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Opinion | Features
Got a book in you?
From journos to ad execs and PRs, these days everyone seems to have a book in them. But what does it take to get published and will you actually make any money? In a feature that first appeared in Encore, Brooke Hemphill finds out.Attention wannabe authors. Forget big fat advance cheques and living off royalties. The reality of having a book published today is another story altogether. There are only two reasons you should even consider sitting down at your computer to bash out a manuscript – passion or profile.
Savage counsel
In an article that first appeared in Encore, Chris Savage tackles your career and agency dilemmas in his weekly advice column.Hi Chris,
My clients seem to be demanding more and more from us. At the same time, it seems many of the younger people in our industry simply don’t have the client servicing skills my generation grew up with. How do we instill in our executives some of the good old-fashioned behaviours that would keep a client happy and loyal?
Fake it til' you make it... as an ad agency receptionist
From dressing the part to playing the gatekeeper, Leo Burnett Sydney’s Susie Henry tells us how to make it as the face of adland in a piece that first appeared in Encore.What does a receptionist in an ad agency actually do?
Well, there’s the frantic every-day, all-day stuff of deliveries, courier bookings, doing expenses for directors – always challenging – plus arranging all the travel. But one of my main jobs is counselling the account service people. I also keep up with all sports information to discuss with our sports-loving clients – because who wants to be bored while they’re waiting? And I know how they like their coffee. You need to know everyone – from accounting to HR. I’m also the go-to for all catering and sending flowers.
Whose views skew the news? Media chiefs ready to vote out Labor, while reporters lean left
Most journalists lean left-of-centre, says Folker Hanusch of the University of the Sunshine Coast, in a post first published on The Conversation.Most Australian journalists describe themselves as left-wing, yet amongst those who wield the real power in the country’s newsrooms, the Coalition holds a winning lead.
But while the media’s political leanings will no doubt be debated in the lead-up to September’s federal election, our study has also found other largely unscrutinised biases remain – particularly whose views disproportionately shape the news.
It's time for a new New Wave in the film world
Government funding bodies are lazy and decadent, says industry veteran Michael Thornhill but in a piece that first appeared in Encore, Ed Gibbs begs to differ.I vividly remember the time I first saw Animal Kingdom, David Michod’s breathtaking labour-of-love feature debut. The press screening was half empty, despite the film winning the Grand Jury Prize at Sundance just months earlier, in 2010. Yet its superb performances, stylistic flourishes and overall polish left me speechless. Could this really be a feature debut, an Australian one at that, I wondered, almost out loud? It seemed too good to be true.
Going cold turkey on an agency addiction
Life is sweet for freelance writer Max Kitchen, but in a feature that first appeared in Encore, he admits his struggle against returning to the agency fold.I’ve never taken heroin. But I suspect if I had, the temptation to try it again would not be too dissimilar to the lure of returning to agency life.
Can sport save Ten?
First there was the Grand Prix. Next came the reported $500m bid for cricket rights, then Ten secured the 2014 winter Olympics. So, can sport save the ailing network? In a feature that first appeared in Encore, Nic Christensen investigates.The television sports rights bidding process is a bit like a game of poker.
Check, fold or bet. Those were the options for the Ten Network last week when it had to finalise its bid for the cricket rights.
Andy Lark: good for the marketing of marketing
I can still remember the first story I wrote about Andy Lark, when it emerged that he was to be the new chief marketing officer of CommBank.
It was immediately clear that Australia was about to meet an interesting marketer, one who blogged and tweeted and thanks to his time at Dell in the US was digitally savvy. Even two years ago, that was a big deal. The fact that he also had a stint in public relations gave him an absolutely intriguing background before he even arrived.
Storming the media barricades - advice for young journalists
This week Mumbrella’s Nic Christensen, who began his career four years ago, gave the keynote address to would-be journalists at the Media, Entertainment & Arts Alliance’s Student Day. This is an edited version of his speech.Good afternoon, I can remember distinctly the last time I was in this room.
It was 2009 and I was sitting where you are. I’d come to this event, a friend and myself — from memory we sat up the back — and I can remember at the time wondering if I’d ever get a job as a journalist.
It was only four years ago and then as now getting a job was ultra competitive but I’m not sure there was quite as much media ‘doom and gloom’ as there is now…
Paywalls will help fund campaigning journalism
In this guest post, News Limited’s group editorial director Campbell Reid responds to the views of ninemsn’s Hal Crawford that the company’s push into metered paywalls is about data rather than dollars.Hal Crawford is both right and wrong in his article which argued that our digital subscription plans are all about the data.
