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Opinion | Features
My memo to your boss
So let me guess?
You really want to come to Mumbrella360, but you’ve got to justify the time and cost to your boss?
Good news! I think I can help.
Woz not great
In this guest post Tony Prysten argues that the thousand dollar price of seeing out-of-touch Apple co-founder Steve Wozniack on his Australian tour was a waste of money.
This week, for the cost of two iPads (yep, two) I went to the Woz Live conference in Melbourne. I was not impressed.
What the hell is transmedia?
From advertising campaigns to online video series, the term ‘transmedia’ gets quite the work out. But what does it actually mean? Cathie McGinn trawls the media landscape for a definitive definition.

Transmedia, all media and multiplatform are terms often used interchangeably when referencing modern storytelling techniques. Yet, depending who you speak to, there are distinct differences between them.
According to industry experts Encore spoke to, the key elements that define transmedia can be summarised as follows: platform, time, audience, adaptation, and creative collaboration.
Innovation is the remedy for the ailing magazine industry
With magazine circulations plummeting, FHM closing and rumours rife on future ownership of ACP Magazines, Paul Merrill says the only way forward is launching new titles.Eight years ago in the UK, nearly a quarter of all magazine sales came from magazines that were less than four years old. In Australia, the figure was slightly lower, but still significant. Today, the situation is very different. For a start there are so few new magazines. Yes, Masterchef briefly flared, and Top Gear made an initial impact. But Grazia and Alpha fizzled, and now ACP has shelved their plans to launch Elle.
More than a game: broadcasting the Olympics
The 2012 London Olympics will be the biggest televised sporting event of our time. Brooke Hemphill discovers the logistical challenges and technical requirements of producing the event.
From July 27 to August 12, the Australian media will go sport crazy as the Games of the XXX Olympiad, aka the 2012 London Summer Olympics, unfold. The games will be the most televised sporting event of our time as broadcasters look to master every manner of technology at their disposal.
The Voice - Australia's best example yet of social TV
I am an addict of Channel Nine’s hit show The Voice. Such is the extent of my addiction I seriously think my housemate might kick me out of our apartment for the semi-frenzied yelling and tweeting that ensues in our lounge room each time the show airs.It’s the first time in almost three years that such disagreement has resulted in less than civil behaviour towards one another, and it’s made me think it might be a microcosm of the large volume of online debate about the show and, correspondingly, an explanation for its success as a social TV experience.Why brands are the US Army - and culture jammers are the Viet Cong
In this guest posting, Dave Burgess, who painted ‘No War’ on the Sydney Opera House, claims that ‘amoral’ advertisers have copied his idea.
Culture jamming is a 28-year-old term coined by the San Francisco-based band Negativland, who declared that the ‘Studio for the cultural jammer is the world at large’.
Branded content is dead. Long live branded content
In this guest posting, Anthony Freedman argues why branded content is making a comeback.
A few short years ago, probably concurrent with the advent of the PVR, a new term emerged within the marketing communications industry; branded content. This was really synonymous with advertiser funded TV shows where programming was created by brands and deals struck with networks to broadcast them.
There were varying degrees of success with this model.
Shock advertising: 30 ads that would give Australia's ad watchdog a coronary
Is shock an underused weapon in Australian advertising, asks Robin HicksToday, Sydney agency The Cabana Boys used an image of a mouth sewn together to shock people with the idea that problem gamblers lie to conceal their habit. Is it the most disturbing image ever? No. Will it get banned by the Advertising Standards Bureau? No. But it did make me wonder why shock is not used more often in Australia – and not just by charities and government bodies. (WARNING: NSFW)
The making of ratings blockbuster The Voice
Jason Mountney goes on the set of Channel Nine’s talent search series, The Voice, to see how the format, based on an international franchise, has come together. What ingredients have gone into making this certified hit that’s rated more than two million viewers on three consecutive nights?
Mike Goldman has one of the toughest jobs on the set of the Nine network’s new talent show, The Voice. He not only has to narrate the show, but also keep the audience from losing their enthusiasm as they realise shooting TV programs takes a lot longer than the one-hour bursts they see in their lounge rooms. A lot longer.
Nine problems stopping The Global Mail from getting an audience
While it’s a shame The Global Mail has failed to make an impact on the media landscape, the signs have been there for some time.I love the concept of a well resourced, philanthropically-funded independent news site. Anywhere in the world, that’s a rare and wonderful thing. In Australia even more so. So I hope that Grame Wood gets to see his investment make a difference.
And I have no inside info on whether Monica Attard’s sudden departure is linked to the site’s failure to find an audience so far.
Regardless, here are nine areas they can easily start to address:
Journalism’s new model?
Does the launch of philanthropically funded news site The Global Mail signal a new era for journalism or is the model destined to be a passing fad, asks Cathie McGinn in this article first published in Encore magazine.With little fanfare, philanthropically funded news site The Global Mail launched in February this year.
The online-only title received a generous five-year funding commitment from businessman Graeme Wood, founder of accommodation website wotif.com, who donated $15million.
