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Opinion | Features
What the hell is transmedia?
From advertising campaigns to online video series, the term ‘transmedia’ gets quite the work out. But what does it actually mean? Cathie McGinn trawls the media landscape for a definitive definition.

Transmedia, all media and multiplatform are terms often used interchangeably when referencing modern storytelling techniques. Yet, depending who you speak to, there are distinct differences between them.
According to industry experts Encore spoke to, the key elements that define transmedia can be summarised as follows: platform, time, audience, adaptation, and creative collaboration.
Innovation is the remedy for the ailing magazine industry
With magazine circulations plummeting, FHM closing and rumours rife on future ownership of ACP Magazines, Paul Merrill says the only way forward is launching new titles.Eight years ago in the UK, nearly a quarter of all magazine sales came from magazines that were less than four years old. In Australia, the figure was slightly lower, but still significant. Today, the situation is very different. For a start there are so few new magazines. Yes, Masterchef briefly flared, and Top Gear made an initial impact. But Grazia and Alpha fizzled, and now ACP has shelved their plans to launch Elle.
More than a game: broadcasting the Olympics
The 2012 London Olympics will be the biggest televised sporting event of our time. Brooke Hemphill discovers the logistical challenges and technical requirements of producing the event.
From July 27 to August 12, the Australian media will go sport crazy as the Games of the XXX Olympiad, aka the 2012 London Summer Olympics, unfold. The games will be the most televised sporting event of our time as broadcasters look to master every manner of technology at their disposal.
The Voice - Australia's best example yet of social TV
I am an addict of Channel Nine’s hit show The Voice. Such is the extent of my addiction I seriously think my housemate might kick me out of our apartment for the semi-frenzied yelling and tweeting that ensues in our lounge room each time the show airs.It’s the first time in almost three years that such disagreement has resulted in less than civil behaviour towards one another, and it’s made me think it might be a microcosm of the large volume of online debate about the show and, correspondingly, an explanation for its success as a social TV experience.Why brands are the US Army - and culture jammers are the Viet Cong
In this guest posting, Dave Burgess, who painted ‘No War’ on the Sydney Opera House, claims that ‘amoral’ advertisers have copied his idea.
Culture jamming is a 28-year-old term coined by the San Francisco-based band Negativland, who declared that the ‘Studio for the cultural jammer is the world at large’.
Branded content is dead. Long live branded content
In this guest posting, Anthony Freedman argues why branded content is making a comeback.
A few short years ago, probably concurrent with the advent of the PVR, a new term emerged within the marketing communications industry; branded content. This was really synonymous with advertiser funded TV shows where programming was created by brands and deals struck with networks to broadcast them.
There were varying degrees of success with this model.
Shock advertising: 30 ads that would give Australia's ad watchdog a coronary
Is shock an underused weapon in Australian advertising, asks Robin HicksToday, Sydney agency The Cabana Boys used an image of a mouth sewn together to shock people with the idea that problem gamblers lie to conceal their habit. Is it the most disturbing image ever? No. Will it get banned by the Advertising Standards Bureau? No. But it did make me wonder why shock is not used more often in Australia – and not just by charities and government bodies. (WARNING: NSFW)
The making of ratings blockbuster The Voice
Jason Mountney goes on the set of Channel Nine’s talent search series, The Voice, to see how the format, based on an international franchise, has come together. What ingredients have gone into making this certified hit that’s rated more than two million viewers on three consecutive nights?
Mike Goldman has one of the toughest jobs on the set of the Nine network’s new talent show, The Voice. He not only has to narrate the show, but also keep the audience from losing their enthusiasm as they realise shooting TV programs takes a lot longer than the one-hour bursts they see in their lounge rooms. A lot longer.
Nine problems stopping The Global Mail from getting an audience
While it’s a shame The Global Mail has failed to make an impact on the media landscape, the signs have been there for some time.I love the concept of a well resourced, philanthropically-funded independent news site. Anywhere in the world, that’s a rare and wonderful thing. In Australia even more so. So I hope that Grame Wood gets to see his investment make a difference.
And I have no inside info on whether Monica Attard’s sudden departure is linked to the site’s failure to find an audience so far.
Regardless, here are nine areas they can easily start to address:
Journalism’s new model?
Does the launch of philanthropically funded news site The Global Mail signal a new era for journalism or is the model destined to be a passing fad, asks Cathie McGinn in this article first published in Encore magazine.With little fanfare, philanthropically funded news site The Global Mail launched in February this year.
The online-only title received a generous five-year funding commitment from businessman Graeme Wood, founder of accommodation website wotif.com, who donated $15million.
Five things that make a great suit
In this guest posting, Gareth Collins argues that the role of a great account manager is to make the work betterI’m surprised at how many suits I meet who don’t know their role in the advertising business. The question ‘what does an advertising account manager or director do?’ is frequently met with answers such as project manager, relationship manager, plate spinner or go between … and those are the nice ones.
Success is judged on the ability to manage a process, be strong administratively and get stuff done. And while a good suit needs to do all of these things brilliantly, if these are the traits that define a great suit, then I’m in the wrong job.
What the hell is transmedia?
From advertising campaigns to online video series, the term ‘transmedia’ gets quite the work out. But what does it actually mean? Cathie McGinn trawls the media landscape for a definitive definition.
Transmedia, all media and multiplatform are terms often used interchangeably when referencing modern storytelling techniques. Yet, depending who you speak to, there are distinct differences between them.
