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Opinion | Features
My memo to your boss
So let me guess?
You really want to come to Mumbrella360, but you’ve got to justify the time and cost to your boss?
Good news! I think I can help.
Woz not great
In this guest post Tony Prysten argues that the thousand dollar price of seeing out-of-touch Apple co-founder Steve Wozniack on his Australian tour was a waste of money.
This week, for the cost of two iPads (yep, two) I went to the Woz Live conference in Melbourne. I was not impressed.
What the hell is transmedia?
From advertising campaigns to online video series, the term ‘transmedia’ gets quite the work out. But what does it actually mean? Cathie McGinn trawls the media landscape for a definitive definition.

Transmedia, all media and multiplatform are terms often used interchangeably when referencing modern storytelling techniques. Yet, depending who you speak to, there are distinct differences between them.
According to industry experts Encore spoke to, the key elements that define transmedia can be summarised as follows: platform, time, audience, adaptation, and creative collaboration.
Innovation is the remedy for the ailing magazine industry
With magazine circulations plummeting, FHM closing and rumours rife on future ownership of ACP Magazines, Paul Merrill says the only way forward is launching new titles.Eight years ago in the UK, nearly a quarter of all magazine sales came from magazines that were less than four years old. In Australia, the figure was slightly lower, but still significant. Today, the situation is very different. For a start there are so few new magazines. Yes, Masterchef briefly flared, and Top Gear made an initial impact. But Grazia and Alpha fizzled, and now ACP has shelved their plans to launch Elle.
More than a game: broadcasting the Olympics
The 2012 London Olympics will be the biggest televised sporting event of our time. Brooke Hemphill discovers the logistical challenges and technical requirements of producing the event.
From July 27 to August 12, the Australian media will go sport crazy as the Games of the XXX Olympiad, aka the 2012 London Summer Olympics, unfold. The games will be the most televised sporting event of our time as broadcasters look to master every manner of technology at their disposal.
The Voice - Australia's best example yet of social TV
I am an addict of Channel Nine’s hit show The Voice. Such is the extent of my addiction I seriously think my housemate might kick me out of our apartment for the semi-frenzied yelling and tweeting that ensues in our lounge room each time the show airs.It’s the first time in almost three years that such disagreement has resulted in less than civil behaviour towards one another, and it’s made me think it might be a microcosm of the large volume of online debate about the show and, correspondingly, an explanation for its success as a social TV experience.Why brands are the US Army - and culture jammers are the Viet Cong
In this guest posting, Dave Burgess, who painted ‘No War’ on the Sydney Opera House, claims that ‘amoral’ advertisers have copied his idea.
Culture jamming is a 28-year-old term coined by the San Francisco-based band Negativland, who declared that the ‘Studio for the cultural jammer is the world at large’.
Branded content is dead. Long live branded content
In this guest posting, Anthony Freedman argues why branded content is making a comeback.
A few short years ago, probably concurrent with the advent of the PVR, a new term emerged within the marketing communications industry; branded content. This was really synonymous with advertiser funded TV shows where programming was created by brands and deals struck with networks to broadcast them.
There were varying degrees of success with this model.
Shock advertising: 30 ads that would give Australia's ad watchdog a coronary
Is shock an underused weapon in Australian advertising, asks Robin HicksToday, Sydney agency The Cabana Boys used an image of a mouth sewn together to shock people with the idea that problem gamblers lie to conceal their habit. Is it the most disturbing image ever? No. Will it get banned by the Advertising Standards Bureau? No. But it did make me wonder why shock is not used more often in Australia – and not just by charities and government bodies. (WARNING: NSFW)
The making of ratings blockbuster The Voice
Jason Mountney goes on the set of Channel Nine’s talent search series, The Voice, to see how the format, based on an international franchise, has come together. What ingredients have gone into making this certified hit that’s rated more than two million viewers on three consecutive nights?
Mike Goldman has one of the toughest jobs on the set of the Nine network’s new talent show, The Voice. He not only has to narrate the show, but also keep the audience from losing their enthusiasm as they realise shooting TV programs takes a lot longer than the one-hour bursts they see in their lounge rooms. A lot longer.
Nine problems stopping The Global Mail from getting an audience
While it’s a shame The Global Mail has failed to make an impact on the media landscape, the signs have been there for some time.I love the concept of a well resourced, philanthropically-funded independent news site. Anywhere in the world, that’s a rare and wonderful thing. In Australia even more so. So I hope that Grame Wood gets to see his investment make a difference.
