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Opinion | Features
My memo to your boss
So let me guess?
You really want to come to Mumbrella360, but you’ve got to justify the time and cost to your boss?
Good news! I think I can help.
Woz not great
In this guest post Tony Prysten argues that the thousand dollar price of seeing out-of-touch Apple co-founder Steve Wozniack on his Australian tour was a waste of money.
This week, for the cost of two iPads (yep, two) I went to the Woz Live conference in Melbourne. I was not impressed.
What the hell is transmedia?
From advertising campaigns to online video series, the term ‘transmedia’ gets quite the work out. But what does it actually mean? Cathie McGinn trawls the media landscape for a definitive definition.

Transmedia, all media and multiplatform are terms often used interchangeably when referencing modern storytelling techniques. Yet, depending who you speak to, there are distinct differences between them.
According to industry experts Encore spoke to, the key elements that define transmedia can be summarised as follows: platform, time, audience, adaptation, and creative collaboration.
Innovation is the remedy for the ailing magazine industry
With magazine circulations plummeting, FHM closing and rumours rife on future ownership of ACP Magazines, Paul Merrill says the only way forward is launching new titles.Eight years ago in the UK, nearly a quarter of all magazine sales came from magazines that were less than four years old. In Australia, the figure was slightly lower, but still significant. Today, the situation is very different. For a start there are so few new magazines. Yes, Masterchef briefly flared, and Top Gear made an initial impact. But Grazia and Alpha fizzled, and now ACP has shelved their plans to launch Elle.
More than a game: broadcasting the Olympics
The 2012 London Olympics will be the biggest televised sporting event of our time. Brooke Hemphill discovers the logistical challenges and technical requirements of producing the event.
From July 27 to August 12, the Australian media will go sport crazy as the Games of the XXX Olympiad, aka the 2012 London Summer Olympics, unfold. The games will be the most televised sporting event of our time as broadcasters look to master every manner of technology at their disposal.
The Voice - Australia's best example yet of social TV
I am an addict of Channel Nine’s hit show The Voice. Such is the extent of my addiction I seriously think my housemate might kick me out of our apartment for the semi-frenzied yelling and tweeting that ensues in our lounge room each time the show airs.It’s the first time in almost three years that such disagreement has resulted in less than civil behaviour towards one another, and it’s made me think it might be a microcosm of the large volume of online debate about the show and, correspondingly, an explanation for its success as a social TV experience.Why brands are the US Army - and culture jammers are the Viet Cong
In this guest posting, Dave Burgess, who painted ‘No War’ on the Sydney Opera House, claims that ‘amoral’ advertisers have copied his idea.
Culture jamming is a 28-year-old term coined by the San Francisco-based band Negativland, who declared that the ‘Studio for the cultural jammer is the world at large’.
Branded content is dead. Long live branded content
In this guest posting, Anthony Freedman argues why branded content is making a comeback.
A few short years ago, probably concurrent with the advent of the PVR, a new term emerged within the marketing communications industry; branded content. This was really synonymous with advertiser funded TV shows where programming was created by brands and deals struck with networks to broadcast them.
There were varying degrees of success with this model.
Shock advertising: 30 ads that would give Australia's ad watchdog a coronary
Is shock an underused weapon in Australian advertising, asks Robin HicksToday, Sydney agency The Cabana Boys used an image of a mouth sewn together to shock people with the idea that problem gamblers lie to conceal their habit. Is it the most disturbing image ever? No. Will it get banned by the Advertising Standards Bureau? No. But it did make me wonder why shock is not used more often in Australia – and not just by charities and government bodies. (WARNING: NSFW)
The making of ratings blockbuster The Voice
Jason Mountney goes on the set of Channel Nine’s talent search series, The Voice, to see how the format, based on an international franchise, has come together. What ingredients have gone into making this certified hit that’s rated more than two million viewers on three consecutive nights?
Mike Goldman has one of the toughest jobs on the set of the Nine network’s new talent show, The Voice. He not only has to narrate the show, but also keep the audience from losing their enthusiasm as they realise shooting TV programs takes a lot longer than the one-hour bursts they see in their lounge rooms. A lot longer.