Five things that make a great suit
In this guest posting, Gareth Collins argues that the role of a great account manager is to make the work betterI’m surprised at how many suits I meet who don’t know their role in the advertising business. The question ‘what does an advertising account manager or director do?’ is frequently met with answers such as project manager, relationship manager, plate spinner or go between … and those are the nice ones.
Success is judged on the ability to manage a process, be strong administratively and get stuff done. And while a good suit needs to do all of these things brilliantly, if these are the traits that define a great suit, then I’m in the wrong job.
What the hell is transmedia?
From advertising campaigns to online video series, the term ‘transmedia’ gets quite the work out. But what does it actually mean? Cathie McGinn trawls the media landscape for a definitive definition.
Transmedia, all media and multiplatform are terms often used interchangeably when referencing modern storytelling techniques. Yet, depending who you speak to, there are distinct differences between them.
The top seven...most patronising pieces of communication
Sometimes brands have big ideas. Sometimes marketers get so caught up with a grandiose idea that instead of finding engaging ways to sell breakfast cereal, they start to believe their own rhetoric. And sometimes it’s just lazy marketing. Here are my top seven inadvertently patronising pieces of communication…
1) Last night thousands of women gathered in Sydney’s Centennial Park to take part in She Runs the Night, an event created by Nike.
Australia’s Perfect Couple stinks up Nine’s Wednesday ratings
Nine appears to have another reality contest turkey on its hands after the second week of Australia’s Perfect Couple saw its ratings sink lower.
The show’s audience fell from 798,000 viewers last week to 762,000 viewers on Wednesday night, according to preliminary ratings from OzTam.
It was beaten in its timeslot by Seven’s World’s Strictest Parents (1.6m); and Ten’s double episodes of the Simpsons (around 1m). The flop follows Nine’s dalliance with renovation contest Home Made and even more shortlived Dance Your Ass Off.
However, it wasn’t the only show giving programmers headaches. Ten’s The 7pm Project slumped to 701,000 – down on the previous night’s 786,000 and its second worst audience to date.
Meanwhile, the ABC offered stiff competition for the commercial networks last night. The final episode of The Chaser’s War on Everything and Spicks And Specks both pulled in just under 1.5m, while The United States of Tara – featuring Toni Collette as a housewife with multiple personalities – reached an average of 1.3m.
In Sydney, both Ten and Nine finished the night behind the ABC.
Wednesday night’s five city share: Seven 28.6%; Nine 24.4%; ABC 22.4%; Ten 19.1%; SBS 5.5%.
Wednesday’s most watched TV shows:
- Seven News Seven 1.6m
- World’s Strictest Parents Seven 1.6m
- Spicks and Specks ABC 1.5m
- The Chaser’s War on Everything ABC 1.5m
- Today Tonight Seven 1.4m
- Home and Away Seven 1.3m
- United States of Tara ABC 1.3m
- Two and a Half Men Nine 1.3m
- Nine News Nine 1.2m
- A Current Affair Nine 1.1m
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Comments
30 Jul 09
12:26 pm
How many more years before the stations twig to the fact that the Australian public are done with having a mirror held up to themselves? They want to be taken away from their lives, the 9-5 hassle. Until then, Australia’s Top Bogan, Vols I – IV.
30 Jul 09
1:23 pm
Nine use to be my channel of choice. As soon as I switched the box on, it would automaticaly go to nine, and nine times out of ten – thats where it would stay. Not just because they had some great programming, but because of their great culture of trust and reliability. They had that loyal following that other TV stations couldn’t even buy. But nine mistook my loyalty for gullibility. Fool me once, shame on me. Fool me twice, and i’ll dance my ass off to channel 7.
30 Jul 09
1:37 pm
Putting aside personal tastes for a minute, from a purely commercial point of view it seems that all of the networks need to carry out more due diligence on understanding what kind of audience levels their programming will achieve prior to them being put to air.
So many of the programming decisions seem to be of the ‘hit and hope’ variety with nothing more than vague gut feel (& prayer) that what they put out there will actually stick with an audience.
For sure risks need to be taken but it just seems to me that with so much programming these days it is more miss than hit. Given the budgets we are talking about there are some huge and unsubstantiated gambles being made.
30 Jul 09
1:52 pm
Matt, your observation is right on the money. I hope David Gyngell jumps on to this site when he’s alone in his office and no one is looking. He would cringe at your comment and say “Why didn’t I think of that??”
31 Jul 09
11:50 am
@Matt – BAM! There it is, as Salina mentioned your observation is right on the money!
5 Aug 09
9:02 pm
What are you doing….. the perfect couple shown widethrough Australian TV ….to young and old….. as the perfect couple..
I don’ t care anymore….. the media are mad..
5 Aug 09
9:36 pm
I can’t recall Nine doing any market research for anything… but they definitely seem to have lost the ability to produce anything an audience wants.
In this particular case no one actually sat down and asked the obvious question “why”. Why on Earth would you want to find Australia’s perfect couple – I couldn’t think of anything more nauseating! If Australia’s perfect couple came sat next to you in a restaurant you’d ask to move tables…
Here’s some more free advice to Nine execs – if the very idea of a show makes you want to vomit – even just a little bit – it’s not a good idea…