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Opinion | Features
My memo to your boss
So let me guess?
You really want to come to Mumbrella360, but you’ve got to justify the time and cost to your boss?
Good news! I think I can help.
Woz not great
In this guest post Tony Prysten argues that the thousand dollar price of seeing out-of-touch Apple co-founder Steve Wozniack on his Australian tour was a waste of money.
This week, for the cost of two iPads (yep, two) I went to the Woz Live conference in Melbourne. I was not impressed.
What the hell is transmedia?
From advertising campaigns to online video series, the term ‘transmedia’ gets quite the work out. But what does it actually mean? Cathie McGinn trawls the media landscape for a definitive definition.

Transmedia, all media and multiplatform are terms often used interchangeably when referencing modern storytelling techniques. Yet, depending who you speak to, there are distinct differences between them.
According to industry experts Encore spoke to, the key elements that define transmedia can be summarised as follows: platform, time, audience, adaptation, and creative collaboration.
Innovation is the remedy for the ailing magazine industry
With magazine circulations plummeting, FHM closing and rumours rife on future ownership of ACP Magazines, Paul Merrill says the only way forward is launching new titles.Eight years ago in the UK, nearly a quarter of all magazine sales came from magazines that were less than four years old. In Australia, the figure was slightly lower, but still significant. Today, the situation is very different. For a start there are so few new magazines. Yes, Masterchef briefly flared, and Top Gear made an initial impact. But Grazia and Alpha fizzled, and now ACP has shelved their plans to launch Elle.
More than a game: broadcasting the Olympics
The 2012 London Olympics will be the biggest televised sporting event of our time. Brooke Hemphill discovers the logistical challenges and technical requirements of producing the event.
From July 27 to August 12, the Australian media will go sport crazy as the Games of the XXX Olympiad, aka the 2012 London Summer Olympics, unfold. The games will be the most televised sporting event of our time as broadcasters look to master every manner of technology at their disposal.
The Voice - Australia's best example yet of social TV
I am an addict of Channel Nine’s hit show The Voice. Such is the extent of my addiction I seriously think my housemate might kick me out of our apartment for the semi-frenzied yelling and tweeting that ensues in our lounge room each time the show airs.It’s the first time in almost three years that such disagreement has resulted in less than civil behaviour towards one another, and it’s made me think it might be a microcosm of the large volume of online debate about the show and, correspondingly, an explanation for its success as a social TV experience.Why brands are the US Army - and culture jammers are the Viet Cong
In this guest posting, Dave Burgess, who painted ‘No War’ on the Sydney Opera House, claims that ‘amoral’ advertisers have copied his idea.
Culture jamming is a 28-year-old term coined by the San Francisco-based band Negativland, who declared that the ‘Studio for the cultural jammer is the world at large’.
Branded content is dead. Long live branded content
In this guest posting, Anthony Freedman argues why branded content is making a comeback.
A few short years ago, probably concurrent with the advent of the PVR, a new term emerged within the marketing communications industry; branded content. This was really synonymous with advertiser funded TV shows where programming was created by brands and deals struck with networks to broadcast them.
There were varying degrees of success with this model.
Shock advertising: 30 ads that would give Australia's ad watchdog a coronary
Is shock an underused weapon in Australian advertising, asks Robin HicksToday, Sydney agency The Cabana Boys used an image of a mouth sewn together to shock people with the idea that problem gamblers lie to conceal their habit. Is it the most disturbing image ever? No. Will it get banned by the Advertising Standards Bureau? No. But it did make me wonder why shock is not used more often in Australia – and not just by charities and government bodies. (WARNING: NSFW)
The making of ratings blockbuster The Voice
Jason Mountney goes on the set of Channel Nine’s talent search series, The Voice, to see how the format, based on an international franchise, has come together. What ingredients have gone into making this certified hit that’s rated more than two million viewers on three consecutive nights?
Mike Goldman has one of the toughest jobs on the set of the Nine network’s new talent show, The Voice. He not only has to narrate the show, but also keep the audience from losing their enthusiasm as they realise shooting TV programs takes a lot longer than the one-hour bursts they see in their lounge rooms. A lot longer.
Nine problems stopping The Global Mail from getting an audience
While it’s a shame The Global Mail has failed to make an impact on the media landscape, the signs have been there for some time.I love the concept of a well resourced, philanthropically-funded independent news site. Anywhere in the world, that’s a rare and wonderful thing. In Australia even more so. So I hope that Grame Wood gets to see his investment make a difference.
And I have no inside info on whether Monica Attard’s sudden departure is linked to the site’s failure to find an audience so far.
Regardless, here are nine areas they can easily start to address:
Journalism’s new model?
Does the launch of philanthropically funded news site The Global Mail signal a new era for journalism or is the model destined to be a passing fad, asks Cathie McGinn in this article first published in Encore magazine.With little fanfare, philanthropically funded news site The Global Mail launched in February this year.
