Fifty Shades Freed earns $4.6m on opening weekend
Universal’s Fifty Shades Freed debuted on Thursday, with its opening weekend run earning $4.6m across 551 screens.
The third movie of the trilogy managed to bump The Greatest Showman from its top spot as it brought in $1.1m, taking its total earnings to $27.9m.
Roadshow’s I, Tonya – based on the true story of figure skater Tonya Harding – slipped one spot to third as it saw weekend earnings of $1m over 239 screens.
Meanwhile, Insidious: The Last Key held its fourth position as it brought in $820,753 over the weekend.
Falling from last week’s third place, Den of Thieves came in fifth with $680,642.
| Title (Distributor) | Weekend B/O | Screens | Total B/O |
|---|---|---|---|
| Fifty Shades Freed (Universal) | $4,661,242 | 551 | $6,075,683 |
| The Greatest Showman (Fox) | $1,162,591 | 288 | $27,960,142 |
| I, Tonya (Roadshow) | $1,011,690 | 239 | $6,196,617 |
| Insidious: The Last Key (Sony) | $820,753 | 140 | $882,238 |
| Den Of Thieves (Roadshow) | $680,642 | 185 | $2,346,883 |
| Jumanji: Welcome To The Jungle (Sony) | $635,541 | 261 | $47,271,282 |
| Molly's Game (Eone) | $548,562 | 283 | $2,362,103 |
| Three Billboards Outside Ebbing, Missouri (Fox) | $531,058 | 221 | $8,852,422 |
| Darkest Hour (Universal) | $456,401 | 216 | $5,884,083 |
| The 15:17 To Paris (Roadshow) | $440,392 | 151 | $440,392 |
| Maze Runner: The Death Cure (Fox) | $429,936 | 226 | $9,318,652 |
| The Shape Of Water (Fox) | $318,513 | 149 | $2,815,727 |
| The Post (Eone) | $303,287 | 182 | $6,636,397 |
| Phantom Thread (Universal) | $202,668 | 66 | $640,047 |
| Sweet Country (Transmission) | $195,233 | 73 | $911,488 |
| Padmaavat (Paramount) | $168,524 | 57 | $2,984,387 |
| Pitch Perfect 3 (Universal) | $120,243 | 113 | $20,648,904 |
| Coco (Disney) | $117,514 | 87 | $11,212,386 |
| Star Wars: The Last Jedi (Disney) | $113,296 | 57 | $57,892,493 |
| Paw Patrol: Sea Patrol (Indies) | $111,149 | 69 | $559,435 |
Abigail Dawson was Mumbrella's senior content journalist covering event content. She left Mumbrella to move into an agency role in 2020.
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