Rinehart has already shown her desire to play a role in public life, campaigning against former Prime Minister Kevin Rudd’s aborted mining tax. She has also demonstrated a willingness to make media investments to ensure her pro-business worldview is promulgated.
What does this latest move by Rinehart mean?
Gillard's Australia Day crisis
PM Julia Gillard’s media adviser Tony Hodges has been forced to resign over the Australia Day tent embassy debacle.
It came after it emerged he had revealed opposition leader Tony Abbott’s whereabouts, leading to both politicians being rescued by police in ugly scenes.
Mumbrella editor Tim Burrowes and advertising practitioner Jane Caro debate the topic on Weekend Sunrise’s masters of Spin segment:
The biggest cock-up I made in business
In this guest post, Chris Savage urges agency staff to live the brand.I still shudder when I think about how incredibly stupid I was when I made the biggest stuff up of my career. And then, 18 years later, I did it again. Do not make this mistake with your clients. Ever.
Hey Groupon. Thanks for fucking up email
In this guest post, Daniel Monheit warns that group deal overload is devaluing email marketingEmail marketing used to be fabulous. Back in the heady days of 2010, brands would work hard to build up well qualified databases, upon which they’d bestow carefully crafted correspondence filled with information, offers and incentives. The recipients, of course would be delighted: “Oh look! An email! From one of my favourite brands! And it’s 40 cents off at Woolies this week!”.
The staggering sway of Harold Mitchell
The Power Index today names Aegis Media chairman Harold Mitchell as the most powerful person in Melbourne. Andrew Crook profiles him.
Harold Mitchell takes pride in dispensing with the niceties. When The Power Index visited his South Melbourne private office before Christmas, fresh remains were scattered all over the boardroom table.
Share a Coke with… the moronic masses
The most-read story on Mumbrella last year, with not far off 100,000 page views, was a fairly humdrum yarn about the launch of Coca-Cola’s name-on-a-bottle campaign.The headline, “Coca-Cola puts people’s names on bottles in ‘Share a Coke’ campaign”, though hated by any self-respecting sub-editor, was loved by Google. And in rushed what can be politely described as the public.
Assumptions kill creativity
In this guest post, Gual Barwell disagrees that the sales success of the Old Spice social media campaign was overstated.Yesterday’s post from Cathie McGinn suggested the Old Spice campaign failed to connect with consumers. Based on the facts and figures, I disagree.
What Old Spice and Wieden + Kennedy has done and done phenomenally well is to create a franchise.
The SMH's readers (are wrong) editor
We are now about five months into the reign of Australia’s first readers’ editor. And I don’t think it is working.
It struck me at the time of Judy Prisk’s appointment to the Sydney Morning Herald that the fact that her boss was editor-in-chief Peter Fray was not going to be ideal if she was going to be the independent voice of the reader.
The emperor's new fragrance: Old Spice’s campaign failure
In this guest post, Cathie McGinn slays a sacred cow of 21st century marketing – the highly awarded Old Spice campaign.One of the biggest myths of recent times (by which I mean a story of great heroism and triumph we’d all like to believe but deep down know to be untrue) is the Old Spice social media campaign. It’s been much lauded and awarded as an example of outstanding content, a creative and collaborative way of connecting with consumers and driving a record increase in sales.
How reliable are radio ratings?

In this guest posting, Jason ‘Jabba’ Davis wonders how accurate radio ratings can be, since the data is collated from handwritten diaries.
So, the radio ratings season gets underway tomorrow. After a well-earned break, Australia’s commercial radio stations will renew their obsession with figures to see how many of us are listening. Are they winning or losing the ratings war?
The much feared radio survey is the only way to measure the success or failure of a station’s playlist, talent, promotions or even good old Black Thunder crosses. With six-figure salaries riding on the make-or-break nature of ratings, just how accurate are Australia’s radio survey results?
Freeview launches its ‘More Moments’ campaign
Freeview has launched its “More Moments” national marketing campaign with a 60-second TV roadblock across all of Australia’s free-to-air networks. The roadblock covered ABC, Nine, Prime, SBS, Seven, Southern Cross, Ten, WIN and their affiliate regional networks.
Created by Sydney agency Banjo, the spot shows significant Australian TV moments while the song Born Free plays.
