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Opinion | Features
My memo to your boss
So let me guess?
You really want to come to Mumbrella360, but you’ve got to justify the time and cost to your boss?
Good news! I think I can help.
Woz not great
In this guest post Tony Prysten argues that the thousand dollar price of seeing out-of-touch Apple co-founder Steve Wozniack on his Australian tour was a waste of money.
This week, for the cost of two iPads (yep, two) I went to the Woz Live conference in Melbourne. I was not impressed.
What the hell is transmedia?
From advertising campaigns to online video series, the term ‘transmedia’ gets quite the work out. But what does it actually mean? Cathie McGinn trawls the media landscape for a definitive definition.

Transmedia, all media and multiplatform are terms often used interchangeably when referencing modern storytelling techniques. Yet, depending who you speak to, there are distinct differences between them.
According to industry experts Encore spoke to, the key elements that define transmedia can be summarised as follows: platform, time, audience, adaptation, and creative collaboration.
Innovation is the remedy for the ailing magazine industry
With magazine circulations plummeting, FHM closing and rumours rife on future ownership of ACP Magazines, Paul Merrill says the only way forward is launching new titles.Eight years ago in the UK, nearly a quarter of all magazine sales came from magazines that were less than four years old. In Australia, the figure was slightly lower, but still significant. Today, the situation is very different. For a start there are so few new magazines. Yes, Masterchef briefly flared, and Top Gear made an initial impact. But Grazia and Alpha fizzled, and now ACP has shelved their plans to launch Elle.
More than a game: broadcasting the Olympics
The 2012 London Olympics will be the biggest televised sporting event of our time. Brooke Hemphill discovers the logistical challenges and technical requirements of producing the event.
From July 27 to August 12, the Australian media will go sport crazy as the Games of the XXX Olympiad, aka the 2012 London Summer Olympics, unfold. The games will be the most televised sporting event of our time as broadcasters look to master every manner of technology at their disposal.
The Voice - Australia's best example yet of social TV
I am an addict of Channel Nine’s hit show The Voice. Such is the extent of my addiction I seriously think my housemate might kick me out of our apartment for the semi-frenzied yelling and tweeting that ensues in our lounge room each time the show airs.It’s the first time in almost three years that such disagreement has resulted in less than civil behaviour towards one another, and it’s made me think it might be a microcosm of the large volume of online debate about the show and, correspondingly, an explanation for its success as a social TV experience.Why brands are the US Army - and culture jammers are the Viet Cong
In this guest posting, Dave Burgess, who painted ‘No War’ on the Sydney Opera House, claims that ‘amoral’ advertisers have copied his idea.
Culture jamming is a 28-year-old term coined by the San Francisco-based band Negativland, who declared that the ‘Studio for the cultural jammer is the world at large’.
Branded content is dead. Long live branded content
In this guest posting, Anthony Freedman argues why branded content is making a comeback.
A few short years ago, probably concurrent with the advent of the PVR, a new term emerged within the marketing communications industry; branded content. This was really synonymous with advertiser funded TV shows where programming was created by brands and deals struck with networks to broadcast them.
There were varying degrees of success with this model.
Shock advertising: 30 ads that would give Australia's ad watchdog a coronary
Is shock an underused weapon in Australian advertising, asks Robin HicksToday, Sydney agency The Cabana Boys used an image of a mouth sewn together to shock people with the idea that problem gamblers lie to conceal their habit. Is it the most disturbing image ever? No. Will it get banned by the Advertising Standards Bureau? No. But it did make me wonder why shock is not used more often in Australia – and not just by charities and government bodies. (WARNING: NSFW)
The making of ratings blockbuster The Voice
Jason Mountney goes on the set of Channel Nine’s talent search series, The Voice, to see how the format, based on an international franchise, has come together. What ingredients have gone into making this certified hit that’s rated more than two million viewers on three consecutive nights?
Mike Goldman has one of the toughest jobs on the set of the Nine network’s new talent show, The Voice. He not only has to narrate the show, but also keep the audience from losing their enthusiasm as they realise shooting TV programs takes a lot longer than the one-hour bursts they see in their lounge rooms. A lot longer.
Nine problems stopping The Global Mail from getting an audience
While it’s a shame The Global Mail has failed to make an impact on the media landscape, the signs have been there for some time.I love the concept of a well resourced, philanthropically-funded independent news site. Anywhere in the world, that’s a rare and wonderful thing. In Australia even more so. So I hope that Grame Wood gets to see his investment make a difference.
And I have no inside info on whether Monica Attard’s sudden departure is linked to the site’s failure to find an audience so far.
Regardless, here are nine areas they can easily start to address:
Journalism’s new model?
Does the launch of philanthropically funded news site The Global Mail signal a new era for journalism or is the model destined to be a passing fad, asks Cathie McGinn in this article first published in Encore magazine.With little fanfare, philanthropically funded news site The Global Mail launched in February this year.
The online-only title received a generous five-year funding commitment from businessman Graeme Wood, founder of accommodation website wotif.com, who donated $15million.
