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Opinion | Features
Got a book in you?
From journos to ad execs and PRs, these days everyone seems to have a book in them. But what does it take to get published and will you actually make any money? In a feature that first appeared in Encore, Brooke Hemphill finds out.Attention wannabe authors. Forget big fat advance cheques and living off royalties. The reality of having a book published today is another story altogether. There are only two reasons you should even consider sitting down at your computer to bash out a manuscript – passion or profile.
Savage counsel
In an article that first appeared in Encore, Chris Savage tackles your career and agency dilemmas in his weekly advice column.Hi Chris,
My clients seem to be demanding more and more from us. At the same time, it seems many of the younger people in our industry simply don’t have the client servicing skills my generation grew up with. How do we instill in our executives some of the good old-fashioned behaviours that would keep a client happy and loyal?
Fake it til' you make it... as an ad agency receptionist
From dressing the part to playing the gatekeeper, Leo Burnett Sydney’s Susie Henry tells us how to make it as the face of adland in a piece that first appeared in Encore.What does a receptionist in an ad agency actually do?
Well, there’s the frantic every-day, all-day stuff of deliveries, courier bookings, doing expenses for directors – always challenging – plus arranging all the travel. But one of my main jobs is counselling the account service people. I also keep up with all sports information to discuss with our sports-loving clients – because who wants to be bored while they’re waiting? And I know how they like their coffee. You need to know everyone – from accounting to HR. I’m also the go-to for all catering and sending flowers.
Whose views skew the news? Media chiefs ready to vote out Labor, while reporters lean left
Most journalists lean left-of-centre, says Folker Hanusch of the University of the Sunshine Coast, in a post first published on The Conversation.Most Australian journalists describe themselves as left-wing, yet amongst those who wield the real power in the country’s newsrooms, the Coalition holds a winning lead.
But while the media’s political leanings will no doubt be debated in the lead-up to September’s federal election, our study has also found other largely unscrutinised biases remain – particularly whose views disproportionately shape the news.
It's time for a new New Wave in the film world
Government funding bodies are lazy and decadent, says industry veteran Michael Thornhill but in a piece that first appeared in Encore, Ed Gibbs begs to differ.I vividly remember the time I first saw Animal Kingdom, David Michod’s breathtaking labour-of-love feature debut. The press screening was half empty, despite the film winning the Grand Jury Prize at Sundance just months earlier, in 2010. Yet its superb performances, stylistic flourishes and overall polish left me speechless. Could this really be a feature debut, an Australian one at that, I wondered, almost out loud? It seemed too good to be true.
Going cold turkey on an agency addiction
Life is sweet for freelance writer Max Kitchen, but in a feature that first appeared in Encore, he admits his struggle against returning to the agency fold.I’ve never taken heroin. But I suspect if I had, the temptation to try it again would not be too dissimilar to the lure of returning to agency life.
Can sport save Ten?
First there was the Grand Prix. Next came the reported $500m bid for cricket rights, then Ten secured the 2014 winter Olympics. So, can sport save the ailing network? In a feature that first appeared in Encore, Nic Christensen investigates.The television sports rights bidding process is a bit like a game of poker.
Check, fold or bet. Those were the options for the Ten Network last week when it had to finalise its bid for the cricket rights.
Andy Lark: good for the marketing of marketing
I can still remember the first story I wrote about Andy Lark, when it emerged that he was to be the new chief marketing officer of CommBank.
It was immediately clear that Australia was about to meet an interesting marketer, one who blogged and tweeted and thanks to his time at Dell in the US was digitally savvy. Even two years ago, that was a big deal. The fact that he also had a stint in public relations gave him an absolutely intriguing background before he even arrived.
Storming the media barricades - advice for young journalists
This week Mumbrella’s Nic Christensen, who began his career four years ago, gave the keynote address to would-be journalists at the Media, Entertainment & Arts Alliance’s Student Day. This is an edited version of his speech.Good afternoon, I can remember distinctly the last time I was in this room.
