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Opinion | Features
What the hell is transmedia?
From advertising campaigns to online video series, the term ‘transmedia’ gets quite the work out. But what does it actually mean? Cathie McGinn trawls the media landscape for a definitive definition.

Transmedia, all media and multiplatform are terms often used interchangeably when referencing modern storytelling techniques. Yet, depending who you speak to, there are distinct differences between them.
According to industry experts Encore spoke to, the key elements that define transmedia can be summarised as follows: platform, time, audience, adaptation, and creative collaboration.
Innovation is the remedy for the ailing magazine industry
With magazine circulations plummeting, FHM closing and rumours rife on future ownership of ACP Magazines, Paul Merrill says the only way forward is launching new titles.Eight years ago in the UK, nearly a quarter of all magazine sales came from magazines that were less than four years old. In Australia, the figure was slightly lower, but still significant. Today, the situation is very different. For a start there are so few new magazines. Yes, Masterchef briefly flared, and Top Gear made an initial impact. But Grazia and Alpha fizzled, and now ACP has shelved their plans to launch Elle.
More than a game: broadcasting the Olympics
The 2012 London Olympics will be the biggest televised sporting event of our time. Brooke Hemphill discovers the logistical challenges and technical requirements of producing the event.
From July 27 to August 12, the Australian media will go sport crazy as the Games of the XXX Olympiad, aka the 2012 London Summer Olympics, unfold. The games will be the most televised sporting event of our time as broadcasters look to master every manner of technology at their disposal.
The Voice - Australia's best example yet of social TV
I am an addict of Channel Nine’s hit show The Voice. Such is the extent of my addiction I seriously think my housemate might kick me out of our apartment for the semi-frenzied yelling and tweeting that ensues in our lounge room each time the show airs.It’s the first time in almost three years that such disagreement has resulted in less than civil behaviour towards one another, and it’s made me think it might be a microcosm of the large volume of online debate about the show and, correspondingly, an explanation for its success as a social TV experience.Why brands are the US Army - and culture jammers are the Viet Cong
In this guest posting, Dave Burgess, who painted ‘No War’ on the Sydney Opera House, claims that ‘amoral’ advertisers have copied his idea.
Culture jamming is a 28-year-old term coined by the San Francisco-based band Negativland, who declared that the ‘Studio for the cultural jammer is the world at large’.
Branded content is dead. Long live branded content
In this guest posting, Anthony Freedman argues why branded content is making a comeback.
A few short years ago, probably concurrent with the advent of the PVR, a new term emerged within the marketing communications industry; branded content. This was really synonymous with advertiser funded TV shows where programming was created by brands and deals struck with networks to broadcast them.
There were varying degrees of success with this model.
Shock advertising: 30 ads that would give Australia's ad watchdog a coronary
Is shock an underused weapon in Australian advertising, asks Robin HicksToday, Sydney agency The Cabana Boys used an image of a mouth sewn together to shock people with the idea that problem gamblers lie to conceal their habit. Is it the most disturbing image ever? No. Will it get banned by the Advertising Standards Bureau? No. But it did make me wonder why shock is not used more often in Australia – and not just by charities and government bodies. (WARNING: NSFW)
The making of ratings blockbuster The Voice
Jason Mountney goes on the set of Channel Nine’s talent search series, The Voice, to see how the format, based on an international franchise, has come together. What ingredients have gone into making this certified hit that’s rated more than two million viewers on three consecutive nights?
Mike Goldman has one of the toughest jobs on the set of the Nine network’s new talent show, The Voice. He not only has to narrate the show, but also keep the audience from losing their enthusiasm as they realise shooting TV programs takes a lot longer than the one-hour bursts they see in their lounge rooms. A lot longer.
Nine problems stopping The Global Mail from getting an audience
While it’s a shame The Global Mail has failed to make an impact on the media landscape, the signs have been there for some time.I love the concept of a well resourced, philanthropically-funded independent news site. Anywhere in the world, that’s a rare and wonderful thing. In Australia even more so. So I hope that Grame Wood gets to see his investment make a difference.
And I have no inside info on whether Monica Attard’s sudden departure is linked to the site’s failure to find an audience so far.
