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Opinion
How to debunk media myths
In this post, UWS’s Ullrich Ecker, John Cook and Stephen Lewandowsky argue that cognitive science can help PRs form strategies in managing media misreporting.
A growing cohort of commentators has bemoaned the descent of contemporary political “debate” into a largely fact-free zone.
How about simply focusing on what consumers want?
In this guest post, Peter Mountford argues that brands should think more about what is really going on for consumers
Who here is hoping their favourite brand of toilet paper is going to be organizing a flash mob on their way home from work today?
What the Optus web copyright victory means
In this analysis first published on The Conversation, RMIT’s Marita Shelly examines the implications of Telstra’s defeat over the online rights to the AFL broadcast deal
This week’s Federal Court ruling that Optus customers are able to view sporting matches minutes after they are streamed live without breaching copyright is a landmark decision that alters our understanding of copyright law, and has significant implications for the AFL’s broadcasting rights deal.
Does Gina Rinehart’s bite of a chunk of Fairfax make her an oligarch?
In an article that first appeared in The Conversation, Mark Rolfe wonders whether the mining magnate’s move could turn Fairfax into something resembling America’s Fox network.Australia’s richest person Gina Rinehart has moved to increase her stake in Fairfax Media, owner of The Age, Sydney Morning Herald and a number of radio stations. Rinehart has already shown her desire to play a role in public life, campaigning against former Prime Minister Kevin Rudd’s aborted mining tax. She has also demonstrated a willingness to make media investments to ensure her pro-business worldview is promulgated.
What does this latest move by Rinehart mean?
Gillard's Australia Day crisis
PM Julia Gillard’s media adviser Tony Hodges has been forced to resign over the Australia Day tent embassy debacle.
It came after it emerged he had revealed opposition leader Tony Abbott’s whereabouts, leading to both politicians being rescued by police in ugly scenes.
Mumbrella editor Tim Burrowes and advertising practitioner Jane Caro debate the topic on Weekend Sunrise’s masters of Spin segment:
The biggest cock-up I made in business
In this guest post, Chris Savage urges agency staff to live the brand.I still shudder when I think about how incredibly stupid I was when I made the biggest stuff up of my career. And then, 18 years later, I did it again. Do not make this mistake with your clients. Ever.
Hey Groupon. Thanks for fucking up email
In this guest post, Daniel Monheit warns that group deal overload is devaluing email marketingEmail marketing used to be fabulous. Back in the heady days of 2010, brands would work hard to build up well qualified databases, upon which they’d bestow carefully crafted correspondence filled with information, offers and incentives. The recipients, of course would be delighted: “Oh look! An email! From one of my favourite brands! And it’s 40 cents off at Woolies this week!”.
The staggering sway of Harold Mitchell
The Power Index today names Aegis Media chairman Harold Mitchell as the most powerful person in Melbourne. Andrew Crook profiles him.
Harold Mitchell takes pride in dispensing with the niceties. When The Power Index visited his South Melbourne private office before Christmas, fresh remains were scattered all over the boardroom table.
Share a Coke with… the moronic masses
The most-read story on Mumbrella last year, with not far off 100,000 page views, was a fairly humdrum yarn about the launch of Coca-Cola’s name-on-a-bottle campaign.The headline, “Coca-Cola puts people’s names on bottles in ‘Share a Coke’ campaign”, though hated by any self-respecting sub-editor, was loved by Google. And in rushed what can be politely described as the public.
Assumptions kill creativity
In this guest post, Gual Barwell disagrees that the sales success of the Old Spice social media campaign was overstated.Yesterday’s post from Cathie McGinn suggested the Old Spice campaign failed to connect with consumers. Based on the facts and figures, I disagree.
What Old Spice and Wieden + Kennedy has done and done phenomenally well is to create a franchise.
The SMH's readers (are wrong) editor
We are now about five months into the reign of Australia’s first readers’ editor. And I don’t think it is working.
It struck me at the time of Judy Prisk’s appointment to the Sydney Morning Herald that the fact that her boss was editor-in-chief Peter Fray was not going to be ideal if she was going to be the independent voice of the reader.
The emperor's new fragrance: Old Spice’s campaign failure
In this guest post, Cathie McGinn slays a sacred cow of 21st century marketing – the highly awarded Old Spice campaign.One of the biggest myths of recent times (by which I mean a story of great heroism and triumph we’d all like to believe but deep down know to be untrue) is the Old Spice social media campaign. It’s been much lauded and awarded as an example of outstanding content, a creative and collaborative way of connecting with consumers and driving a record increase in sales.
How reliable are radio ratings?