Nine problems stopping The Global Mail from getting an audience
While it’s a shame The Global Mail has failed to make an impact on the media landscape, the signs have been there for some time.I love the concept of a well resourced, philanthropically-funded independent news site. Anywhere in the world, that’s a rare and wonderful thing. In Australia even more so. So I hope that Grame Wood gets to see his investment make a difference.
And I have no inside info on whether Monica Attard’s sudden departure is linked to the site’s failure to find an audience so far.
Regardless, here are nine areas they can easily start to address:
Journalism’s new model?
Does the launch of philanthropically funded news site The Global Mail signal a new era for journalism or is the model destined to be a passing fad, asks Cathie McGinn in this article first published in Encore magazine.With little fanfare, philanthropically funded news site The Global Mail launched in February this year.
The online-only title received a generous five-year funding commitment from businessman Graeme Wood, founder of accommodation website wotif.com, who donated $15million.
Five things that make a great suit
In this guest posting, Gareth Collins argues that the role of a great account manager is to make the work betterI’m surprised at how many suits I meet who don’t know their role in the advertising business. The question ‘what does an advertising account manager or director do?’ is frequently met with answers such as project manager, relationship manager, plate spinner or go between … and those are the nice ones.
Success is judged on the ability to manage a process, be strong administratively and get stuff done. And while a good suit needs to do all of these things brilliantly, if these are the traits that define a great suit, then I’m in the wrong job.
What the hell is transmedia?
From advertising campaigns to online video series, the term ‘transmedia’ gets quite the work out. But what does it actually mean? Cathie McGinn trawls the media landscape for a definitive definition.
Transmedia, all media and multiplatform are terms often used interchangeably when referencing modern storytelling techniques. Yet, depending who you speak to, there are distinct differences between them.
The top seven...most patronising pieces of communication
Sometimes brands have big ideas. Sometimes marketers get so caught up with a grandiose idea that instead of finding engaging ways to sell breakfast cereal, they start to believe their own rhetoric. And sometimes it’s just lazy marketing. Here are my top seven inadvertently patronising pieces of communication…
1) Last night thousands of women gathered in Sydney’s Centennial Park to take part in She Runs the Night, an event created by Nike.
Jetstar launches search for Powderfinger blogger
Jetstar is continuing its drive into social media, funding an official blogger on Powderfinger’s farewell tour which is sponsored by the budget airline.
According to Jetstar: “Over 50 days, Jetstar’s official tour blogger will ‘Follow the Finger’ and produce daily blogs, video diaries, fan photos and Twitter updates. They will interview the band and support acts, interact with fans and locals and become a member of the tour support team.”
As well as covering travel and accommodation, the blogger will receive an allowance of $100 a day.
Those trying to win the role are being asked to submit a 90 second audition video and sample of their writing to the entry website. The competition is also being promoted through Nova.
Jetstar has been making a growing investment in social media. In March this year, marketing boss David May signalled that he would be shifting a significant proportion of his budget into online and social media.
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Comments
11 Aug 10
1:39 pm
Sorry, I’m booked as the official blogger for John Farnham’s ‘Last Last Last Time’ Tour. Maybe next time?
11 Aug 10
1:54 pm
Yeah would have loved it, but I’m booked doing Rolf Harris does Led Zepplin & Gunna’s tour.
11 Aug 10
2:47 pm
A hundy a day won’t buy breakfast!
11 Aug 10
3:14 pm
it will buy monkeys, though.
‘… better save that silly money for junkets,’ eh, Bernard?
12 Aug 10
10:35 am
Damn you, Ronnie, I was really hoping for that gig. Looks like I’ll have to settle for being the official typer-of-tweets for John Farnham’s ‘Okay, This Really IS The Absolute Last Last Time (I Promise)’ tour…
14 Aug 10
7:56 am
So, for 50 days the “winner” of the “competition” works as a writer covering the tour — call it journalism or blogging or whatever you like it’s pretty much the same thing. They work as a producer, curating fan photos. They work as a PR assistant and “interact with fans and locals and become a member of the tour support team”. That’s a whole bunch of different media skills. And in return they get paid less than the legislated minimum wage.
