Does the rise of collaboration mean the end of the ECD?

steve coll euro rscg ecdThe old school executive creative director’s days are at an end, argues Euro RSCG Sydney’s ECD Steve Coll

I started my career in advertising in Belfast in the mid 1990s, in the capacity of junior copywriter/ glorified tea-maker. It was a far cry from Madison Avenue. But our ECD was firmly in the Don Draper mould. His every utterance was to be treasured like the very tears of the saints from heaven above. And, in fairness to him, it was the same in every other decent agency. It was a model for a time when agencies produced Print, TV and Radio. And a Creative Director, like the legendary Dave Trott, could point to proven excellence in all.

But, as the sixth season of Mad Men goes into production, its fair to say the role immortalized by Jon Hamm’s character is under threat.

Last year, when Fallon announced the appointment of their new ECD, Santiago Lucero, they made a very revealing statement, saying Santiago’s role would ‘differ from the traditional remit of an executive creative director in that the agency is not creating a single point of approval and control for agency output’.

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