Nine grows revenue by 15% to $1.3bn, profits up 20%
ASX-listed Nine Entertainment Co. has released its results for the six months to December 2021.
For the period, Nine reported revenue of $1.3 billion and a net profit after tax of $213 million, which included a post-tax specific item expense of $12 million.
Group EBITDA, before specific items, of $406 million equated to growth of 15%, ahead of the 10% guidance given at the AGM in November. Profit after tax and minorities, before specific items was $213 million, up 20% on the previous corresponding period.
Key takeaways included continued audience strength across all key platforms – free-to-air, 9Now, publishing, radio and Stan.
Record revenue year (CY2021) for Total Television (FTA + BVOD) with strong growth from all television platforms. Total Television EBITDA growth of 16% on revenue growth of 11%
Growth to over 2.5 million active subscribers currently, driving 23% revenue growth at Stan. Further growth at Stan Sport, supporting increased outlook for Stan EBITDA.
In addition, $27 million, a 39% growth in the first half of publishing EBITDA, driven by subscription and licensing. A 53% growth in Domain’s (ongoing) EBITDA, which is leveraging the property market recovery.
A 31% growth in digital revenue and EBITDA, with digital EBITDA now accounting for 46% of the group total. Strong balance sheet, and 40% increase in interim dividend (on pcp) to 7.0 cents per share.
2022 Interim financial results for Nine Entertainment Co. [click to enlarge]
Nine Entertainment Co. CEO, Mike Sneesby, said: “We are really pleased with how Nine closed calendar 2021, with strong audience and revenue performance across all businesses, both subscription and advertising, underpinning 15% growth in EBITDA for the December half and surpassing the guidance we gave back in November.
“Momentum remains clearly positive, with full year guidance now of around 25% group EBITDA growth to what would be a record result for Nine. Importantly, these results continue to be delivered by increasingly diversified, and increasingly digital revenue streams.”
He added: “Moreover, this momentum has continued into 2022, with Nine’s content across all platforms underpinning a strong start to the year which, coupled with continuing strength in advertising markets and further growth in subscriptions, creates a great foundation for the business looking forward.
“Nine’s opportunity has never been clearer. In Total Television, we have balanced our programming decisions across broadcast and streaming, and carefully invested in and expanded the reach of 9Now, resulting in record Total Television revenues in calendar 2021, more than any year in Nine’s history.
He continued: “At Stan, we are continuing to grow revenues and subscribers while expanding our annual volume of Stan Originals as we take greater control of our premium content pipeline and continue to invest in Stan Sport. In radio, we have been strengthening our underlying business, while building our audiences, and with 23% of our listeners now live streaming our content, there is a real opportunity to further expand our digital revenues. And in publishing, we will continue to invest in the product, ensuring greater audience reach and higher subscriber numbers, of course augmented by the licensing agreements with Google and Facebook.”
“I’m very proud of what the team at Nine has achieved this year. We understand the importance of amplifying and sharing the stories Australians want to watch, read or hear and we are defining what an Australian digital media company looks like,” Sneesby said.
On revenue of $1.3 billion, Nine reported EBITDA of $406 million, up 15% on the previous corresponding period, continuing the momentum of FY21. Net profit after tax and minorities of $213 million was up 20% on H1 FY21. Earnings per share of 12.5 cents was also up 20% on pcp. Specific items totaled a cost of $12 million and are detailed in Appendix 2. Nine has announced its intention to pay an interim dividend of 7.0 cents, compared with 5.0 cents in the previous corresponding period, which equates to a payout ratio of 56%.
Nine’s broadcast division comprises Total Television (Nine Network and 9Now) as well as Nine radio. Together, broadcast reported EBITDA of $243 million on revenues of $682 million for the six months.
Across Total Television, revenue increased by 11% and EBITDA by 16%, with strong growth across both Nine Network and 9Now. On pre-COVID H1 FY20, EBITDA is up 72%.
Nine Network reported revenue growth of 7% for the six months to $559 million. The metro free-to-air advertising market was up 13%1 for the half, with Nine’s FTA revenue share of 36% reflecting the Tokyo Olympics during the period.
Across the survey year 2021, Nine was the #1 Network and primary channel in all key demographics, attracting a commercial network share of 37.9% and a primary channel share of 39.5% of the 25-54 demographic.
For the six months to December, on a primary channel basis, Nine’s share of the 25-54s was 38.7%, more than three share points ahead of the next placed channel.
FTA costs increased by 5%, ($18 million). The increase reflected the normalisation of some COVID-related cost relief in FY21, some incremental lock-down related costs as well as costs relating to the broadcast of Rugby and Wimbledon. The second half cost increase is expected to be lower, with the increase in tennis rights (post COVID-relief in 2021) the primary driver.
For the six months to December, FTA EBITDA increased by 10% to $189 million, equating to a first half margin of almost 34%. 9Now continued to grow strongly, with revenue growth of 50%. EBITDA of $48m was up 45% on H1 FY21, and accounted for around 20% of Total Television profitability.