Regardless, here are nine areas they can easily start to address:
Journalism’s new model?
Does the launch of philanthropically funded news site The Global Mail signal a new era for journalism or is the model destined to be a passing fad, asks Cathie McGinn in this article first published in Encore magazine.With little fanfare, philanthropically funded news site The Global Mail launched in February this year.
The online-only title received a generous five-year funding commitment from businessman Graeme Wood, founder of accommodation website wotif.com, who donated $15million.
Five things that make a great suit
In this guest posting, Gareth Collins argues that the role of a great account manager is to make the work betterI’m surprised at how many suits I meet who don’t know their role in the advertising business. The question ‘what does an advertising account manager or director do?’ is frequently met with answers such as project manager, relationship manager, plate spinner or go between … and those are the nice ones.
Success is judged on the ability to manage a process, be strong administratively and get stuff done. And while a good suit needs to do all of these things brilliantly, if these are the traits that define a great suit, then I’m in the wrong job.
What the hell is transmedia?
From advertising campaigns to online video series, the term ‘transmedia’ gets quite the work out. But what does it actually mean? Cathie McGinn trawls the media landscape for a definitive definition.
Transmedia, all media and multiplatform are terms often used interchangeably when referencing modern storytelling techniques. Yet, depending who you speak to, there are distinct differences between them.
The top seven...most patronising pieces of communication
Sometimes brands have big ideas. Sometimes marketers get so caught up with a grandiose idea that instead of finding engaging ways to sell breakfast cereal, they start to believe their own rhetoric. And sometimes it’s just lazy marketing. Here are my top seven inadvertently patronising pieces of communication…
1) Last night thousands of women gathered in Sydney’s Centennial Park to take part in She Runs the Night, an event created by Nike.
TV audience measurement – why big isn’t always beautiful
In this guest post, Chris Walton argues that the media industry needs to take a new approach to TV tradingThere has been a significant amount of coverage recently about how successful The Voice has been. Indeed, audience figures of 2.6m+ people are very impressive these days. Based on reports, this is apparently double the size of audience that Nine was hoping for in the lead up to the programme launching.
How do you solve a problem like Blunty?
So if you were the proposed News Standards Body, how would you regulate Blunty?The News Standards Body, in case you didn’t notice, is the new organisation proposed by the Convergence Review this week to regulate news and commentary, regardless of platform.
Blunty, in case you didn’t notice, is the video blogger who this week went viral after he filmed a guerrilla marketing demo outside Apple’s Sydney store apparently as a coincidental bystander, but later admitted he’d been put up to it by BlackBerry.
The Tunnel screens at LA’s Mann Chinese Theater
Australian self-financed horror The Tunnel will have its US premiere screening at Los Angeles’ Screamfest on Saturday October 15 at legendary Mann’s Chinese Theater in Hollywood.
A Q&A with director Carlo Ledesma and Co-producers/writers Enzo Tedeschi and Julian Harvey will follow the screening. The venue, situated next to the Hollywood Walk of Fame is home to some of the world’s biggest film premieres and has also previously hosted the Oscars ceremony.
The team has also confirmed a US DVD release through Blackrock Films on December 27, 2011.
“It is an exciting time for The Tunnel as we break into the US market. We expect a great reaction to our little Aussie movie at Screamfest and are thrilled American horror fans will have the opportunity to own our film when it comes out on DVD in December” said Tedeschi.
The film had its world premiere at Popcorn Taxi in May with a Q&A, followed later that night by pay TV channel Showtime broadcasting it, online distribution via file-sharing platform BitTorrent and Paramount/Transmission Films releasing it on DVD. Since then Dendy has given it a theatrical release, the film released as an iPad app and both ABC iView and Fairfax Digital streamed it.
The film’s executive producer Ahmed Salama of DLSHS Digital told Encore they were looking good to making back the $135,000 budget.
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Comments
12 Oct 11
9:44 am
Self financed film making back its budget?!?!? Holy moley! Unheard of. Until now. What a success story this film is.