However, the only digital channels so far launched that offer viewers an alternative to existing programming are Ten’s digital sports channel One, and ABC2.
Creative credits:
- Agency: Banjo
- Creative team: Georgia Arnott and Jon Burden
- Editor: Stuart Reeves
- Post production: Guillotine
The idea behind the ad, and the introduction bear some similarities to an advertisement created by Three Drunk Monkeys on behalf of Foxtel, which last year also used the “Good evening and welcome to television” clip featuring Bruce Gyngell:
Update: The Australian Financial Review quotes Freeview boss Robyn Parkes as saying that the target for the campaign is to raise digital penetration into households by 20% by the end of the year. Conceding there are no figures available yet, she said: “If penetration is 30% our aim is to increase it to 50%. If it’s 40% we want to get it to 60%.”
Meanwhile, The Australian says that the focus of the new campaign on five new channels is a “backtrack” in reaction to criticism that the previous promotion of 15 channels, which were mostly identical, was misleading.
Dr Mumbo
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Comments
26 Apr 09
7:08 pm
Oooh, thanks for the compare and contrast – Banjo? Aren’t they under Euro or something? I can’t remember..
I just saw the ad for the first time before, and thought it was the end of a news montage! I was quite drawn to it, but now that you show the Foxtel ad.. I guess, not as original as I thought it to be.
26 Apr 09
7:43 pm
I thought it was cool – made me remember lots of those times (or am I just too old now!!). See your point about the foxtel ad, but that is more about the actual tv sets rather than stuff we were watching, and I guess Channel 9 has more claim to Gyngell than foxtel. Overall I think Banjo did good for their first major gig – do they have any other major accounts?
26 Apr 09
7:44 pm
The Foxtel spot had a real charm and humanity about it, and did a lovely job of illustrating that theirs was the last word in technological innovation for TV.
The freeview spot leaves me a bit cold. It relies on borrowed interest news events. And the schmaltzy soundtrack manages to drain all of the emotional content from them. John Aloisi’s penalty always sends shivers down my spine – with the sound. And Hawkey’s quip about employers who sack people being bums. Needs the sound. A Pat Boone number best remembered for a cross-eyed lion just doesn’t have the same effect, I reckon.
26 Apr 09
9:08 pm
DK… I think you’ll find it was Matt Monro, not Pat Boone. Born Free was scored by John Barry, the same guy who gave us the score for Goldfinger and Out of Africa. Read all about him in the Feb issue of Vanity Fair – or online: http://www.vanityfair.com/cult.....arry200902
And that cross eyed lion was in the 1965 film, Clarence the Coss-Eyed Lion and later in the tv series Daktari – not Elsa in Born Free.
Anyway, I agree with your comments.
27 Apr 09
1:59 pm
Wow Freeview looks like a must have for everyone over 80.
I’m imagining JB HiFi is going to be packed with zimmer frames this morning.
27 Apr 09
2:27 pm
Hmm, leaves me cold I’m afraid. It gives me the impression that freeview’s full of repeats.
27 Apr 09
3:09 pm
With apologies. To the tune of Born Free.
Would love someone to sing this and dub it over the ad.
FREEVIEW
Freeview, well it just blows
Now watch the same shows
Or ones we didn’t want at the start!
Freeview. the future surrounds you
The downloads compond you
To an irrelevant life in the past
Freeview, your EPG divides you.
But PVRs are a roaring tide
And ICE TV had the victory!
Freeview, my life is worth living
Timeshift and torrent – no misgiving
’cause I’m free of programmer arrogancy!
Freeview the future surrounds you
But PVRs are a roaring tide
And ICE TV had the victory!
Freeview, my life is worth living
And here’s my misgiving
27 Apr 09
5:10 pm
Freeview = same shit in a crystal clear bucket if you get the reception; legoland if not.
Foxtel = same shit in a hardly clearer, certainly much, much bigger, less available and heartily paid-for, bucket; Austar if not.
Bring on the tailored viewing experience to stimulate this bucket of utter swill. Or a vertical model. Anything.
No wonder Australians have consistently trended to watch less TV per week over the past 4 years.*
* According to the graph on Ben Shepherd’s shocking site, which I’m not linking to and apparently shows a healthy TV market.