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Distributor of Life in Movement questions the film’s ROI

The distributor of a critically acclaimed documentary about a Sydney dancer and choreographer, released today, has said he’s unsure whether he’ll get the necessary audience to make a profit on the theatrical release.

Gil Scrine, owner and manager of Antidote Films, distributor of the film Life in Movement, told Encore: “The jury is still out on whether people will come see the film.”

“It’s hard to know how the film will do. I’ve had the figure around $120,000 in mind, which would pay us back for our work and cost.”

Opening across 13 screens nationally today, Life in Movement is directed by Bryan Mason and produced and co-directed by Sophie Hyde about the life of dancer Tanya Liedtke, who died suddenly in 2007.

Scrine said: “The rule of thumb is the distributor takes a third, so if it takes $120,000, then it’ll be $40,000 for us and that will cover our costs includes printing and advertising.”

Life in Movement opens across Sydney, Brisbane, Melbourne, Adelaide, Hobart and Darwin as well as regional screens.

“Perth reneged, deciding to sit back and see how it goes,” Scrine added.

“The kind of film it is, the release is made up of bits and bobs. You just try and get screenings where you can. We need to make about $300,000 but it won’t do that in the current scenario.”

Agreements in place with one exhibitor per city has stopped Scrine distributing the film wider. Secondary exhibitors in metro regions must wait for three weeks before being able to screen the film.

“We’d need to double or triple our screens. In that third week we can attach some new screens.”

However Scrine is confident with the film’s placement at Melbourne’s Cinema Nova Carlton and as Mason and Hyde are Adelaide locals  the film should do well there. He is also resting his hopes on regional areas.

“Country towns are a lot better. Some are more cohesive than others but the social capital that exists in country Australia is concentrated at the cinema, so they will show Life in Movement or Mrs Carey’s Concert, unlike the suburban cinemas.”

The film has won international critical acclaim. It won Sydney Film Festival’s Australian Documentary Prize last year as well as both the Grand Jury Prize and Audience Award at Amsterdam’s Cinedans Festival, a film festival about dance.

Scrine said: “It’s an emotional piece. If there is a dry eye on the house I’d be surprised. It’s not forced either. It’s been great working with Bryan and Sophie, they’re a wonderful team.”

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