And I have no inside info on whether Monica Attard’s sudden departure is linked to the site’s failure to find an audience so far.
Regardless, here are nine areas they can easily start to address:
Journalism’s new model?
Does the launch of philanthropically funded news site The Global Mail signal a new era for journalism or is the model destined to be a passing fad, asks Cathie McGinn in this article first published in Encore magazine.With little fanfare, philanthropically funded news site The Global Mail launched in February this year.
The online-only title received a generous five-year funding commitment from businessman Graeme Wood, founder of accommodation website wotif.com, who donated $15million.
Five things that make a great suit
In this guest posting, Gareth Collins argues that the role of a great account manager is to make the work betterI’m surprised at how many suits I meet who don’t know their role in the advertising business. The question ‘what does an advertising account manager or director do?’ is frequently met with answers such as project manager, relationship manager, plate spinner or go between … and those are the nice ones.
Success is judged on the ability to manage a process, be strong administratively and get stuff done. And while a good suit needs to do all of these things brilliantly, if these are the traits that define a great suit, then I’m in the wrong job.
What the hell is transmedia?
From advertising campaigns to online video series, the term ‘transmedia’ gets quite the work out. But what does it actually mean? Cathie McGinn trawls the media landscape for a definitive definition.
Transmedia, all media and multiplatform are terms often used interchangeably when referencing modern storytelling techniques. Yet, depending who you speak to, there are distinct differences between them.
The top seven...most patronising pieces of communication
Sometimes brands have big ideas. Sometimes marketers get so caught up with a grandiose idea that instead of finding engaging ways to sell breakfast cereal, they start to believe their own rhetoric. And sometimes it’s just lazy marketing. Here are my top seven inadvertently patronising pieces of communication…
1) Last night thousands of women gathered in Sydney’s Centennial Park to take part in She Runs the Night, an event created by Nike.
Gruen Transfer delivers the ratings despite adland backlash
The Gruen Transfer may have been coming in for industry flak in the last few days, but it’s ratings have only been getting better – last night the programme was the fifth most watched in Australia.
According to preliminary ratings from OzTam, the programme about Australian advertising clocked up 1.2m viewers last night.
The result saw Gruen rate better than any show on Nine, and beat its stablemate Spicks & Specks for the second week running.
Meanwhile, the programme ‘s extended honeymoon period with the industry apepars to be coming to a close. Last week, issues over potential conflicts of interest involving regular panellist Todd Sampson from Leo Burnett were vigorously aired on the Campaign Brief blog which in turn generated further coverage of the issue in the Sydney Morning Herald.
And today, Campaign Brief has returned to the topic with a guest posting from Darryn Devlin, creative partner at Kastner Sydney. he suggests that the advertising industry has been providing the show with “free” content but getting little in return.
Meanwhile, last night was a strong one for Seven. The evening’s ratings share: Seven – 28.7%; Nine – 24.7%; Ten – 23.2%; ABC – 18%; SBS – 5.4%.
Top ten TV shows:
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Australia’s Got Talent – Seven 1.6m
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Seven News – Seven 1.6m
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Today Tonight – Seven 1.5m
- The Biggest Loser – Ten 1.3m
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The Gruen Transfer – ABC 1.2m
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Spicks and Specks – ABC 1.2m
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Criminal Minds Seven – 1.2m
- Two and a Half Men – Nine 1.1m
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Nine News – Nine 1.1m
- Home and Away – Seven 1.1m
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Comments
23 Apr 09
3:48 pm
The industry backlash has probably fueled ratings.
23 Apr 09
5:24 pm
Not sure what the industry expected but seemed to me the ABC were never going to make a programme about Advertising that made us all look like Norman Einstein!
23 Apr 09
5:32 pm
My own view, by the way, is that The Gruen Transfer has been almost entirely positive for the advertising industry.
It has helped people understand the processes behind it; shown that there are passionate, articulate, intelligent, creative people involved and as the AFA has previously said, boosted interest in it as a career.
It has also helped several individuals boost their own (and their company) profiles – and I suspect that’s where some of the sniping may come from, because for everyone who makes it onto the show, perhaps ten people get rejected, which hurts.
