Fenech: Brain behind Housos
Housos Vs Authority, the feature film version of Paul Fenech’s SBS TV series Housos has taken just over half a million dollars at the box office on its opening weekend.
Taking $526,000, according to official figures from the Motion Picture Distributors Association of Australia, the film was shown across 151 screens for a moderate $3485 screen average.
Transmission Films released the film paying particular attention to “the heartland of the TV show’s fan base,” Courtney Botfield, general manager of Transmission Films told Encore.
With the film taking a screen average of around $3,485, Botfield said: “We’re very happy with how it’s opened. It has played really well to its core fan base. It shows what a fan base Paul Fenech and the show has.”
While Botfield said there was not a opening box office figure in mind, when Encore spoke with Transmission’s Richard Patyen last week, the managing director said: “At 150 prints, you want to be doing north of a million, so that’s our aim.” This number was not just for opening weekend however.
Botfield said the film had great word of mouth behind it helped along by social media: “We’ve had such a great tool in Facebook with the audience growing another 7000 over the weekend.”
The Facebook page now has over 100,000 likes. GroupM media agency MEC is looking after the social media campaign for the film.
The film has made $554,000 including preview screenings.
On Friday, Mumbrella’s Tim Burrowes held a live Google Hangout with Fenech discussing the creator’s thoughts on both the film and TV industry.
Elsewhere in Australian film releases, veteran editor David Pulbrook has made his directorial feature debut with Last Dance. The film stars Firass Dirani of The Straits and Underbelly as a Palestinian terrorist who forces entry in a Holocaust survivor’s home to hide after he survives a failed suicide attack on a synagogue. The film, distributed by Becker, took $7,698 across six screens for a $1,283 average.
Documentary Paul Kelly: Stories of Me took another $139,000 at the box office. The film, distributed by Madman, had the week’s biggest screen average of $19,892 across seven screens in its third week in release. The film has now taken $363,000.
PJ Hogan’s Mental has made $69,600 for distributor Universal. In its fifth week in release, the film took a $819 screen average across 85 screens. The film has taken $3.963m to date.
Amiel Courtin-Wilson’s Hail, also released by Madman made another $3204 across two screens. The film’s box office currently stands at $35,075.
In International releases, new films Bachelorette, distributed by Hopscotch/eOne and End of Watch, distributed by Roadshow, couldn’t top Argo, in its second release by Warner Bros.
Argo added another $1.813m to its box office this weekend to be the top film of the weekend. Bachelorette was second at the box office, taking $841000 across 197 screens for a $4,270 screen average. End of Watch, across 191 screens took $738,000 for a $3,866 screen average.
Sharmill’s Metropolitan Opera presentation of L’Elisir D’Amore took $76,900 across 31 screens for a $2481 screen average.