When will it ever be good enough? Why ‘Come Down for Air’ should not be up for pitch

For five years, BMF’s ‘Come Down For Air’ work for Tourism Tasmania has been consistently great. Despite that, the account has gone up for tender, as per government rules. Jess Wheeler, creative director at SICKDOGWOLFMAN, argues that this is an example of everything that is wrong with the advertising industry.

I’m just gonna come out and say it, BMF’s ‘Come Down for Air’ work for Tourism Tasmania is the best tourism work in the country. Arguably some of the best in the world. And those that don’t agree with me would at the very least have to acknowledge that it’s in the discussion.

For my international readers, Tasmania is a small, cold, isolated island at the southernmost tip of Australia. Look up a map of Australia, see that little triangle right down the bottom? That’s it. And it’s probably safe to say that, for the majority of living memory, it hasn’t been at the top of many ‘mainlander’s’ destination lists. It’s not hot, it’s not tropical, it’s not full of resorts, it’s just not where a typical Australian brain has gone when thinking ‘local holiday’.

But it’s cool factor has grown immensely in recent years, spearheaded by David Walsh’s antics with MONA and DARK MOFO (which are both fucking amazing if you’ve never experienced them), a burgeoning food and drink scene, a wildly varied landscape, and the incredible work done by BMF via this campaign. I’ve been to Tassie a few times in the last 5 years, and it’s bloody great.

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