House of Hancock case has implications for real life based drama producers, say academics

Billionaire mining magnate Gina Rinehart’s last minute legal push to edit the contents of a fictionalised portrayal of her relationship her life could have serious consequences for makers of non fiction based drama, say media law experts.

Mandy McElhinney as Gina Rinehart in House of Hancock

Mandy McElhinney as Gina Rinehart in House of Hancock

Last Friday afternoon Rinehart took Channel Nine to court to gain access to the final episode of the series House of Hancock, reaching a confidential agreement with the network on Saturday which saw edits made to the second episode before it aired on Sunday night. The court heard that as part of the deal Nine agreed to broadcast a line at the start of the show about it being a “fictionalised” drama.

Journalism academic Mark Pearson, said the case raises concerns defamation actions could be used to stifle production of local content based on living persons, and said the case could have an impact on how producers choose to tell stories like the fictionalised House of Hancock.

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