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Opinion | Features
Can sport save Ten?
First there was the Grand Prix. Next came the reported $500m bid for cricket rights, then Ten secured the 2014 winter Olympics. So, can sport save the ailing network? In a feature that first appeared in Encore, Nic Christensen investigates.The television sports rights bidding process is a bit like a game of poker.
Check, fold or bet. Those were the options for the Ten Network last week when it had to finalise its bid for the cricket rights.
Andy Lark: good for the marketing of marketing
I can still remember the first story I wrote about Andy Lark, when it emerged that he was to be the new chief marketing officer of CommBank.
It was immediately clear that Australia was about to meet an interesting marketer, one who blogged and tweeted and thanks to his time at Dell in the US was digitally savvy. Even two years ago, that was a big deal. The fact that he also had a stint in public relations gave him an absolutely intriguing background before he even arrived.
Storming the media barricades - advice for young journalists
This week Mumbrella’s Nic Christensen, who began his career four years ago, gave the keynote address to would-be journalists at the Media, Entertainment & Arts Alliance’s Student Day. This is an edited version of his speech.Good afternoon, I can remember distinctly the last time I was in this room.
It was 2009 and I was sitting where you are. I’d come to this event, a friend and myself — from memory we sat up the back — and I can remember at the time wondering if I’d ever get a job as a journalist.
It was only four years ago and then as now getting a job was ultra competitive but I’m not sure there was quite as much media ‘doom and gloom’ as there is now…
Paywalls will help fund campaigning journalism
In this guest post, News Limited’s group editorial director Campbell Reid responds to the views of ninemsn’s Hal Crawford that the company’s push into metered paywalls is about data rather than dollars.Hal Crawford is both right and wrong in his article which argued that our digital subscription plans are all about the data.
Fake it 'til you make it... as a features editor
Cosmo’s Kate Leaver tells us how to bluff it in her job in a feature that first appeared in Encore.What do you do, as a features editor?
Really, play with words and ideas all day. At any one time, we’re working across three issues of the mag – getting one on its way to the printers, pooling all the words together for another, and planning the issue after that. It’s busy but it’s a pretty magnificent process.
Savage counsel - JFDI
Hi Chris,I run a medium-sized agency that is doing pretty well. As the leader, I am finding my workload just seems to go up and up. I am struggling to stay motivated and particularly to tackle the bigger and tougher challenges I have to face every day. How do I keep up the energy when there just seems so much to do? How do you do it?
Productive, successful executives are those able to consistently tackle difficult and big challenges. It’s a constant struggle for me so I know how you feel. How do the successful leaders do it?
Q&A with Brett Clegg
Brett Clegg, group director – business media, Fairfax Media, in a Q&A that first appeared in Encore, on the journo who refuses to work with him – his wife.Who is the most powerful person in Australian media and why?
Hard to go past Rupert Murdoch. He controls the single largest and most diverse portfolio and is intent on leveraging its scale (and, of course, influence). He’s an innovator and his will to win is obvious to all.
The experiential experience
Anyone can throw up a tent in a high-traffic area and harass the general public, but what does it take to pull off an effective experiential event? In a piece that first appeared in Encore, Matt Smith investigates.A television commercial can easily be muted and ignored, but try ignoring a purring, squirming cat in your arms. That was the experience awaiting passers by in Sydney’s Martin Place in October last year when Mars Petcare built Whiskas Kitten Palace.
The News Limited paywall isn't about revenue. It's about data
In this guest post, ninemsn’s editor in chief Hal Crawford argues Fairfax Media and News Limited’s new paywalls won’t draw much revenue, but will generate data. And they’re late to the data party.When I first learned that ninemsn’s major digital competitors Fairfax and News Ltd were going to introduce paywalls across their mainstream properties, I was excited.
Every obstacle thrown in the way of their audiences is an opportunity. People hate friction and anything that makes life difficult on a rival site is a chance to get them on yours.
Is this the worst time to be a journalist?
With scores of redundancies in 2012 and a mass exodus of experienced journos, is this the worst time to be a journalist? In a feature that first appeared in Encore, Nic Christensen asks the question.In June last year a tsunami of redundancies began to sweep across Australia’s media landscape. They came in a series of waves and in the 12 months that followed, an estimated 1,200 journalists departed the mainstream media.
Are you a conscious leader?
As the advertising and marketing industry struggles to address the issue of rocketing rates of staff churn in their businesses, Slingshot CEO Simon Rutherford argues that today’s ‘conscious leaders’ should be more focussed on creating ‘staff wellness’ in order to deliver high performing teams and healthy profits.
A conscious leader believes the business has a greater responsibility towards the community it operates in. To ensure sustainable long-term profits, people must come first. Awareness, trust, authenticity, transparency, 100% responsibility, connection, compassion, and love: these are the tools of the conscious leader.
Suits: less popular than pest controllers
Advertising suits have a thankless job that is currently being eroded by the changing industry says Naren Sanghrajka in a piece that first appeared in Encore.Not in my wildest, craziest nightmares would I ever have thought I’d say this. But I’m going to. Being a bean counter is far more appealing than starting as a suit in advertising. There it is. I said it. I actually said those words.