It was 2009 and I was sitting where you are. I’d come to this event, a friend and myself — from memory we sat up the back — and I can remember at the time wondering if I’d ever get a job as a journalist.
It was only four years ago and then as now getting a job was ultra competitive but I’m not sure there was quite as much media ‘doom and gloom’ as there is now…
Paywalls will help fund campaigning journalism
In this guest post, News Limited’s group editorial director Campbell Reid responds to the views of ninemsn’s Hal Crawford that the company’s push into metered paywalls is about data rather than dollars.Hal Crawford is both right and wrong in his article which argued that our digital subscription plans are all about the data.
Fake it 'til you make it... as a features editor
Cosmo’s Kate Leaver tells us how to bluff it in her job in a feature that first appeared in Encore.What do you do, as a features editor?
Really, play with words and ideas all day. At any one time, we’re working across three issues of the mag – getting one on its way to the printers, pooling all the words together for another, and planning the issue after that. It’s busy but it’s a pretty magnificent process.
Savage counsel - JFDI
Hi Chris,I run a medium-sized agency that is doing pretty well. As the leader, I am finding my workload just seems to go up and up. I am struggling to stay motivated and particularly to tackle the bigger and tougher challenges I have to face every day. How do I keep up the energy when there just seems so much to do? How do you do it?
Productive, successful executives are those able to consistently tackle difficult and big challenges. It’s a constant struggle for me so I know how you feel. How do the successful leaders do it?
Q&A with Brett Clegg
Brett Clegg, group director – business media, Fairfax Media, in a Q&A that first appeared in Encore, on the journo who refuses to work with him – his wife.Who is the most powerful person in Australian media and why?
Hard to go past Rupert Murdoch. He controls the single largest and most diverse portfolio and is intent on leveraging its scale (and, of course, influence). He’s an innovator and his will to win is obvious to all.
The experiential experience
Anyone can throw up a tent in a high-traffic area and harass the general public, but what does it take to pull off an effective experiential event? In a piece that first appeared in Encore, Matt Smith investigates.A television commercial can easily be muted and ignored, but try ignoring a purring, squirming cat in your arms. That was the experience awaiting passers by in Sydney’s Martin Place in October last year when Mars Petcare built Whiskas Kitten Palace.
The News Limited paywall isn't about revenue. It's about data
In this guest post, ninemsn’s editor in chief Hal Crawford argues Fairfax Media and News Limited’s new paywalls won’t draw much revenue, but will generate data. And they’re late to the data party.When I first learned that ninemsn’s major digital competitors Fairfax and News Ltd were going to introduce paywalls across their mainstream properties, I was excited.
Every obstacle thrown in the way of their audiences is an opportunity. People hate friction and anything that makes life difficult on a rival site is a chance to get them on yours.
Screen and broadcast students face uncertain employment future
More than half of those seeking a career in the screen or radio industry will be out of work at some point, a survey of past students of
the Australian Film Television and Radio School suggests.
The study of 734 former students found that 52% of them had faced industry unemployment at some point in their career while less than 20% are now in a permanent full time roles. The Sydney-based AFTRS is Australia’s national screen arts and broadcast school.
The results suggest that 37% of AFTRS’ alumni are currently doing work outside of the industry to make ends meet.
Of those who had faced unemployment, 21% had only one period of industry unemployment; 41% said they’d had between two and four periods out of work; 37% had had five or more periods out of the industry.
Periods out of the industry varied, with 26% only seeing two to four month breaks between work, although 17% were out for more than two years.
A total of 49% of those currently working in the industry had an income of less than $60,000.
Of the sample, 41% said their current status was freelance, 17% were permanent full-time, 12% said they ran their own company, and a smaller portion were sole traders or casual.
Currently, 46% of those in the industry were receiving most of their income from creating and producing film, TV radio or new media while 11% were creating and producing content for advertising or corporate communications, 10% from education in a relevant field, however 19% said most of their current income was from an area not connected with the media and entertainment industry.
