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Opinion | Features
What the hell is transmedia?
From advertising campaigns to online video series, the term ‘transmedia’ gets quite the work out. But what does it actually mean? Cathie McGinn trawls the media landscape for a definitive definition.

Transmedia, all media and multiplatform are terms often used interchangeably when referencing modern storytelling techniques. Yet, depending who you speak to, there are distinct differences between them.
According to industry experts Encore spoke to, the key elements that define transmedia can be summarised as follows: platform, time, audience, adaptation, and creative collaboration.
Innovation is the remedy for the ailing magazine industry
With magazine circulations plummeting, FHM closing and rumours rife on future ownership of ACP Magazines, Paul Merrill says the only way forward is launching new titles.Eight years ago in the UK, nearly a quarter of all magazine sales came from magazines that were less than four years old. In Australia, the figure was slightly lower, but still significant. Today, the situation is very different. For a start there are so few new magazines. Yes, Masterchef briefly flared, and Top Gear made an initial impact. But Grazia and Alpha fizzled, and now ACP has shelved their plans to launch Elle.
More than a game: broadcasting the Olympics
The 2012 London Olympics will be the biggest televised sporting event of our time. Brooke Hemphill discovers the logistical challenges and technical requirements of producing the event.
From July 27 to August 12, the Australian media will go sport crazy as the Games of the XXX Olympiad, aka the 2012 London Summer Olympics, unfold. The games will be the most televised sporting event of our time as broadcasters look to master every manner of technology at their disposal.
The Voice - Australia's best example yet of social TV
I am an addict of Channel Nine’s hit show The Voice. Such is the extent of my addiction I seriously think my housemate might kick me out of our apartment for the semi-frenzied yelling and tweeting that ensues in our lounge room each time the show airs.It’s the first time in almost three years that such disagreement has resulted in less than civil behaviour towards one another, and it’s made me think it might be a microcosm of the large volume of online debate about the show and, correspondingly, an explanation for its success as a social TV experience.Why brands are the US Army - and culture jammers are the Viet Cong
In this guest posting, Dave Burgess, who painted ‘No War’ on the Sydney Opera House, claims that ‘amoral’ advertisers have copied his idea.
Culture jamming is a 28-year-old term coined by the San Francisco-based band Negativland, who declared that the ‘Studio for the cultural jammer is the world at large’.
Branded content is dead. Long live branded content
In this guest posting, Anthony Freedman argues why branded content is making a comeback.
A few short years ago, probably concurrent with the advent of the PVR, a new term emerged within the marketing communications industry; branded content. This was really synonymous with advertiser funded TV shows where programming was created by brands and deals struck with networks to broadcast them.
There were varying degrees of success with this model.
Shock advertising: 30 ads that would give Australia's ad watchdog a coronary
Is shock an underused weapon in Australian advertising, asks Robin HicksToday, Sydney agency The Cabana Boys used an image of a mouth sewn together to shock people with the idea that problem gamblers lie to conceal their habit. Is it the most disturbing image ever? No. Will it get banned by the Advertising Standards Bureau? No. But it did make me wonder why shock is not used more often in Australia – and not just by charities and government bodies. (WARNING: NSFW)
The making of ratings blockbuster The Voice
Jason Mountney goes on the set of Channel Nine’s talent search series, The Voice, to see how the format, based on an international franchise, has come together. What ingredients have gone into making this certified hit that’s rated more than two million viewers on three consecutive nights?
Mike Goldman has one of the toughest jobs on the set of the Nine network’s new talent show, The Voice. He not only has to narrate the show, but also keep the audience from losing their enthusiasm as they realise shooting TV programs takes a lot longer than the one-hour bursts they see in their lounge rooms. A lot longer.
Nine problems stopping The Global Mail from getting an audience
While it’s a shame The Global Mail has failed to make an impact on the media landscape, the signs have been there for some time.I love the concept of a well resourced, philanthropically-funded independent news site. Anywhere in the world, that’s a rare and wonderful thing. In Australia even more so. So I hope that Grame Wood gets to see his investment make a difference.