“Jetstar has been making a growing investment in social media,” it says — but clearly not enough to pay a fair day’s wage for a fair day’s work.
Maybe Jetstar should try telling the roadies they’ll also get $100 a day “allowance” in return for the privilege of seeing all 34 concerts. To their faces.
[Please insert a final angry sentence that includes the words "exploitation", "unethical" and "pond slime".]
16 Aug 10
3:57 pm
Hi Stil,
My first thoughts were similar to yours – particularly as the release didn’t mention the $100 a day allowance.
However, I’m leaning towards it being a great prize for somebody whose personal circumstances allow them to do this, and who is a fan of the band.
Is it any different (apart from in duration) from either festivals that use “volunteers” to provide labour, or companies using interns – I suspect that the winner may end up being someone for who this is a great thing to have on the CV.
At the risk of sounding naive, I suspect their starting point was not : “How can we get some free social media expertise around this?” but more “How can we create a money-can’t-buy prize and use it to connect to fans?”
Like you, I’m against exploitation, but this feels a bit more like market forces where both sides are going to get a fair bit out of it.
(PS – apologies for it taking a while for your comment to go live – it got lost in our spam folder for a few days).
Cheers,
Tim – Mumbrella
16 Aug 10
4:02 pm
it’s extremely cynical (says me with the title Head of Wanking) to assume Jetstar’s starting position for this was ‘how do we get some cheap labour’ …
16 Aug 10
4:08 pm
There will be fans queuing up for this regardless. If the contest is taken away because of advertising ethical questions, god knows how many fans will be disapointed. is that a good thing? It’s a clever cheap scheme by JetStar which is win win win all round. If you don’t want to enter, then don’t.
16 Aug 10
4:09 pm
I agree that “How can we get free labour?” probably wasn’t the starting point, but that’s where it’s ended up. I wrote an even crankier piece over at my place and, in the comments there, find some hidden nasties in the terms and conditions. Credit to sponsors where it’s due. But having to wear Jetstar-branded clothing the entire time you’re on your dream holiday? And having to do, essentially, whatever they tell you?
16 Aug 10
4:14 pm
You’re not wrong about it being an even crankier piece, Stil. (Do have a click, folks – worth a read. Warning: includes the phrase “exploitative cunts”…)
Cheers,
Tim – Mumbrella
16 Aug 10
4:19 pm
Erm, Tim, I think you’re meant to warn people about the language before they see it…
16 Aug 10
4:27 pm
I’ve always struggled with the subtleties of the internet…
16 Aug 10
4:28 pm
Chill out Stilgherrian
For someone who just loves music, is starting out in the industry (music or social media) and has the time it’s a free holiday and an interesting behind the scene’s experience.
Sure there’s ‘work’ to be done but if someone’s loving their pretty unique experience I doubt it’s going to be too taxing.
And no I’m not connected in any way, shape or form to Jetstar – in fact I hate flying with them. But I applaud their effor to connect with an obvious key demographic.
16 Aug 10
5:11 pm
Hi
The intent of the competition, and it is a competition, was to try and make it something a bit more interesting than win a pair of tickets to see the band at Rod Laver arena.
It is purely a chance for someone who wants the chance to tour with the band, the chance to do just that. And I think providing that prize is quite a good thing.
We don’t actually need written content on the tour, (there will be huge amounts of content on the tour), which i think is the key to calling us exploitative. We just wanted to create the most amazing experience and prize we could, and travelling with the band to every single event seemed to be that.
And for the record, I’d like to start a worldwide ban on innapropriate use of the smiley face. It doesn’t excuse whatever is written before it.
Dave May
Head Of Marketing & PR
Jetstar
16 Aug 10
5:20 pm
But Dave, that’s not what it says in the terms and conditions. As I said over here. If you “don’t actually need written content on the tour”, why put in the T&Cs a clause which says you can demand it?
I was always taught to ignore what the top-level PR says and read the fine print, and here the fine print says the “winner” is subject to Jetstar’s orders and wears your uniform.