Fake it 'til you make it... as a features editor
Cosmo’s Kate Leaver tells us how to bluff it in her job in a feature that first appeared in Encore.What do you do, as a features editor?
Really, play with words and ideas all day. At any one time, we’re working across three issues of the mag – getting one on its way to the printers, pooling all the words together for another, and planning the issue after that. It’s busy but it’s a pretty magnificent process.
Savage counsel - JFDI
Hi Chris,I run a medium-sized agency that is doing pretty well. As the leader, I am finding my workload just seems to go up and up. I am struggling to stay motivated and particularly to tackle the bigger and tougher challenges I have to face every day. How do I keep up the energy when there just seems so much to do? How do you do it?
Productive, successful executives are those able to consistently tackle difficult and big challenges. It’s a constant struggle for me so I know how you feel. How do the successful leaders do it?
Q&A with Brett Clegg
Brett Clegg, group director – business media, Fairfax Media, in a Q&A that first appeared in Encore, on the journo who refuses to work with him – his wife.Who is the most powerful person in Australian media and why?
Hard to go past Rupert Murdoch. He controls the single largest and most diverse portfolio and is intent on leveraging its scale (and, of course, influence). He’s an innovator and his will to win is obvious to all.
The experiential experience
Anyone can throw up a tent in a high-traffic area and harass the general public, but what does it take to pull off an effective experiential event? In a piece that first appeared in Encore, Matt Smith investigates.A television commercial can easily be muted and ignored, but try ignoring a purring, squirming cat in your arms. That was the experience awaiting passers by in Sydney’s Martin Place in October last year when Mars Petcare built Whiskas Kitten Palace.
The News Limited paywall isn't about revenue. It's about data
In this guest post, ninemsn’s editor in chief Hal Crawford argues Fairfax Media and News Limited’s new paywalls won’t draw much revenue, but will generate data. And they’re late to the data party.When I first learned that ninemsn’s major digital competitors Fairfax and News Ltd were going to introduce paywalls across their mainstream properties, I was excited.
Every obstacle thrown in the way of their audiences is an opportunity. People hate friction and anything that makes life difficult on a rival site is a chance to get them on yours.
Scam Kia paedophilia ad leads to awards ban on ad agency
The organisers of the Cannes Lions advertising awards have withdrawn two Lions over what appears to have been a scam ad entry which promoted paedophilia. All of the agency staff on the credits have been banned from competing for one year.
After public outrage at the ad, Kia insisted that the ad had never been commissioned or run.
According to the Lions:
“Following discussions between the Cannes Lions International Festival of Creativity and Moma Propaganda São Paulo, Brazil, the organisers of the Festival are withdrawing both the Silver Lion won in the Press category and the Bronze Lion won in Outdoor awarded for the Kia Motors air conditioning dual zone campaign ‘Teacher’ and ‘Princess’.
“Commenting on the withdrawal, Philip Thomas, Festival CEO said, “The Cannes Lions rules state clearly that if requested, proof must be provided that campaigns ran and were legitimately created for a fee-paying client. Despite many conversations, Moma Propaganda have not provided the proof we require and therefore the Lions have been withdrawn.”
“In addition, as stated in our terms and conditions, we reserve the right to take further action against individuals listed on the credits who cannot prove the veracity of the entries to our satisfaction. On this occasion, a decision has been made to ban any work created by those credited on the entry for one year. Therefore entries will not be accepted from these individuals for the 2012 Cannes Lions Festival,” added Philip Thomas.
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Comments
22 Jul 11
8:53 am
Ahh, so no-one thought that an issue may come up at some point ? In this case, I’d think the ones that judged this would have the reddest face of them all
22 Jul 11
9:18 am
Glad we’ve established pedophilia in advertising is BAD.
Now, when will we do the same for the overt sexual exploitation of women in the industry?
Also, just want to get this straight – the awards weren’t withdrawn because of the *content* but rather because the campaigns didn’t run?
Wow, sometimes this industry makes me want to puke.
22 Jul 11
9:20 am
Forget the fact it’s a scam, how the hell did it win anything?
22 Jul 11
9:21 am
How the hell was this awarded in the first place?
22 Jul 11
9:25 am
The ads aren’t even good! they make me want to stab something…
22 Jul 11
9:32 am
Both of those are so offensive, it’s hard to put into words how awful they are. Is that really the best way these guys thought they could sell a car?