The cost increase of $10 million reflected the return of some COVID-disrupted or delayed content including the Love Islands (UK and Australia) and other components of NBCU content originally scheduled for availability earlier in the contract.
Daily active users grew by a further 55%, while live streaming (minutes) were up by 75%. Overall, the BVOD market grew by 58% for the six months to $193 million.
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With the key markets of Melbourne and Sydney opening up during the half, the metro radio ad market gained momentum, and finished the half up 13% on the previous corresponding period.
Nine also gained share momentum, both on an audience and revenue basis, with ad revenues up 15% for the half. Nine radio reported EBITDA of $6 million, more than double the pcp, with the benefits of previous cost reductions and sale restructures combining with the improving advertising market.
Subscriber momentum remains positive at Stan with current active subscribers of more than 2.5 million, driven both by sport and entertainment. Not only have underlying subscriber numbers exceeded earlier expectations, but Stan’s ability to retain sport customers through the year has also outperformed.
Strong subscriber numbers, together with double-digit growth in ARPU (average revenue per user), resulted in revenue growth across the half of 23%. The 43% increase in costs primarily reflected the investment in Stan Sport.
Ex sport, costs were up by 17%, reflecting the ramp up of the NBCU output deal, as well as the increased roll out of Stan Originals.
Overall, EBITDA of $22 million was well up on H2 FY21, notwithstanding a period of strategic investment, in originals to build a long-term library asset, and in live content, primarily sport, as a key differentiator to other streaming platforms in Australia.
Across the period, Stan’s content has resonated with audiences. Key content across the half includes Paramount’s Yellowstone, NBCU’s Hacks and Stan Originals Bump and Christmas on the Farm, while over summer, Stan Originals The Tourist and Wolf Like Me have been particularly popular.
Nine’s Publishing division includes the core metro media business, as well as nine.com.au, Pedestrian Group and Drive. Together, Publishing reported revenue of $300 million and a combined EBITDA of $95 million which was up 39% on H1 FY21. In total, digital now accounts for more than 60% of publishing revenue.
Continued strong readership across each of The Sydney Morning Herald, The Age and The Australian Financial Review translated into paying audience, with total subscriber growth across each mastheads While print subscription and retail sales slipped slightly, this was more than offset by digital subscription and licensing revenue which grew by 63% across the half, driven by growing subscriptions as well as the revenue from the digital platforms.
Advertising revenue from Nine’s publishing assets outperformed earlier expectations, bouncing back strongly as the half progressed. Digital advertising revenue grew by 7%, notwithstanding the end of the legacy Google sales agreement in February. Print advertising grew by 15%, with travel and commercial real estate bouncing back strongly, the former however, remaining well below pre-COVID levels.
Overall, publishing costs increased by 7%. Of the $13 million increase, around one-third related to post-COVID rebalances, with personnel costs also increasing in line with July pay rises. In total, Publishing EBITDA increased by 39% to $95 million for the half.
Calendar 2022 has started strongly, in terms of both audiences, across all platforms, and advertisers, across all major categories.
Nine has started calendar 2022, as the leader across all key demographics, more than 10% points of share ahead of the next placed channel on a prime time, primary channel basis in Nine’s targeted 25-54s and around 7% points ahead on a Total People basis – Nine’s strongest start to the calendar year in OzTAM history.
Reflecting this, in the current quarter, Nine’s Metro FTA ad revenue is expected to be up around 10% on the same quarter last year. Forward bookings remain comfortably ahead of same day last year.
In H2 FY22, Nine expects to record stronger FTA EBITDA growth than the 10% reported for H1.
9Now continues its strong growth trajectory, with more than 35% revenue growth expected in the March quarter (on pcp). Nine expects positive momentum to continue through the rest of CY22, as 9Now continues to build its presence in the broader digital video market. As a result, Nine expects Total Television EBITDA growth of close to 20% for FY22.
Nine Radio’s Q3 ad revenues are expected to grow in the mid single digits (%) with EBITDA leverage expected to continue to be strongly positive as the ad market recovers.
Stan has benefitted from a strong summer programming line-up and stickier sport subscribers, with FY22 EBITDA now expected to be between $25 million and $30 million.
Nine’s Publishing business has now reset to a markedly higher base, both in terms of the migration to digital and overall profitability. Q3 digital subscription revenue growth is expected to continue in the low double-digits (%), reflecting a busy news cycle. Together with an improved performance from advertising, both digital and print, and revenue from the digital platforms, Nine now expects growth of more than $55 million in publishing EBITDA in FY22 on FY21.
In total, Nine is now expecting FY22 Group EBITDA growth of above 22% on FY21’s $565 million. This result continues to highlight the benefits of Nine’s business, with diverse earnings drivers (across advertising and subscription) and a growing portfolio of digital assets.
NEC has a market capitalisation of 4.6 billion and a share price of $2.825 as of today.
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