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Opinion | Features
Got a book in you?
From journos to ad execs and PRs, these days everyone seems to have a book in them. But what does it take to get published and will you actually make any money? In a feature that first appeared in Encore, Brooke Hemphill finds out.Attention wannabe authors. Forget big fat advance cheques and living off royalties. The reality of having a book published today is another story altogether. There are only two reasons you should even consider sitting down at your computer to bash out a manuscript – passion or profile.
Savage counsel
In an article that first appeared in Encore, Chris Savage tackles your career and agency dilemmas in his weekly advice column.Hi Chris,
My clients seem to be demanding more and more from us. At the same time, it seems many of the younger people in our industry simply don’t have the client servicing skills my generation grew up with. How do we instill in our executives some of the good old-fashioned behaviours that would keep a client happy and loyal?
Fake it til' you make it... as an ad agency receptionist
From dressing the part to playing the gatekeeper, Leo Burnett Sydney’s Susie Henry tells us how to make it as the face of adland in a piece that first appeared in Encore.What does a receptionist in an ad agency actually do?
Well, there’s the frantic every-day, all-day stuff of deliveries, courier bookings, doing expenses for directors – always challenging – plus arranging all the travel. But one of my main jobs is counselling the account service people. I also keep up with all sports information to discuss with our sports-loving clients – because who wants to be bored while they’re waiting? And I know how they like their coffee. You need to know everyone – from accounting to HR. I’m also the go-to for all catering and sending flowers.
Whose views skew the news? Media chiefs ready to vote out Labor, while reporters lean left
Most journalists lean left-of-centre, says Folker Hanusch of the University of the Sunshine Coast, in a post first published on The Conversation.Most Australian journalists describe themselves as left-wing, yet amongst those who wield the real power in the country’s newsrooms, the Coalition holds a winning lead.
But while the media’s political leanings will no doubt be debated in the lead-up to September’s federal election, our study has also found other largely unscrutinised biases remain – particularly whose views disproportionately shape the news.
It's time for a new New Wave in the film world
Government funding bodies are lazy and decadent, says industry veteran Michael Thornhill but in a piece that first appeared in Encore, Ed Gibbs begs to differ.I vividly remember the time I first saw Animal Kingdom, David Michod’s breathtaking labour-of-love feature debut. The press screening was half empty, despite the film winning the Grand Jury Prize at Sundance just months earlier, in 2010. Yet its superb performances, stylistic flourishes and overall polish left me speechless. Could this really be a feature debut, an Australian one at that, I wondered, almost out loud? It seemed too good to be true.
Going cold turkey on an agency addiction
Life is sweet for freelance writer Max Kitchen, but in a feature that first appeared in Encore, he admits his struggle against returning to the agency fold.I’ve never taken heroin. But I suspect if I had, the temptation to try it again would not be too dissimilar to the lure of returning to agency life.
Can sport save Ten?
First there was the Grand Prix. Next came the reported $500m bid for cricket rights, then Ten secured the 2014 winter Olympics. So, can sport save the ailing network? In a feature that first appeared in Encore, Nic Christensen investigates.The television sports rights bidding process is a bit like a game of poker.
Check, fold or bet. Those were the options for the Ten Network last week when it had to finalise its bid for the cricket rights.
Andy Lark: good for the marketing of marketing
I can still remember the first story I wrote about Andy Lark, when it emerged that he was to be the new chief marketing officer of CommBank.
It was immediately clear that Australia was about to meet an interesting marketer, one who blogged and tweeted and thanks to his time at Dell in the US was digitally savvy. Even two years ago, that was a big deal. The fact that he also had a stint in public relations gave him an absolutely intriguing background before he even arrived.
Storming the media barricades - advice for young journalists
This week Mumbrella’s Nic Christensen, who began his career four years ago, gave the keynote address to would-be journalists at the Media, Entertainment & Arts Alliance’s Student Day. This is an edited version of his speech.Good afternoon, I can remember distinctly the last time I was in this room.
It was 2009 and I was sitting where you are. I’d come to this event, a friend and myself — from memory we sat up the back — and I can remember at the time wondering if I’d ever get a job as a journalist.
It was only four years ago and then as now getting a job was ultra competitive but I’m not sure there was quite as much media ‘doom and gloom’ as there is now…
Paywalls will help fund campaigning journalism
In this guest post, News Limited’s group editorial director Campbell Reid responds to the views of ninemsn’s Hal Crawford that the company’s push into metered paywalls is about data rather than dollars.Hal Crawford is both right and wrong in his article which argued that our digital subscription plans are all about the data.
Fake it 'til you make it... as a features editor
Cosmo’s Kate Leaver tells us how to bluff it in her job in a feature that first appeared in Encore.What do you do, as a features editor?
Really, play with words and ideas all day. At any one time, we’re working across three issues of the mag – getting one on its way to the printers, pooling all the words together for another, and planning the issue after that. It’s busy but it’s a pretty magnificent process.
Savage counsel - JFDI
Hi Chris,I run a medium-sized agency that is doing pretty well. As the leader, I am finding my workload just seems to go up and up. I am struggling to stay motivated and particularly to tackle the bigger and tougher challenges I have to face every day. How do I keep up the energy when there just seems so much to do? How do you do it?
Productive, successful executives are those able to consistently tackle difficult and big challenges. It’s a constant struggle for me so I know how you feel. How do the successful leaders do it?