If I were to make a list of the ten best things that happened to Australian advertising last year, The Gruen Transfer would be on that list, and I’m not sure what the other nine items would be.
Cheers,
Tim – Mumbrella
23 Apr 09
6:07 pm
I think ‘almost entirely positive’ is fair and it’s also important to recognise that at the end of the day ‘the industry’ is not the target audience. I did think last night’s conversation on the breakfast cereal category was well balanced (and in the interests of disclosure I used to look after Kelloggs).
Having tutored Advertising at Uni however, I can say that most kids initially think all we do is make TV ads and their first job in an agency will be to write ads. I don’t think TGF has done much to dispel that myth and would be interested to know any feedback on this from the AFA.
As a media person I’m often left feeling misrepresented by comment from the panellists who are mostly drawn from creative and account service, and once or twice from account planning. Then again, maybe no one from media made the cut…
24 Apr 09
12:44 pm
I agree with you Tim.
It’s been the best thing that has happended to the industry since Mo and Jo.
Cheers,
Richard Wylie – Ursa
24 Apr 09
12:47 pm
I have to agree with Tim. I have many friends outside the ad industry who say “well I never knew that much thought and effort went into ads – I now begin to understand it”.
24 Apr 09
1:37 pm
I’m glad my mates outside the industry can now see the thought and consideration that goes into advertising. But I’m gladder still that many clients will too. In ‘marketing land’ many ad people are seen as either incompetent or shonky.
24 Apr 09
1:43 pm
We’ve been a bit ignorant of the controversy over here in NZ, but having just been a Pitcher on the show I’ve been very impressed by it. It could so easily have become Jasper Carrot’s Funniest Aussie Commercials; what I saw was closer to a high end arts show. The panelists know their stuff, the host keeps things cracking along and it knows when to take itself seriously and when not to. I’d love to see something similar over here – the only problem being we don’t have a non-commercial broadcaster and I’m not sure how this format would work if the producers had to worry about treading on their advertisers’ toes.
24 Apr 09
2:02 pm
“but it’s ratings” is incorrect
should be… “but its ratings”
Sorry, totally pedantic, but I hate this simple grammatical mixup and you just happen to be the second place I’ve seen it written in the past 60 seconds.
24 Apr 09
2:53 pm
I believe TGT is positive for the advertising industry. While ‘regular’ people don’t enjoy being told how they are manipulated, they feel a bit more included in the process. The conversational water-cooler value for the industry is immense. Infighting in the media industry will destroy us all.
24 Apr 09
4:00 pm
Yes I wonder whether the people that are criticising Gruen, aren’t the same people that spend fun filled hours spitting bile at each other about how un-creative their contemporiaries are… on blogs like Campaign Brief.
Talk about confirming stereotypes about up their own asses advertising people can be. Good grief.
Richard
24 Apr 09
4:40 pm
I think The Gruen Transfer’s The Pitch segment is a great opportunity for normally dull, un-creative agencies to prove they can come up with a pretty good idea, given the chance to let loose. Here’s one I liked: http://www.ursa.com.au/tvc/gtvideo.html
24 Apr 09
9:14 pm
sounds like a win / win … does this mean all publicity really is good publicity? Even ASCA claimed it had boosted their responses
25 Apr 09
9:56 am
Darren Devlin’s post is hysterical. Doesn’t he see that gruen isn’t for people who make the ads but for the people who watch the ads. What should they get out of it?
And the beat-up about Todd’s conflict of interest thankfully didn’t take flight – because it was a beat-up; the ‘conflict’ (existant or non-existant) doesn’t take away from what was a terrible and completely inappropriate.
25 Apr 09
9:58 am
….oops, last word chopped off…
…inappropriate execution.
25 Apr 09
2:33 pm
Kelly… oops… (existent or non-existent), and it’s Darryn, not Darren.
As to the conflict of interest ‘beat up’ not taking flight, it was a big enough story to be ranked #2 that day on smh.com.au and theage.com.au, and because it was linked, crashed the Campaign Brief Blog for most of that day.
27 Apr 09
2:05 pm
So typical of the self-obsessed ad industry to assume the program is only about them and for them. It is about how one particular industry creates and presents concepts to the public and the impact that may or may not have – it could have been about the fashion industry and worked the same way. Whilst the presenters are interesting and very well informed they are no more important than Kyle Sandilands on Australian Idol, and certainly shouldn’t be discussed over and above the programs content.