The survey did suggest, despite the challenging industry landscape, students felt adequately prepared for the industry on finishing their studies.
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Comments
26 Jun 12
5:43 pm
Interesting article. Interesting how the headline says “screen and broadcast students” and the first par refers to “those seeking a career in the screen or radio industry”, but the report from which you selectively quote statistics is only about AFTRS graduates — not about students of other institutions or indeed anybody “seeking a career” in the industries. Interesting, too, that you quote certain statistics to suit your spin rather than the more positive findings of the report itself.
Leaving aside the statistics, I’m so glad you’ve finally solved the problem of predicting the “uncertain future” (as opposed to the certain one) through reporting selective past results. Many politicians and financial institutions would love to hear about your approach to this tricky problem.
Now, how about a report on the statistical success of those “seeking a career” in journalism?
27 Jun 12
9:49 am
Hi Stephen,
I disagree that there was anything selective about how we reported the study – although we did choose not to follow the angle promoted in the press release which we did not feel gave as full a picture as the report itself.
This is a report on a study carried out by AFTRS. I’m afraid it didn’t cover journalism, although were such a study to be carried out, I’m sure we’d be keen to report that too.
Cheers,
Tim – Mumbrella
3 Jul 12
5:08 pm
Schools need to prepare students better for tough conditions. Developing technical skills is important, but students also need to be resourceful and acquire business/commercial acumen to help them expand their options for work.
Media students need to know how to create and sell their work. As the Director of Participate Film Academy, which focuses strongly on experiential learning, I see students work on a full length feature from initial concept through to theatrical release, acquiring valuable know-how, people and project management skills and experience as negotiate their way through the internal/external stages and roles, issues and problems that this encompasses. I see them develop the skills, confidence and understanding of the industry/markets, and be inspired to create their own opportunities.
Many Participate alumni work in mainstream media companies – and many more have formed their own production companies and are developing original projects. Whichever career path they take, it is satisfying to see so many rise to current economic challenges and take independent steps to build careers.
4 Jul 12
7:45 pm
I thought that this has been a well known fact for a long time now due to the size of the AFaTI and the chronic insularity of the industry.
Was the old joke from the 80′s was that if you wanted to get a job in a production house or network you had to wait for someone to die and then they were usually replaced by their son and so on and so forth.
And seeing the names, both in front of and behind the scenes that are actually accepted by the major networks and funding bodies are consistantly the same, nothing much has changed since- its still the big boys club.
So much for the solid support of emerging talent as so many organisations claim to do, so as with most Aussies-from the likes of Kylie M, Anthony L, Lisa L, Isla F, Melissa G to name a few , to make it in Australia, you must become celebrated overseas first and then Aust will claim you as their own and say they believed in and supported you from the start.
So students, expect to become and remain unemployed in your chosen profession, unless your lucky enough to have the dollars to take you overseas immediately after graduation and saturate the airwaves over there with your talent, or, you are the great nephew of the studio janitor who just died. Or you might want to consider studying for a career working in…………….Centrelink- it would be cheaper to study and you would be continually employed. Oh the irony of it all.
And does this not sound quite right to anyone else-”The results suggest that 37% of AFTRS’ alumni are currently doing work outside of the industry to make ends meet………..”
“……………….however 19% said most of their current income was from an area not connected with the media and entertainment industry.”
WTF?
37% to 19% is a big difference.
4 Jul 12
10:42 pm
Stephen Murphy, it’s even worse for journalism students. They are still being taught journalistic ethics in courses! Imagine the laughs that gets when they apply for a job. Broadcast hopefuls are relatively better off in that at least they never get to hear about ethics.
5 Jul 12
5:49 am
And this compares relatively to other professions how?
The percentage may be bad, or it at be good. Without comparisons to other professions who can tell.
Maybe these figures should be celebrated for how high they are.
This is not the standard of journalism I expect from Mumbrella.