The top seven...most patronising pieces of communication
Sometimes brands have big ideas. Sometimes marketers get so caught up with a grandiose idea that instead of finding engaging ways to sell breakfast cereal, they start to believe their own rhetoric. And sometimes it’s just lazy marketing. Here are my top seven inadvertently patronising pieces of communication…
1) Last night thousands of women gathered in Sydney’s Centennial Park to take part in She Runs the Night, an event created by Nike.
TV audience measurement – why big isn’t always beautiful
In this guest post, Chris Walton argues that the media industry needs to take a new approach to TV tradingThere has been a significant amount of coverage recently about how successful The Voice has been. Indeed, audience figures of 2.6m+ people are very impressive these days. Based on reports, this is apparently double the size of audience that Nine was hoping for in the lead up to the programme launching.
How do you solve a problem like Blunty?
So if you were the proposed News Standards Body, how would you regulate Blunty?The News Standards Body, in case you didn’t notice, is the new organisation proposed by the Convergence Review this week to regulate news and commentary, regardless of platform.
Blunty, in case you didn’t notice, is the video blogger who this week went viral after he filmed a guerrilla marketing demo outside Apple’s Sydney store apparently as a coincidental bystander, but later admitted he’d been put up to it by BlackBerry.
The Tunnel goes live
Today’s the day the world finds out if The Tunnel is a clever fundraising/distribution idea, or a clever fundraising/distribution idea with an accomplished film attached to it. Oscar winning producer, Ted Hope (21 Grams, Adventureland) thinks the latter.
The film, written and produced by Enzo Tedeschi and Julian Harvey and directed by Carlo Ledesma, had its world premiere at Popcorn Taxi last night, followed by Q&A with the afformentioned creators as well as executive producer Andrew Denton.
The world premiere was hotly followed by an airing on Showtime Premiere last night (10.30pm), while going live to download for free on BitTorrent. It is released today on DVD by Transmission Films (with short films as extras).
Ted Hope has got behind the film by inviting ScreenLaunch’s Ross Howden (The Tunnel Cannes film representative) to write a guest post on his blog on Indiewire, answering the question, ‘How do you sell a film that’s being given away?’
The film also made page 4 of Cannes Market News.
Of course, if you’ve already downloaded the film for free and you liked it, let the good karma roll and buy some The Tunnel frames.
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Comments
19 May 11
1:58 pm
I’m very, very interested to see what happens with this film and wish every success to all the people involved.
19 May 11
3:26 pm
This is a FANTASTIC way to LOSE money!!
The small amounts they’ll earn from Oz DVD sales, Showtime and “frame sales ($12K)” will probably barely cover 30% of their budget.
The only way this will work is if they get a US and UK distribution deal.
20 May 11
12:12 pm
I offer the best of luck to these filmmakers – we Aussies really need to give our industry a reboot, and zany new ideas are to be encouraged.
Having said that, I’m very, very skeptical of how many projects can successfully find funding in this way from the general public. People tend to be pretty generous when giving money to actual charities, but for indulgences like filmmaking and the arts, I think the public’s willingness to be involved is close to zero-point-zero – especially given they retain none of the equity split if the film makes a profit. What’s really in it for them?
After The Tunnel and Iron Sky have all blown over, give it maybe one to two years tops, and I think the internet-savvy public are going to be disillusioned about giving their dosh away to films. Before this form of funding can even get to it’s feet, the whole market for it will be extinguished by a flood of young inexperienced amateurs who try to take advantage, and will end up wasting a lot of people’s money.
I think the guys from The Tunnel are not the types who would take advantage – the production values speak well for their professionalism – but whether success follows for them I think is really up in the air, and crowdfunding is not going to be able to prop up a whole industry – it’ll only be able to support the very occasional, one-of-a-kind idea. At the time of writing, crowd-funding has raised 500,000 Euros for Iron Sky online, but really, how long can this possibly go on for? We can look forward to hundreds of competing second and third-rate ideas popping up looking for $0.5m here, $1m there, $80k here.
It might get to a point in a year or two where it costs $100k in seed funding just to even put together an impressive enough website, trailer, and blog to grab anyone’s attention, let alone their money.
Has anyone else been thinking the same way or am I alone here? Speak up.
Anyway, good luck all the same to Tedeschi and co.
21 May 11
2:18 pm
Hey James,
Thanks for your comments and good wishes.
The way we see it, the money is going to need to come from the public whichever way you do it – be it via box office receipts, traditional DVD sales, VOD sales or any other way that traditionally-funded movies are exploited. The money still needs to be recouped to cover investment.
The only difference in our model is we asked people to pay their money before the movie was made, based on the fact it was something they wanted to see.
And Dean, I’m not sure where you got the figure of $12K from, but we are currently at a frame-count of almost 38K, and spiking now that the film has released, not to mention DVD sales, donations via the Vodo.net platform and other sales and prospects
Wether the project loses money or not remains to be seen, but it is currently a promising outlook. It may not be THE way, but it’s A way that seems to be working for us and our humble movie.
Thanks for engaging with the project, guys.
22 May 11
11:24 am
This A student film.
With all the unintesting values of self-indulgence. It is a 30 Min short film stretched to 90mins. With the lazy film-makers tool :- voice over.
Stand back and look at it: boring, unintesting, one-dimensional characters, the cornerstone of our Aussie Fim-making. Lets all lean from this; remember “Story is King.”