Yes, it’s incredibly depressing. But it’s true.
An answer for Adam: What's the future for creatives?

Each fortnight, Adam Ferrier poses a question to the industry. This week, he asks about the future of the creative.
Who or what is a creative? It’s an old thought, but as I continue on my merry journey in advertising I wonder if there is a role for a ‘creative’ and if there is, what that role is?
In the world of film and TV there is not a ‘creative’. There is a director, a writer, a producer, a DOP and so on. From this mix the creativity happens. But no-one is charged with being ‘the creative’.
Australian films stand on their own merit
The argument that Australian audiences only embrace local films once they’ve picked up a gong at an international festival is inherently flawed says Lee Zachariah in a piece that first appeared in Encore.As much as we like to pretend that we collectively fulfil the world’s need for a country comprised entirely of laid-back, mellow beach dwellers, we do seem to get disproportionately excited when someone else mentions us. Our cool exterior drops away as our local news bulletins breathlessly report that CNN or the BBC or really anyone in one of the ‘real countries’ acknowledged our existence.
We feel detached from the world, and therefore crave its validation.
The vindication of Paul Fishlock
You may have noticed that not much went up on Mumbrella over the last couple of hours.
That’s because I’ve been reading the judge’s findings in Paul Fishlock’s case against The Campaign Palace.
I’d always known that agencyland can be a brutal place. But the picture of the cynical, ego-driven, unsentimental world that comes through in the findings of Justice John Sacker is something else. I recommend you take the time to read it yourself.
The reputation of Young & Rubicam’s global creative director Tony Granger certainly takes a battering in my view. The word “bully” is a hard one to come back from.
And former Campaign Palace CEO Mark Mackay comes across as someone you might think twice about either hiring or working for, based on the evidence presented. The judge calls him contemptuous of both Granger and Fishlock.
Advertisers Association tries to clamp down on production costs, AANA boss: ‘the days of the million-dollar TV ad are coming to an end’
The Australian Association of National Advertisers wants to clamp down on advertising production costs.
The advertisers industry body has called a meeting for advertisers on 25 July ‘to share ideas and benchmark against global best practices for managing production in the new media environment’.
According to AANA CEO Scott McClellan, discussions about production costs began back in November and were featured on a Christmas wish-list by members.
He said: “The days of the million dollar production as the accepted norm in our industry appear to be coming to an end. Advertisers are increasingly turning to innovative, lower cost production and distribution techniques to reach their target audience.”
The news comes the day after Tourism Australia released an ad campaign that cost $4m to produce.
McClellan said it was unfair to put the Tourism Australia ad in the category of expensively produced commercials, because it is an ad “mainly produced for an external audience.”
“TA ads fall in a separate category – they are special,” he said. “They are operating in a different market to national advertisers.”
He added in a statement: “As advertiser budgets come under renewed pressure in a tough trading environment, AANA members are saying it’s time to take a critical look at the commercial production process, clarify cost structures and define the cost implications of new production technology.”
Topics of discussion at the event will include the role of the marketer in the production process, talent costs in ‘new media’ platforms, best practice for working with agencies, the production process for social media and digital and ‘adapting global creative for localised needs’.
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Comments
5 Jun 12
1:48 pm
Can’t see an issue with this – all that’s needed is for advertisers to drop their $1 million dollar expectations to match their budgets. Get a dose of regional reality. I agree that TA needs to be considered in a category of its own – ideally in a category that insists on accountability and a commercial ROI
5 Jun 12
1:53 pm
Maybe Scott McClellan should come and chat to some of us crew people directly.
It’s not so much our rates which have gone up as much as the agency mark up on our services.
On every TVC I see heads of dept Check
The odd assitant or crew member associated with each Head of dept ie grips, gaffers offsiders 1st AD, Director, DP, Film loader, Sound mixer and boom swinger. Check.
Gaggle of twenty something chicks with radios who I have no idea what they actually do? Hangers on blow ins all there for the catering possibly there to add dressing to the set? All of them expecting a lunch time feed from the caterers. Not to mention maybe four or so people who are actually the client picking up the tab for all the excess. You can spot the crew easily they are the scruffy ones and are actually working. As for the rest, time to ask exactly just what they are actually doing. Or more importantly at what cost?
5 Jun 12
4:31 pm
It really is a simple situation. You get what you pay for. Sure, production can be cheaper, but it will also be nastier. Good people work where they get paid what they are worth. Businesses they don’t get paid adequately won’t be able to retain those people. You see this in media agencies everywhere. That’s why graduates are working on multi-million dollar plans that probably aren’t as effective as they can be. However, it seems clients don’t really care. Because they keep these agencies on. So I guess, if they want suitable shit content to match, keep squeezing the creative agencies. Sooner or later, someone is going to have to be held accountable. I really do feel for the quality marketers out there who struggle on a daily basis getting solid work out of agency partners simply because their own company is too tight to pay.
5 Jun 12
5:49 pm
Careful, Anon, they’re the clients. The worst people to have on a shoot.
5 Jun 12
10:28 pm
A suit should be duchessing the clients at all time on a shoot – keeps us out of the way