Clearly there are far too few women in the advertising world. What a sick culture.
22 Jul 11
9:47 am
“You mean this blatantly pedophilic erotica wasn’t commissioned?! OUTRAGEOUS.”
22 Jul 11
10:12 am
I’m with commenters 3 & 4 – the concept is absolutely abhorrent. Banning these guys doesn’t seem like a sufficient response. Personally, I’d be referring them to the authorities so they can have their hard-drives checked…
22 Jul 11
10:58 am
I saw these ads a while back when looking at the press winners. Two things came to mind – 1. How paedophilistic are these ads; and 2. is paedophilistic even a word?
22 Jul 11
11:02 am
For crap like this to be created is bad enough and then to get two Lions at Cannes? What a joke. It isn’t even clever, just plain creepy
22 Jul 11
11:34 am
@Renee – totally agree, and I suspect that the (cough) creative minds behind this turd of a concept, simply don’t get any/enough action below the waistline other that that which they provide themselves.
22 Jul 11
11:43 am
What are you gronks on about? If you read each cartoon from top to bottom, as they’re meant to be read, each is a separate story. One is an innocent story that leaves you feeling nothing. The other is a hot sexual encounter. Dual Zone Air conditioning, get it? The problem comes when you read them from left to right and imagine the panel on the right is somehow related to the one on its left. It isn’t and it’s not meant to be.
22 Jul 11
12:02 pm
@Useyourbrain – try again dude. Read the top version. It’s meant to be left right, not up down.
22 Jul 11
12:24 pm
I’m stunned these received awards. The best explanation I can come up with is that they stood out for breaking the conventions for car ads (which they do) and for being edgy (which they are).
What wasn’t factored in was that they are disturbingly creepy and completely wrong for the brand, which is probably why Kia had the good sense not to run them.
22 Jul 11
1:24 pm
Yeah @Useyourbrain put your mind back in the gutter take another look. If you read down the right column or as you called it the “hot sexual encounter” column it doesn’t make sense.
22 Jul 11
1:53 pm
That’s not a Scum ad THIS is a scum ad
http://www.aktifmag.com/thats-.....a-scum-ad/
22 Jul 11
1:54 pm
@useyourbrain Even if you are right (which I’m pretty sure you’re not), at some point someone during the creative process would’ve said…
“So we’ve created this ad that if read left to right (which admittedly is the natural tendency), is basically paedophilic…but don’t worry cause if you read it from top to bottom, it’s maybe ok”
If the comments here are anything to go by, you’d only deeply offend 90% of people. Absolutely worth one of the most prestigious ad awards going around.
22 Jul 11
3:04 pm
I feel this type of advertising has no place in our world. It was only withdrawn as the adds were not run and commissioned by the client. They should never have been accepted for entry and should not have won a cretive award
22 Jul 11
4:17 pm
Useyourbrain, clearly you need to.
22 Jul 11
4:23 pm
Any comment yet from Ant Keogh? He was on the jury.
23 Jul 11
6:19 pm
Cannes is a joke if this is the kind of crap that wins metal. I’d suggest the judges that awarded the lions be banned for life if they think this is good advertising.
25 Jul 11
10:22 am
“Glad we’ve established pedophilia in advertising is BAD.
Now, when will we do the same for the overt sexual exploitation of women in the industry?
Also, just want to get this straight – the awards weren’t withdrawn because of the *content* but rather because the campaigns didn’t run?
Wow, sometimes this industry makes me want to puke.”
Totally agree @Noni
26 Jul 11
9:13 am
I agree with @useyourbrain. It’s not meant to be a representation of the same girl, the someone just goofed by making her look like an older version of the previous girl. No paedophilia, just an oversight in the way the ad could be most easily interpreted: but by no means the only way it could be interpreted. Not saying I don’t see where you’re coming from, but there is more than one way to read a comic.
26 Jul 11
9:37 am
Seriously @Duh/@useyourbrain? (its pretty obvious you are the same person)
The comic CLEARLY reads left to right. Look at the bottom panels of the first ad. The left says “So where should we start?” and the right says “How about anatomy?”. Seems like a pretty clear conversation to me. Now read the right side top to bottom in the way you think its supposed to be read.
“It’s my pleasure believe me”
“mmmm it’s delicious, so juicy”
“How about anatomy?”
That makes about as much sense as making up a fake user to support your argument.