Working Class Boy and Filthy Rich & Homeless among programs to receive Screen Australia funding

Screen Australia has invested an additional $3.5m in Australian documentaries in its latest round of funding, the organisation announced today.

Production funding will be awarded to 12 documentaries including CJZ Productions’ feature Jimmy Barnes’ Working Class Boy – which will run on Seven this year – and a new season of Filthy Rich & Homeless, to be aired on SBS.

Credit: Andrew Farrell

Funding has come from two schemes run by Screen Australia, the documentary producer and documentary commissioned programs.

The Documentary Producer program gives producers foundational funding for their projects, while the Documentary Commissioned program supports production costs for television and video on demand programs.

Of the $3.5m total, $850,000 was allocated to the producer program and $2.66m to the commissioned program.

Other documentaries include a feature-length version of Violeta Ayala and Daniel Fallshaw’s The Fight, a three part series about cult leader Anne Hamilton-Byrne, and ABC iview series Gun Ringer.

Screentime’s The Secret Life of Four Year Olds has also received funding. The show will air on Ten this year.

Liz Stevens, Screen Australia’s senior manager of documentary, said of the new programs: “In the last few months of 2017, we announced that online and interactive documentaries were a priority for the Producer program.

“Innovative projects like Gun Ringer, The Horrors and Mission: Whalesong are perfect examples of creative teams exploring alternative business models and distribution avenues for documentaries. In 2018 we will be looking to support more similarly forward-thinking projects, alongside more traditional features and broadcasting commissions.”

The list of shows which received funding through the documentary producer scheme includes:

    • ABC iview series Gun Ringer about Indigenous Ringer Jeff Harrower, who does one of the most dangerous jobs on earth – feral bull catching in regional Northern Territory. Emerging NT producer Tom Lawrence created the original concept and has teamed up with highly experienced Bondi Rescue producers Ben Davies and Ash Davies for the series.
    • ABC Arts one-off special Death Art from Ruby Girl Productions, about one woman’s journey to explore what it means to use a dead body in artworks. Produced by Julia Peters (Becoming Superhuman), and written and directed by Sascha Ettinger Epstein (The Pink House).
    • Mission: Whalesong from WA-based Prospero Productions, produced by Julia Redwood and Ed Punchard (Martin Clunes: Islands of Australia; Outback Truckers), and written/directed by Russell Vines (Who Do You Think You Are). Designed as an immersive experience to be screened in dome cinemas and planetariums, it will explore far flung corners of the Indian Ocean to uncover the mysteries of the largest creature on the planet – the blue whale.
    • An feature length version of producer/director team Violeta Ayala and Daniel Fallshaw’s award-winning Guardian short The Fight, examining the discrimination faced by people with disabilities in Bolivia. Ayala and Fallshaw’s 2017 documentary Cocaine Prison screened at TIFF and their 2015 documentary The Bolivian Case was recently acquired by Netflix.
    • ABC iview series The Horrors from Mashup Pictures, which will examine common themes of Australian life by reinterpreting real-life situations where things have gone horribly wrong. The production reunites the creative team behind Housemates – producer/director Rob Innes, producer/writer Scott Brennan and executive producer Mish Armstrong.
    • CJZ’s feature Working Class Boy based on Jimmy Barnes’ best-selling book of the same name, about the early years of Australia’s biggest rock star from his childhood in Glasgow to life in the forlorn immigrant suburbs of Adelaide. Produced by Toni Malone (Pauline Hanson: Please Explain!), executive produced by Andrew Farrell (Marry Me Marry My Family) and Michael Cordell (Vitamania), and directed and co-produced by Mark Joffe (Love Child).

The six projects supported through the Documentary Commissioned program are:

  •  Stranger Than Fiction Films’ Australia in Colour for SBS, produced in association with Arrow Media. The four-part series will take a look at pivotal moments in our nation’s history from 1900 – 1970, using cutting-edge technology to colourise black and white archival footage. Decade by decade the story of Australia, its people and culture will be given new life and shown in vibrant colour for the first time. Produced by Jo-anne McGowan (David Stratton: A Cinematic Life), executive produced by Jennifer Peedom (Sherpa) and Nick Metcalfe (America in Colour) from Arrow Media, the series will be written/directed by Alec Morgan (Hunt Angels) and Lisa Matthews (Australia – The Story of Us).
  • A second season of SBS’s thought-provoking series Filthy Rich & Homeless from award-winning production house Blackfella Films. Produced by Darren Dale and Jacob Hickey, who is also credited as writer, the second season will follow the format of the first and recruit five new high-profile Australians to trade in their privileged lives and discover what life is like for the nation’s homeless.
  • Artemis Media’s My Family Secret also for SBS, a three-part series helping regular Australians scrutinise the silences from both their family’s and our country’s past. Produced by Claire Forster (Australian Story) and Robin Eastwood (Miss Lebanon), executive produced by Celia Tait (Who Do You Think You Are) and directed by Steve Peddie (Secrets of Our Cities).
  • Northern Pictures’ The Magical Land of Oz from writer/director Tosca Looby (Outback) and executive producers Sue Clothier (Whiteley), Karina Holden (Blue), Caroline Hawkins (Meerkat Manor) and Clare Birks (Animal Mums). This wildlife series will explore the unique exotic creatures of Australia that have evolved in a country shaped by a distinctive climate and years of isolation, and is set to air on the ABC in Australia, BBC2 in the UK and PBS in the US.
  • Church Street Films’ The Cult of the Family commissioned by the ABC, a three-part investigation into the rise and fallout of an insidious cult led by the charismatic Anne Hamilton-Byrne. The series reunites the same team from the 2017 feature The Family which premiered at MIFF – producer Anna Grieve (Croker Island Exodus) and writer/director Rosie Jones.
  • Screentime’s The Secret Life of Four Year Olds, revealing the secret world of four year olds at a pivotal age of their development. Capturing the ups and downs, tears and laughter of a group of young children, executive producers Jennifer Collins (Todd Sampson’s Life on the Line), Emily Griggs (The Chef’s Line), and Basia Bonkowski (Married At First Sight) will produce this illuminating series for Network Ten.

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