In this guest posting, Jason ‘Jabba’ Davis wonders how accurate radio ratings can be, since the data is collated from handwritten diaries.
So, the radio ratings season gets underway tomorrow. After a well-earned break, Australia’s commercial radio stations will renew their obsession with figures to see how many of us are listening. Are they winning or losing the ratings war?
The much feared radio survey is the only way to measure the success or failure of a station’s playlist, talent, promotions or even good old Black Thunder crosses. With six-figure salaries riding on the make-or-break nature of ratings, just how accurate are Australia’s radio survey results?
One-eyed Willy’s rich stuff: brands as movie heroes
I have just spent an entire day on a plane. I can’t sleep on flights, even after heavy sedation. So I watched seven films, back to back. Most of the new ones were truly awful and I couldn’t finish them. So I watched an old favourite, The Goonies. I have probably watched this film more than 200 times since I was a kid. But this time, with work in the back of my mind, one thing stuck out – how much brands were the stars of the film.The gospel of participation is making brands forget about mass reach
In this guest post, Simon Lawson argues that brands are becoming obsessed with getting consumers to participate, rather than remembering to deliver mass exposure.I don’t know if you’ve noticed, but a lot of brands are wasting significant amounts of time and money on ineffective marketing. Large sums are being put behind tactics which end up being too small to have much chance of influencing total brand preference.
Council for the Arts launches promo video featuring new art of “Pogoism”
Australia Council for the Arts has launched an online promotional video aimed at encouraging people to contribute to the arts, with an ad featuring a new form of art called “Pogoism” – painting with pogo sticks.
The campaign, created by Cabana Boys, features two people hopping around on pogo sticks over a large canvass placed on the ground. They are shown using the sticks like paint brushes to create a picture.
It promo video features the tagline: “Get your arts career off the ground.”
Australia Council for the Arts is the Australian Government’s arts funding and advisory body which supports the ongoing development of the arts sector.
The body provides more than $158m in funding for arts organisations and individual artists across the country each year.
Cabana Boys, a start up agency, last year launched a DM campaign which saw it send out a coconut stamped with the website address YouveBeenHit.com.au. The site tells the story of the agency which was set up by Stuart Ghent and Nik Robinson.
Credits
- Client: Australia Council for the Arts
- Creative Agency: Cabana Boys
- Creative Directors: Nik Robinson & Stuart Ghent
- Production Company: Candy Land
- Director: Briony Forbes
- Producer: Nici Adams
- DOP: Emilio Abbonizio
- Social Marketing: Zing
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Comments
1 Feb 10
4:50 pm
Wicked idea, great viral.
1 Feb 10
5:30 pm
I just knew the Cabana boys were going to come up with some great work the minute I saw the initial press release about their launch. Well done.
1 Feb 10
7:05 pm
Thank God for time-lapse photography. Looks like the pattern in the cement after my dog walked through it.
1 Feb 10
7:45 pm
I dont get this.
Apparently people in advertising like this kinda stuff, but I doubt normal punters do.
I got bored after about 10 seconds.
1 Feb 10
10:47 pm
I like the idea, but the actual picture on the canvas didnt turn out that great
2 Feb 10
5:35 am
… and tidy too. The use of black plastic to catch any mess was a nice touch.
Great spot!
2 Feb 10
11:49 am
At the risk of infuriating some readers further I have a little more to add.
A great example of what I’m trying to say can be found in Mumbrella in the News section. The piece highlighting Cabana Boys’ clever Arts Council viral ad illustrates my point.
1. Branding is left until right at the very end. Most free to air TVCs have branding all the way through.
2. The shooting, while done by Briony Forbes, one of the best in the business, is restrained and far from slick.
3. And finally the whole thing is an ‘event’ that lasts two whole minutes.
Try selling that to Coke (or nearly any marketer who is paying for the media) as a TV spot and see long the meeting lasts.
2 Feb 10
11:52 am
Comment above entered in error. Relates to the Coke story in Opinions section. Sorry about that.
2 Feb 10
11:52 am
It actually reminds me of that really old carpet ad, where a man tries to paint the carpet with cans of paint and his body…
2 Feb 10
12:13 pm
Ummm … Matthew … that man would be Pro Hart. Probably not your everyday Aussie.
2 Feb 10
12:21 pm
thanks John!
I’ve just found it on youtube
http://www.youtube.com/watch?v=8qb4n8yc2so
2 Feb 10
12:53 pm
boy they must’ve been puffed
2 Feb 10
3:42 pm
Tony – don’t you mean the coke story – what you wrote! Accidental me thinks not.
2 Feb 10
5:42 pm
Love it!!! looks like a dancer to me, not sure re comment above about the image not looking anything special.