The online-only title received a generous five-year funding commitment from businessman Graeme Wood, founder of accommodation website wotif.com, who donated $15million.
Five things that make a great suit
In this guest posting, Gareth Collins argues that the role of a great account manager is to make the work betterI’m surprised at how many suits I meet who don’t know their role in the advertising business. The question ‘what does an advertising account manager or director do?’ is frequently met with answers such as project manager, relationship manager, plate spinner or go between … and those are the nice ones.
Success is judged on the ability to manage a process, be strong administratively and get stuff done. And while a good suit needs to do all of these things brilliantly, if these are the traits that define a great suit, then I’m in the wrong job.
What the hell is transmedia?
From advertising campaigns to online video series, the term ‘transmedia’ gets quite the work out. But what does it actually mean? Cathie McGinn trawls the media landscape for a definitive definition.
Transmedia, all media and multiplatform are terms often used interchangeably when referencing modern storytelling techniques. Yet, depending who you speak to, there are distinct differences between them.
The top seven...most patronising pieces of communication
Sometimes brands have big ideas. Sometimes marketers get so caught up with a grandiose idea that instead of finding engaging ways to sell breakfast cereal, they start to believe their own rhetoric. And sometimes it’s just lazy marketing. Here are my top seven inadvertently patronising pieces of communication…
1) Last night thousands of women gathered in Sydney’s Centennial Park to take part in She Runs the Night, an event created by Nike.
GIO ad campaign focuses on ‘details’
GIO has launched its first major ad campaign since appointing Leo Burnett to the account in May, led by the brand proposition ‘We Cover Details’.
Michael Cook, executive manager, GIO marketing said the animated ads which uses poetic language, aims to capture “the mindset of our customers and our approach to insurance”.
Leo Burnett executive creative director, Andy Dilallo added: “To give GIO a unique, identifiable presence in a cluttered product category, we have created a world of charming, meticulous-natured animated characters.”
Swedish animators Against All Odds also worked in collaboration with Melbourne-based production company XYZ Studios to create the new visual style.
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Comments
4 Nov 09
9:29 am
Cute-ish ad – but where’s the extension of the proposition onto the website?
http://www.gio.com.au
4 Nov 09
9:44 am
Does there always need to be one?
4 Nov 09
9:56 am
Clinton, you are a tool!
It’s people like you who necessitates saturating ads with disclaimers. Get a life and google web addresses like everyone else in the world.
Great ad, top level animation and oh, make the logo 10% bigger for Clinton!
4 Nov 09
10:17 am
So you see children, it is possible to make an ad for a large financial services company that is enaging, relevant and with a singular brand proposition.
4 Nov 09
11:43 am
Adjusting the GIO logo on the mantlepiece is a bit twee! Was that part of a client request to feature the logo somewhere. The online campaign with over the page executions of the guy with his metal detector is just plain annoying!
4 Nov 09
12:11 pm
I like it. Gives me peace of mind that I’m not going to miss out / get stung for a clause in the small print. I hope they deliver on that…
4 Nov 09
2:25 pm
Is the TVC voiced by David Wenham? Sounds a lot like him…
4 Nov 09
4:10 pm
Hmm as art it seems ok, but as a selling tool I think it is highyl forgettable, might appeal to the 4 to 12 yr old demographic
4 Nov 09
4:10 pm
I was just commenting the other day on how creepy this ad is…is that just me?
4 Nov 09
5:16 pm
What are those crows saying????
4 Nov 09
5:22 pm
@Anonymous
What if
4 Nov 09
11:15 pm
I think the animation is amazing, more then solid effort. Hats off.
16 Nov 09
9:56 pm
GIO cant hide their image with animated characters
25 Nov 09
4:59 pm
Just have to say I F%$%@%ing this pathetic ad, I either have to block my ears or change stations, the massive noses on the “guy’s” but those F%#$ “crows” such a bloody annoying noise.
HATE HATE HATE it
28 Nov 09
12:23 am
Project GIO – Meticulous/Safety Net
Agency Leo Burnett, Sydney
Production company againstallodds/XYZ Melbourne
3D and post services Milford
Executive producer (XYZ) Hamish McDonald
Executive producer (againstallodds) Josh Thorne
Director againstallodds
Creative directors Derek Picken/Niklas Rissler
Producer Josh Thorne
Production coordinator Rima Kassar
Post Producer Johan Gustavsson
VFX Supervisor John Roxenhed
Animation Supervisor Jonas Moberg
Project Manager Martin Widö
Look Development Daniel Holmgren
3d Artists
Lead Robert Krupa
Dan Faxe
Jonas Laurell
Hannes Drossel
Stefan Lagerstam
Sebastian Ekman
Gustav Tell
Daniel Bystedt
Veronica Skogberg
Kristian Mårtensson
Animators
Lead Tommie Löfkvist
Jonas Forsman
Laurent Clermont
Calle Halldin
Kristian Rydberg
Tim Van Hussen
2d Artists Fredrik Pihl
Sophie Ljunggren
John Wallin