News

Director John Polson announces Sydney I Love You

Following in line with features, Paris Je T’Aime and New York, I Love You, John Polson has announced he, with Gary Hamilton (Arclight Films), will produce Sydney, I Love You – a collection of short films by some of Australia’s finest established and up and coming feature directors.

Speaking to Encore from New York, Polson said “the feature will involve 12 films, each eight to ten minutes long put together as one feature project.”

“With some of the best talent Australia has to offer,” said Polson, “the plan is to put together some of the best Australian directors and build the stories and from there find the best actors, shooting it in 2012 with a late 2012 – early 2013 release date. We haven’t got anyone yet but I’ve had some phone calls from very interested people – I know a number of directors who have had a short film idea for some years now but never had the chance to make it.”

One of the challenges with a program like this, explains Polson “is to not make it seem like 12 short films, because frankly, while that has its place, I’m not sure if it will feel like a cohesive feature film, which I’m hoping this will feel like.

“There will be things tying them together – obviously they will all be shot in Sydney; each of the 12 films will take place in a different month of the year; and with a thematic point of view they’ll all have some reference to love – they’ll all have something to say about love, whether it’s in a lighter way or a serious way, that will be the common theme. I’ve also toyed with the idea that say, the first film will finish in Bondi and second film will start in Bondi then finish in Parramatta, and the third film begins in Parramatta, so there’s a geographic connection. But I’m not looking for these directors to be part of a bigger whole, I’m really looking for them to have their own voice and vision while sitting in a family of films.

In the past films, both Paris and New York, the stories were intimate, personal stories. Polson is aware of presenting Sydney as more than just the Bridge and Opera House. “Frankly the Opera House is overdone. I’ve lived here for over ten years now and it’s the only thing you ever see on TV whether Oprah or the Olympics – anyone who has lived there knows it’s so much more than that. It would be much more about the fabric of the city. I’d love to think that someone sitting in Sweden can watch this movie and get an intimate understanding of the city as well as the characters.”

So while Polson is confident these directors, most of whom are working fulltime overseas, are still connected to modern day Sydney, “and the stories will be universal with Sydney as a backdrop, you don’t have to be from Sydney to understand it.”

For all the great work Polson has done for up and coming short filmmakers he acknowledges this is not a springboard for them. “I’m not sure I will have someone who hasn’t made a feature. It’s not really that project. I’ve done a lot of giving people a break through Tropfest. This is about making a really exciting list of people who’ve had success in features – Having said that, there will be directors who have made twenty films and others that will have made one or two.  This is not a springboard, it’s for people who have been around the block a couple of times.”

ADVERTISEMENT

Get the latest media and marketing industry news (and views) direct to your inbox.

Sign up to the free Mumbrella newsletter now.

 

SUBSCRIBE

Sign up to our free daily update to get the latest in media and marketing.