Revisiting the prisoners in Cell Block H

When Prisoner began in 1979, no one could have predicted it would go on to air 692 episodes and become a cult classic. In light of Foxtel’s commissioning of Prisoner re-imagining WentworthBob Ellis looks back at the original.

Watching the first episodes of Prisoner today, when Helen Travers (Kerry Armstrong) and Lynn Warner (Pieta Toppano) are ‘settling in’ (one is innocent of burying a baby alive, the other guilty of stabbing an adulterous husband who bullied her into an abortion, his death a scene reminiscent of Psycho) and Bea (Val Lehman) and Mum are released from what Scott Morrison would call ‘luxury accommodation’, we are less drawn into the unfolding stories and characters than we were in 1979.

We are less keen now to accept the bullying, the furniture-smashing violence, the unremarked corruption, the Governor’s piss-elegant Toorak accent, the male doctor’s bad acting, and the, well, imprecise morality at the heart of the whole sadomasochistic mishmash of shallow gesticulation and slut-feminist railing it became. That the sympathetic screw Meg (Elspeth Ballantyne) is a good and decent person is hard to swallow once we know how much she knows of the injustice around her; and Mum’s tranquil stoic wisdom as she prunes her roses in the prison garden seems so Terence Rattigan, so Beaumaris Players 1955, so morally oblivious to the crimes against humanity around her you want to throw a boot at the screen.

And Carol Burnes as Franky, the dominant bull-dyke (“I run things round here,” she is still bizarrely asserting the day before her release) has the problem of dialogue so lump-witted it prevents her ferocious lunges at performance.

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