And I have no inside info on whether Monica Attard’s sudden departure is linked to the site’s failure to find an audience so far.
Regardless, here are nine areas they can easily start to address:
Journalism’s new model?
Does the launch of philanthropically funded news site The Global Mail signal a new era for journalism or is the model destined to be a passing fad, asks Cathie McGinn in this article first published in Encore magazine.With little fanfare, philanthropically funded news site The Global Mail launched in February this year.
The online-only title received a generous five-year funding commitment from businessman Graeme Wood, founder of accommodation website wotif.com, who donated $15million.
Five things that make a great suit
In this guest posting, Gareth Collins argues that the role of a great account manager is to make the work betterI’m surprised at how many suits I meet who don’t know their role in the advertising business. The question ‘what does an advertising account manager or director do?’ is frequently met with answers such as project manager, relationship manager, plate spinner or go between … and those are the nice ones.
Success is judged on the ability to manage a process, be strong administratively and get stuff done. And while a good suit needs to do all of these things brilliantly, if these are the traits that define a great suit, then I’m in the wrong job.
What the hell is transmedia?
From advertising campaigns to online video series, the term ‘transmedia’ gets quite the work out. But what does it actually mean? Cathie McGinn trawls the media landscape for a definitive definition.
Transmedia, all media and multiplatform are terms often used interchangeably when referencing modern storytelling techniques. Yet, depending who you speak to, there are distinct differences between them.
The top seven...most patronising pieces of communication
Sometimes brands have big ideas. Sometimes marketers get so caught up with a grandiose idea that instead of finding engaging ways to sell breakfast cereal, they start to believe their own rhetoric. And sometimes it’s just lazy marketing. Here are my top seven inadvertently patronising pieces of communication…
1) Last night thousands of women gathered in Sydney’s Centennial Park to take part in She Runs the Night, an event created by Nike.
TV audience measurement – why big isn’t always beautiful
In this guest post, Chris Walton argues that the media industry needs to take a new approach to TV tradingThere has been a significant amount of coverage recently about how successful The Voice has been. Indeed, audience figures of 2.6m+ people are very impressive these days. Based on reports, this is apparently double the size of audience that Nine was hoping for in the lead up to the programme launching.
How do you solve a problem like Blunty?
So if you were the proposed News Standards Body, how would you regulate Blunty?The News Standards Body, in case you didn’t notice, is the new organisation proposed by the Convergence Review this week to regulate news and commentary, regardless of platform.
Blunty, in case you didn’t notice, is the video blogger who this week went viral after he filmed a guerrilla marketing demo outside Apple’s Sydney store apparently as a coincidental bystander, but later admitted he’d been put up to it by BlackBerry.
Polson announces collaborative film name and directors involved
Filmmaker and Tropfest founder John Polson used last night’s festival to announce more details of his new collaborative film project.
The project, in a similar vein to Paris Je t’aime and New York I Love You, will be a collection of 12 short films directed by acclaimed filmmakers, most of which are Sydney-based.
Polson, producing with Gary Hamilton, announced the film would be called Sydney Unplugged as well as announcing the directors to be involved.
Directors include David Michod (Animal Kingdom), Alex Proyas (I, Robot), Kieran Darcy-Smith (Wish You Were Here), Ivan Sen (Toomelah), Liev Schreiber (Everything is Illuminated), Rachel Ward (Beautiful Kate), Ray Lawrence (Lantana) and Russell Crowe (Texas).
Polson said: “It’s no secret some hugely talented directors, actors and others either live here or are from here. It’s about time this talent got together to tell stories that showcase one of the world’s most beautiful cities. The people that have stepped up to take part in this project are beyond our wildest dreams.”
Actors Anthony LaPaglia and Toni Collette will be making their directorial debuts.
Shooting will commence around Sydney in the second half of 2012 and with the film’s release expected for 2013 through Icon Film Distribution and sold internationally by Arclight Films.