Five things that make a great suit
In this guest posting, Gareth Collins argues that the role of a great account manager is to make the work betterI’m surprised at how many suits I meet who don’t know their role in the advertising business. The question ‘what does an advertising account manager or director do?’ is frequently met with answers such as project manager, relationship manager, plate spinner or go between … and those are the nice ones.
Success is judged on the ability to manage a process, be strong administratively and get stuff done. And while a good suit needs to do all of these things brilliantly, if these are the traits that define a great suit, then I’m in the wrong job.
What the hell is transmedia?
From advertising campaigns to online video series, the term ‘transmedia’ gets quite the work out. But what does it actually mean? Cathie McGinn trawls the media landscape for a definitive definition.
Transmedia, all media and multiplatform are terms often used interchangeably when referencing modern storytelling techniques. Yet, depending who you speak to, there are distinct differences between them.
The top seven...most patronising pieces of communication
Sometimes brands have big ideas. Sometimes marketers get so caught up with a grandiose idea that instead of finding engaging ways to sell breakfast cereal, they start to believe their own rhetoric. And sometimes it’s just lazy marketing. Here are my top seven inadvertently patronising pieces of communication…
1) Last night thousands of women gathered in Sydney’s Centennial Park to take part in She Runs the Night, an event created by Nike.
40,000 online conversations about Kings Cross Clare Werbeloff
Kings Cross bogan Clare Werbeloff has already been discussed online more than 40,000 times, according to a calculation released today by social media monitoring company Buzz Numbers.
According to the company, since Werbeloff’s breathless retelling of a shooting that she didn’t actually witness went viral last Monday, at least 41,186 conversations have occurred online on Australian websites.
Although many PR agencies no longer use an equivalent media value figure, BuzzNumbers says that if this metric is used, it would was worth $200,000 in equivalent advertising dollars on Australian websites and social media destinations alone.
Around 41% of the more than 41,186 online conversations about her took place in social media websites such as Facebook and Twitter, whilst a further 27% of conversations occurred on blogs and forums, and 12% on news sites.
BuzzNumbers CEO Nick Holmes a Court said: “She is this year’s Corey Worthington. It just shows how powerful a medium the social web is.”
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Comments
25 May 09
11:17 am
Corey, who?
25 May 09
11:54 am
You know, Corey Worthless.
25 May 09
12:03 pm
It’s hard to get excited about 41,186 meaningless ‘conversations’.
25 May 09
12:08 pm
“Although many PR agencies no longer use an equivalent media value figure”
That’s one way of putting it. Another would be:
“Although advertising value equivalents (AVEs) have been completely discredited and the Public Relations Industry Association forbids its members from using them under its code of ethics”
25 May 09
12:20 pm
This whole scenario could well be a well contrived PR plot to expouse the ostensible relevancy of the power of social media for dialogue to the brainless masses who have nothing better to do.
41,186 conversations – wow!! I wonder what metrics are available to report the analysis of the IQ levels of the 41,186 !
25 May 09
12:23 pm
“With the Internet and reality shows, regular people like you are hitting it big and becoming the toast of the town. While there’s no giant door you simply walk through to stardom, there are some steps you can take in order to give yourself some added exposure. Read on to learn how to become a celebrity.”
http://www.ehow.com/how_238711.....brity.html
25 May 09
12:27 pm
Sue. My specialty is media research and audience metrics. There are no firm data available. At a guess … collective IQ approaching 10,000 … how does that sound?
25 May 09
12:34 pm
It’s misleading to give social media an ad value. Both Twitter and Facebook are free sites and the conversation threads can’t be bought. I realise that Buzz is trying to translate the space into “advertising speak” but marketing managers looking at this space for the long term need to determine value by the size of the community following the brand, their willingness to interact and the quality of conversation that the brand has with them. If they do it well, they’ll measure it in sales not ad dollars.
25 May 09
1:32 pm
Hrm don’t see the relevance of this.
Given there was probably 400,000 offline conversations about it.
Still – what does it really mean to anyone? After every weekend there’s probably 40,000 discussions about Collingwood losing online and off. I wouldn’t say that “shows how powerful a medium the social web is” it just shows people like talking about things.
26 May 09
4:30 pm
I am sitting in Johannesburg preparing for a radio interview, and I will talk about the 41 000 conversations and the millions of views of the video. (I wont be talking about footie)
This incident is a huge demonstration of the power of social media, its intensely relevant, and the conversations have gone far further than what a chat in the pub would have, and we can measure them. Of course it shows that people like talking about things. Exactly that’s the point.
Well it looks as if the Ostrich effect has a firm hold in Aus
26 May 09
4:56 pm
What’s the point of measuring it though? last week there were 41,000 ‘discussions’ around Clare Bogan. The week before it was Keyboard Cat. The week before it was I Like Turtles Zombie kid. Next week it’ll be something else
So what? Just because you can measure something doesn’t mean it has any value.
I fail to see how this is a demonstration of the power of social media. Fame seeking or just plain stupid people have become pop culture icons for short periods forever.
