Graeme Mason new boss of Screen Australia
Screen Australia has again looked to New Zealand for its next new boss.
Ruth Harley, who did not have her contract renewed, will depart the role in November.
She will be replaced by Graeme Mason who has been CEO of the New Zealand Film Commission since he succeeded Harley in 2009.
The move marks a return home to Australia for Mason who has also been president of worldwide acquisitions for Universal Studios and head of media projects at Channel 4 in the UK.
In today’s announcement, federal arts minister Tony Burke said: “This appointment will help strengthen Screen Australia’s important role in the rapidly diversifying screen environment.”
Screen Australia is the government funding body for the country’s TV and film industry.
Screen Australia Chair Glen Boreham said: “The Board was extremely impressed by Graeme’s extensive commercial experience and his unique perspective on the need for a screen agency to create a bridge between industry and government, and a balance between culture and commerce.”
Mason said in the announcement: ““After so many years away I am delighted to be coming home to Australia to take on such an exciting role.”
Blah Blah Blah Blah Blah. Same old bullshit. ‘The bridge between industry and government and a balance between culture and commerce’. That script has been shot many times before. That’s code for ‘If we don’t make any money it’s ok, because we’re supporting Australian culture.The problem is the ‘restraint of trade’ Screen Australia film financing model is economically, commercially and creatively unsound and no one has can or will make any money. Except perhaps Baz. And least of all Screen Australia which basically continues to trade while insolvent. As for culture? Don’t get me started.
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Brave man.
Good luck, Graeme.
And go kevlar shopping…
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Sorry, the kevlar has already been taken by the arts department and film body apparatchiks who have constructed an operating architecture which ensures they can never be held accountable or responsible for their creative and commercial decisions.
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