Opinion

Creative directors: Influence, don’t just direct

The title creative director implies control, but in today’s collaborative, multidisciplinary landscape, true leadership is about influence, not direction, writes Marcel Wijnen, creative director at Hulsbosch.

There is something that fundamentally bothers me about the title (my title) creative director. It feels limiting.


The creative director job title emerged organically in the 1950s and 60s, a period when advertising shifted from formulaic sales-driven messaging to a more idea-led, storytelling approach. Traditionally, copywriters and art directors worked in silos, but as agencies like Doyle Dane Bernbach (DDB) pioneered the creative revolution, a new leadership role was needed to unify the process. Figures like Bill Bernbach redefined agency structures, elevating creativity as a strategic function rather than a production step.

But in today’s fluid, collaborative creative landscape, is the role still necessary? The rigid hierarchies of Madison Avenue have given way to nimble, multidisciplinary teams, where ideas can come from anywhere – designers, strategists, even AI. The creative process is no longer top-down but networked, iterative, and data-driven. While leadership remains crucial, the traditional creative director may feel more like a relic of a bygone era than an essential driver of modern creativity.

If you’re only directing your team, you’re not truly getting the best out of them. Why hire brilliant creative minds if you’re simply going to direct them to execute your ideas of what and how things should be done? Your team and agency will be confined to the creative director’s vision. You might as well do the work yourself.

Of course, it is the creative director’s responsibility to ensure the team delivers, to set guardrails, clarify objectives and ambitions, and sprinkle in a healthy dose of inspiration to get the creative juices flowing. But none of these require issuing directives or acts of directing.

The risk of being overly directive is that it can quickly become overly controlling – and this stifling environment is exactly what makes designers cringe.

Strong creative agency cultures give everyone the safe space and time to contribute their ideas. Not just the big initial brand concept, but also the countless smaller ideas: how to make a design work better, how to give it a fresh twist, that intriguing font choice, that clever play on words, that perfect image selection—all those details that give a piece of work substance, depth, and a general wow factor.

The real role of the creative director (if we must use that term) is to influence – influence a culture of openness, collaboration, and trust; influence a way of working that fosters passionate, respectful debate, encourages bravery and risk-taking, and inspires everyone to support the best ideas.

When teams unite around the best ideas – regardless of who originated them – everyone can contribute to refining and improving the concept. This collective effort allows everyone to take ownership of building the idea.

Great creative solutions may begin with a singular spark of an idea, but it takes countless iterations and mini experiments to elevate creative work from good to great, and from great to iconic.

This is the kind of environment I want for my team, and the trust I freely give them. I’m not focused on whose idea it is or who contributed what. I aim to cultivate a culture where everyone is engaged, invested, and committed to delivering exceptional work – work that addresses the client’s challenges, resonates with the brand’s audience, and stands out from competitors in the category.

As a creative director, my role is to influence the team and shape this kind of culture. My advice to aspiring creative directors, don’t. Be a creative influencer.

Hopefully by the time you read this, my LinkedIn will be updated. Best I talk to my managing director (or should that be influence director) about this first.

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