26 May 09
6:01 pm
Has Keyboard Cat been around for a week!?!
I only saw it today – loser
26 May 09
6:09 pm
Ben, I couldn’t agree more. Why do we measure TV programmes – because we know that week-to-week the audience rarely varies by more than 10% so we can plan and buy in confidence. Same goes for magazine titles – we know they’ll be there next issue and doing the same sort of humbers.
As for Clare – by the time you’ve counted it, it’s all over red rover, until “the next big thing” comes along in a week or two.
26 May 09
6:40 pm
Clare is the same as The Simpson’s ‘I Didn’t Do It’ episode.
Everyone jumps on it and thinks it’s hilarious and awesome, Bart records a song with MC Hammer, he’s on Conan etc … then a week later everyone is over it due to how inane and pointless it is and it becomes embarassing and tired even for the most committed bandwagon jumper.
26 May 09
6:42 pm
may i also add it’s impressive to see the business dev. acumen of the social media guys to take something as flimsy as a bogan viral and turn it into a product/service sell.
26 May 09
6:43 pm
When you measure Social Media you measure how conversations are spreading, nodes of influence etc. Conversations that are actually happening, people taking action.
What are you measuring with magazines, TV? You measure audience, how many people COULD HAVE have seen your Ad? Huge difference.
What this lady said or did is irrelevant, that she is a sensation is relevant, that the story spread is relevant, how it spread is relevant, why it spread is relevant.
26 May 09
7:10 pm
Walter, I agree that ‘measuring’ social media is about conversations. Measuring ‘traditional’ media is about OTS. I agree that these are huge differences.
However, the ‘hughest’ difference between ‘traditional media’ and ‘social’ media’ is runs on the board. Without tracking ‘nodes of conversation’ (what we used to call water-cooler talk) traditional media have managed to build the majority of the biggest brands in existence (apart from Google. which is a genuine phenomenon). Somehow I think the existing media must be doing SOMETHING right.
As you point out it comes down to relevance. What Clare did and said IS irrelevant. Just as the ‘conversations’ generated will be irrelevant in a week or two. The fact it spread is a quirk of human curiosity – social media allowed a rapid spread of that curiosity – which is just wonderful. But what outcome was there – none. It was irrelevant – just some (pretty) harmless fun. It does NOT mean that the ‘success’ of Clare to generate a momentary spike in ‘buzz’ will work for a brand communication campaign. People will see straight through it – zero ‘buzz’. AKA … irrelevant,
26 May 09
9:48 pm
Jon
But it is a changing era, remember that marketing was only created in the 1960′s and brands in the true sense were around a lot earlier as well.Marketing is about as old as television.
I must refer you to Y&R fundi John Gerzema and his book called the Brand Bubble in which he talks about the massive difference between what brands think they are worth and what consumers think brands are worth. (and waht brands think they are worth is actually irrelevant) Also to the writings of Seth Godin where he describes the different eras before during and after advertising. (meatball sundae)
Many of the key assumptions of advertising are just no longer valid.
Thats not to say that those massive brands that have switched up to 80% of their budgets into online are right, just because they measure effectiveness and action not OTS.
The real power of online is word of mouth, and ok in this case the story that spread via WOM was so what – the fact that it spread is the big thing. Far faster, far further, and far cheaper, than any conventional campaign ever invented.
I am not saying that there is no value in conventional media, at all, but its role is changing, television is already a support medium not a primary medium in some markets.
26 May 09
11:02 pm
Walter – the excitement IS the phenomonal change and the sheer pace of it. However, one has to be careful not to get swept away in the excitement. Thanks for the references I am a bare pass on them so have some reading to do.
Could, you please enlighten me as to which of the massive brands have switched up to 80% of their budgets online – because I simply can’t think of who they are. Or is this hyperbole.
The POTENTIAL to harness WOM online is massive. It is however, still just potential as far as I can tell based on results (apart from hits, downloads and chatter) – I want to see firm brand-building results over a period of time. Again, please enlighten me. Many pundits believe that you CAN’T harness WOM. The vey fact that it is an ill-defined collection of disparate people with an unforeseen common interest that rises like a Phoenix dictates this (i.e. Bogan Clare). That which cannot be harnessed has little or no value no matter how large the numbers are. Further, some of the gloomier pundits believe that attempts by marketers to ‘invade’ the social media space with advertising messages is the antithesis of the whole raison d’etre of social media, and could damage brand equity – though myself am not that gloomy and think we need to experiment to find the ground rules and boundaries . But always remember the old adage “just because you can, doesn’t mean you should”.
26 May 09
11:43 pm
Tim you are so bloody right, the questions Star initially raised plus the incredulous cameraman retelling (that shot was framed for that ad from two different angles), and the dramatic body language of Clare all flag a good ol STUNT. The truth will come out eventually and you will be vindicated. Where there’s smoke in PR it’s usually followed by mirrors
29 May 09
10:03 pm
well…she’s about the right age for me,but with a name and nose like that,she must be a ….burp…
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