Q&A with Brett Clegg
Brett Clegg, group director – business media, Fairfax Media, in a Q&A that first appeared in Encore, on the journo who refuses to work with him – his wife.Who is the most powerful person in Australian media and why?
Hard to go past Rupert Murdoch. He controls the single largest and most diverse portfolio and is intent on leveraging its scale (and, of course, influence). He’s an innovator and his will to win is obvious to all.
The experiential experience
Anyone can throw up a tent in a high-traffic area and harass the general public, but what does it take to pull off an effective experiential event? In a piece that first appeared in Encore, Matt Smith investigates.A television commercial can easily be muted and ignored, but try ignoring a purring, squirming cat in your arms. That was the experience awaiting passers by in Sydney’s Martin Place in October last year when Mars Petcare built Whiskas Kitten Palace.
The News Limited paywall isn't about revenue. It's about data
In this guest post, ninemsn’s editor in chief Hal Crawford argues Fairfax Media and News Limited’s new paywalls won’t draw much revenue, but will generate data. And they’re late to the data party.When I first learned that ninemsn’s major digital competitors Fairfax and News Ltd were going to introduce paywalls across their mainstream properties, I was excited.
Every obstacle thrown in the way of their audiences is an opportunity. People hate friction and anything that makes life difficult on a rival site is a chance to get them on yours.
Dumb Ways To Die viral views exceed the population of Australia
The views amassed on YouTube by Metro Trains’ Dumb Ways To Die viral has passed the population of Australia.
Launched just a week ago, the video – created by McCann Melbourne – has been watched 22.3m times, at the time of writing.
Paid media behind the campaign started in the middle of last week, with ads running locally in newspapers in Melbourne, such as commuter paper mX and, today, The Herald Sun.
The tune is being played without lyrics at train stations in Melbourne.
“Metro train staff are used to receiving negative feedback from the public. People never say thank you if a train is on time,” John Mescall, the ECD of McCann WorldGroup Australia, told Mumbrella today. “But they tell me that for once they’ve been receiving positive comments from the public.”
“They’ve even noticed people smiling while standing on the platform waiting for a train,” said Mescall, who wrote Dump Ways To Die.
“The song has gone nuts in Asia, and in Europe and the US there has been interest about taking this sort of approach to a public service announcement,” he added.
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Comments
26 Nov 12
9:25 am
It’s a very clever way to approach a serious and important issue without the use of fear tactics seen in cigarette and TAC advertising campaigns. Well done Metro. For the first time, you made me smile!
Robelen Bajar
26 Nov 12
11:01 am
I’ve not watched the video but the minute I read the full page advert in the Herald Sun I thought “What a dumb campaign”.
26 Nov 12
12:54 pm
Advertising people on this site have a long history of being negative and rude about any work but their own work, but @Suzanne, your comment has to take the cake, a campaign with roaring success, 24 million You Tube viewsl; you admit to not watching it and have the audacity to call it ‘dumb’.
26 Nov 12
1:04 pm
I think it is dumb that there is no link to the clip from the Metro website. Oversight?
26 Nov 12
1:13 pm
I’m not sure that engagement is measured by number of views.
At least it was fairly cheap.
Of all the hits and views – whereabouts have they come from? All from Australia? And all from people who catch the train?
It would be interesting to see if people remember it.
26 Nov 12
1:44 pm
Haters gonna hate.
26 Nov 12
3:58 pm
@Who-me? I’d suggest getting your eyes checked, there is a large banner reading ‘dumb ways to die’ that links to the ‘dumb ways to die’ microsite on the Metro website.
@Dan it doesn’t take an idiot to recognise that this campaign is not targeted to reach ‘all people who catch the train’. I have nothing to do with the campaign, but I’d dare say it was made to reach a younger demographic, the same younger demographic who stream or download their content and don’t watch free to air TV, thus can’t be reached through traditional media channels. There is no such thing as one size fits all these days.
26 Nov 12
5:08 pm
It’s absolutely brilliant – cute imagery and lovely backing vocals while getting a serious subject across. Has to be up there for ad of the year?
26 Nov 12
7:26 pm
Hi. Thank you for putting a smile on my face today. This film is brilliant, and the message is so clear. And with all the media hype all over the world, I am sure people will think twice about messing wih trains… =)
http://www.youtube.com/watch?v=5DjOL2we8ko
26 Nov 12
9:12 pm
I absolutely love it!
I’m german but I live in Australia. Three german friends – who don‘t know each other – send me the link or posted it on facebook last week. It spreads really fast. They love it, even when they don‘t know or don‘t use Metro.
I wonder if a german company would have the guts to produce and release such a campaign because its headline is so “negative”.
Well, to be honest, I guess not. Bummer! Because as we can see very clearly it‘s been a huge success already. This video travels faster than everything else.
Well done Metro!
Good job McCann!
26 Nov 12
11:44 pm
FYI: I am in Brazil, and I got this link last Friday 23rd Nov. I work as a graphic designer/illustrator mostly for kids educational stuff. In my opinion this is a brilliant concept and production! It makes everybody in all ages and countries to think about safety – train accidents, but much, much more! I think it is a delicate, sophisticate sense of humor. Congratulations to everyone involved!
27 Nov 12
10:25 am
This campaign might not work in terms of changing behaviour, but it is definitely popular and spreading via word-of-mouth. The question is, so people remember what it is for, or just the advertisement. My guess is people just remember and like the advertisement, not the brand. Hopefully this changes with mainstream media elements because how much stuff do people watch online and immediately forget?