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Opinion
No - advertising has not beaten culture jamming at its own game
In this guest post, an activist argues why advertising has not subverted culture jamming - and why Australia would be a better place without ‘visual pollution’At a photography exhibition now on the Sydney Museum last week, a question was put to a panel of experts. Would our cities be better without any advertising. The answer was a resounding “yes”.
This didn’t really come as much of a surprise. After all, the panel were culture jammers – activists who subvert mainstream media, altering the message of an ad to tell a story of their own.
Think popular, not premium: Why the Henry & Aaron 'It's a snap' video went viral
In this guest posting, YouTube’s Karen Stocks says why she thinks CIT’s gory-funny ‘It’s a snap’ ad was a hit.One of this week’s viral hits on YouTube is a science fiction-themed ad for the Central Institute of Technology in Perth. The skit-style video commercial features CIT grads-turned-YouTube stars Henry & Aaron, who magically jump from one CIT department to the next with a snap of Aaron’s fingers. The comedy takes a distinctly darker turn when Aaron’s teleporting skills start going horribly wrong – with gruesome results.
The video holds a couple of lessons for marketers.
Mumbrella360 - call for curated sessions
I must confess that I didn’t enjoy Mumbrella360 last year.
Having staked our credibility and indeed (although I didn’t like to think about it at the time) the company, on Mumbrella360 being a success, the main thing I actually experienced over the two days was a growing sense of relief that it wasn’t shit.
The Woolworths virtual store is not the future of retail. But it is a good PR stunt
So last night I dropped by my local neighbourhood Virtual Woolworths.It’s located at Sydney Town Hall station – conveniently enough, almost directly underneath my local neighborhood Real Woolworths.
As you’ll see from the wobbly iPhone video I shot, it was a relatively lonely experience. But it was Sunday night.
How not to use Twitter: lessons from Qantas and Westpac
The likes of Qantas have a long way to go before getting to grips with social media, argues Axel Bruns.For major brands, the road to social media infamy is paved with what seemed like good ideas at the time.
Just this week, Qantas succeeded in having Twitter suspend the well-known spoof account, @QantasPR, claiming users would mistake it for the real thing.
Is Big W the beginning of the bounceback for Saatchis?
Google may prove me wrong, but in the entire time Mumbrella has existed, and very possibly for my entire editorship of B&T before that, I can’t remember ever writing the headline “Saatchi & Saatchi wins…”
So today’s appointment by Big W is a big deal.
Traditional agencies are driving away their digital superstars with their old ways
In this guest post, Daniel Monheit argues that Australia’s creative agencies will never be able to hang on to digital talentIn 2010 Steve Jobs was invited by James Murdoch to speak at the annual News Corp management retreat. Jobs issued a blunt, critical assessment of what newspapers were trying to do in technology: “You’re going to find it hard to get things right, because you’re in New York and anyone who’s any good at tech works in Silicon Valley”.
And that’s when it hit me. The reason why Australia’s best traditional agencies, working with the most prolific clients and the biggest budgets cant manage to put out anything remotely passable as decent digital work.
Anyone who’s any good at digital works at an agency that actually believes in it.
What does Fairfax's Media's data dump actually mean? And what's going on at ACP Magazines?
Although I rather like stats, there are a few days a year where they become a little overwhelming.
Radio ratings releases offer eight such days annually. Over the space of a couple of hours, the data drops for the five main metro markets. Generally the phone starts ringing within 10 minutes, from station bosses aiming to give their interpretation of those numbers. It becomes a game of keeping them on the line long enough to sift through the data to try to discover the real story you need to ask them about. Within minutes a blizzard of press releases follow too.
In truth, the press releases mostly get ignored in the race to write the story. Then they’re mostly ignored because the story is already written.
And twice a year, a similar exercise surrounds the release of the monthly magazine sales figures,
When the powerful buy into the media, can the media still scrutinise the powerful?