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Comments
24 Feb 12
3:55 pm
Please stop… i cant take any more. John Polson seems to have a swingers night with the same people over and over. Tropfest has turned into a global party to celebrate David Michod, Alex Proya, Kieran Darcy Smith, Ivan Sen, Rachael Ward, Ray Lawrence, Russel Crowe, Anthony Lapaglia and Toni Collette when ever they aren’t working.
I have had it with this elitist shit. I am amazed John Polson is being run out of town for doing everything in his power to continue with production that does nothing more than lines his pocket and helps him get into parties in Hollywood. This is such a joke.
Let me pick 10 filmmakers with more creative flare, more style and completely new outlooks on amazing cinema. Putting this lot together is just a gimic for him to make money.
Sick of this industry and the acceptance of this garbage. My films have played all over the World, I’ve won a thousand awards and still I’m not picked because I’m not one of the girlfriends of this [comment edited].
Good luck Polson.
25 Feb 12
1:37 am
WTF? I wanted to barf after reading that article. My God this country and its film culture are pathetic if this twodfest gets up. Same old same old. Tired, talentless and dreary. Make the the crap stop, please!
25 Feb 12
8:41 am
@FIlm freak, I don’t like Polson much but it’s hard to argue he does “nothing” for Australian film culture. Like him or not, building up Tropfest into what it is – and what it has exposed young audiences to over the years – deserves an OAM.
If your films have played all over the world and won 1000 awards, why in the world are you trying to enter Tropfest? Go and make your feature.
25 Feb 12
2:17 pm
Ummm?
26 Feb 12
2:16 pm
Sydney Unplugged? F#@k me..there’s been a brains trust working around the clock on that title. Film Freak, I totally sympathise, its like this clique of “talent” just keeps rubbing our noses in it and are shocked when we don’t respond. Russell Crowe? I mean really..c’mon, directing?..Haven’t these people all had a fair suck of the success bottle..why do they need more? Well the answer to that is they simply can, because of their success..it might be a beautiful city..but its utterly dysfunctional and poorly managed. So if this production is going to be some kind of moving postcard..I’m already saying..YAWNNNNN
28 Feb 12
12:53 pm
Well, at least someone is having a go and getting ahead. I think its time to stop carping and start filming. IFMA could be the Independent Film Makers of Australia. An organisation devoted to everything the carpers on this list seem to want.
28 Feb 12
2:30 pm
Hear hear, Richard Moss.
29 Feb 12
12:35 pm
@Richard Moss: I don’t think the issue here is that somebody is having a go and getting ahead, I think the issue here is that somebody with obvious industry connections, influence, talent, success etc etc…seems to be squandering all that by simply giving his equally talented mates with obvious industry connections, influence, talent, success a leg up with what seems to potentially be a lame idea. I could be wrong, it could be brilliant, but if it isn’t, how much taxpayer cash went into it? And why? Its not Like that the people listed here need a break. So from the outsiders view (somebody looking for a break) looking at this particular project, it seems like jobs for mates and the public can pay. I mean lets face it, this industry continues to look, feel and operate like a an industry whereby if you know the right people (mates) you go ahead and obvious talent isn’t always seen to be piggy backing on that connected equation. We have a long history of making utter stinkers that fail to connect with an audience and a lot of those stinkers were obvious from the get go, but no matter how much “Carping” goes on, these projects/films still go ahead, and when they bomb we want to know why, rightly so seeing as we are all often investors with our taxpayer dollars. When this question “Why, why did you make that stinker? is asked, it is more often than not met with muted silence ( A heartbeat away anybody?) as the circle of trusted mates refuse to elaborate on the rationale behind an obviously flawed production. So from the outside looking on this Polson project has “Obvious Stinker” written all over it, I could be wrong, I hope I am..good luck John, if it does bomb with taxpayers cash, I think Mr Polson should explain his motives behind the gamble, this and why that torrential bore of a film(if you could call it that) Animal Beatbox won last years Tropfest…sorry I know the answer to that one..[comment edited by Encore]