12 Oct 11
11:04 am
Well done to the creative team behind this..and well done to all those that supported the films development. It just goes to show that this kind of crowd sourcing can work and that together we could build a different industry..an alternative to the current one that is functional for a small percentage of people who can work the political machine and dysfunctional for most who try and build careers within it. If one film can work I’m sure others can follow, lets try and build another alternative and truly independent industry where the quality of the idea is paramount not the opinion of some cinema studies graduate or failed and cynical filmmakers who have wormed their way into the development arm of a funding body committed to polishing their own demented idea of challenging cinema.
12 Oct 11
7:30 pm
Find it hard to believe all the hype surrounding what many saw as an extended news story @ best…so plenty of low budget filmmakers fund their films thru crowdsourcing & release online. This NOTHING new. Perhaps in the small circles they move in it is. One suspects it was the backers who had the connections to give it glorified publicity. Doesn’t necessarily make it a good film as such so lets see if it stands the test of time based on its own merits. People are just curious, that’s all. Wouldn’t anyone download a ‘free’ film? It isn’t difficult to get into a little film festival in LA, particularly a horror one. They are everywhere you look sideways. When they are there, perhaps they will realise the magnitude of the industry over there that they are very small fish in a bigger pond. This is just another flash in the pan but I hope they prove me wrong!
12 Oct 11
10:09 pm
filmreviewer have you ever made a film that went to an LA festival? shoudn’t be hard considering it’s easy to get into the festivals and easy to crowd source, according to you.
The Tunnel’s crew and cast deserve all of the accolades they are getting and more, whether you think they are a small fish or not, at least they’re still making a splash
13 Oct 11
9:28 am
Brian
I agree with you on this one. There’s a difference between mindless (dare I say ‘snobbish’) criticism and thoughtful criticism.
13 Oct 11
11:59 am
“Filmreviewer” if you actually knew how hard it is to make any kind of film, short or feature, you’d see that not only have the creative team behind this done something brilliant in getting the film produced and distributed, they have shown others a potential path towards a funding model that could see a % of us circumnavigating the need to suckle at the government teat. Maybe the film isn’t a knock out, maybe its just okay..the fact that they got it made and got it out there is more than I feel you will ever do..enjoy your armchair view.
14 Oct 11
4:42 pm
I went to university with one of the producers. he was always a stand out talent. Well done to the team, and I hope they will an Oscar for one of their future films!
14 Oct 11
9:26 pm
Sorry guys, hate to burst your bubble. I am an LA based producer. Filmmakers should be able to take the heat of criticism…both good & bad if they are worth a grain of salt instead of just having family/friends or cast/crew defending them which just further proves my point. Welcome to the ‘real’ world. If it was so good then why didn’t it go straight to cinema release instead of being free disguised as being a marketing strategy. Plenty of Aussie movies are making a killing right now because they rely on substance rather than hot air. Good luck people.
15 Oct 11
9:28 am
Filmreviewer is just being honest. He, like many others part of the audience & entitled to an opinion. The film has its supporters but along with that comes the critics as with any other film. It would be somewhat unrealistic & arrogant to think there wouldnt be anything to criticise? He is just saying what others may be thinking but too afraid to verbalise…the film itself isn’t great @ all, it was the marketing that succeeded which I understand was done by another agency. Without all the publicity, noone would’ve even known about it except maybe the ‘horror’ fans which in itself is quite limited & it would’ve had to stand on its own two feet. Most films with a half decent finished product can be distributed. Anyone can enter a film festival & again, it only has to be of a certain production value to be accepted. I have done it several times myself including success @ Cannes & LA etc. It is not uncommon in the film community (maybe just not as well publicised in Australia). Essentially, they have invested their own time like many of us & then asked for financial support. It averaged less than $50k which is standard for most crowdfunding projects. It is not a new model @ all. Fortunately for them, they just happened to have some connections. This does not necessarily make it a success in it’s own right so of course, they are listening only to the ‘fan’ base they created themselves. Isn’t that what egos do? I do have to say though, I was disappointed with the cinematography – looked to me like they covered up bad work with ‘oh, we’re a news crew’. Also, that lead actress was pretty weak, even for a journalist which in itself says something…