Economist Richard Denniss of Australian National University argues in a post that first appeared on The Conversation that the public needs to decide if it cares who owns the media.The mining industry is used to having its voice heard in Australian public debates, so it should come as no surprise that mining billionaires such as Gina Rinehart and Clive Palmer would consider buying up a bigger slice of the Australian media.
While the estimated $20m spent by the mining industry on television advertisements opposing the introduction of a mining tax was the most visible example of the industry’s determination to influence the public it is, in fact, just the tip of the iceberg.
The keyboard warrior of Twitter
In this guest post, NBN staffer Scott Rhodie writes an unofficial, personal view on his experience with a hostile Twitter critic.Last night I had a strange incident. While on Twitter I noticed someone saying that Australia’s NBN is already outdated. I wrote a small note back explaining they were incorrect.
And their response? The lovely gentleman (whose Twitter profile says: ‘Father of 5 kids, Loving Grandfather of 10 Grandchildren,and 2 Great Granddaughters. love to give heaps to Pollies and Poofters’) said to me: “Go and lick Gillards C*** out U commie Prick”
What's in a name?
In this guest post, Moensie Rossier wonders about the power of names for brands and marketers.
Brands have been having a bit of fun with names lately, not to mention a fair bit of success. Interbrand just named a headhunting firm Cloak & Dagger. And ‘Share a Coke’ showed how much power there is in a name.
The Coke campaign effectively short-circuited the usual mechanics of communication. It undoubtedly stroked people’s egos. But, I believe, its success stems from the fact that it directly and automatically affected people’s behaviour, rather than doing so indirectly by shaping attitudes.
Best ads from Super Bowl 2012
The Super Bowl is all done and a team from North America won. But as well as some sort of sporting event, it’s the world’s biggest advertising showcase. See the best of them right here… and please tell us what you think.
How to debunk media myths
In this post, UWS’s Ullrich Ecker, John Cook and Stephen Lewandowsky argue that cognitive science can help PRs form strategies in managing media misreporting.
A growing cohort of commentators has bemoaned the descent of contemporary political “debate” into a largely fact-free zone.
How about simply focusing on what consumers want?
In this guest post, Peter Mountford argues that brands should think more about what is really going on for consumers
Who here is hoping their favourite brand of toilet paper is going to be organizing a flash mob on their way home from work today?
What the Optus web copyright victory means
In this analysis first published on The Conversation, RMIT’s Marita Shelly examines the implications of Telstra’s defeat over the online rights to the AFL broadcast deal
This week’s Federal Court ruling that Optus customers are able to view sporting matches minutes after they are streamed live without breaching copyright is a landmark decision that alters our understanding of copyright law, and has significant implications for the AFL’s broadcasting rights deal.
AAMI invites Facebookers to star in its TV ad
In what is being billed as a first for Australian TV, people who ‘like’ the Facebook page of insurance company AAMI have the chance to appear in a TV ad.
Viewers will feature alongside Rhonda, who was hailed a heroine for not claiming car insurance in the Tim Bullock-directed spot launched last month. Their profile picture will be exported into the TV spot, appearing in place of the existing characters in the ad.
The TV ad will feature the Facebook profile pictures of 80 viewers, and will air on 23 November during NCIS LA on Ten, and will be broadcast in Brisbane, Sydney, Melbourne, Adelaide, Perth and Tasmania, as well as regional NSW and Victoria. The idea will also be supported by the Hamish and Andy website, Hamishandandy.com.au, of which AAMI is the sponsor.
Sibling agencies Badjar Ogilvy and DTDigital worked on the campaign.
Ogilvy Melbourne’s creative group head, Nicholas Desira, said: “To get audiences to interact with the AAMI brand we developed a first for Australian television. The idea allows people to interact with the brand via social media, and in doing so, appear in the AAMI commercial starring alongside Rhonda – all by simply clicking the ‘like’ button on Facebook.”
Ogilvy creative technologist Tim Devine, added: “We’ve created an experience that will one day be common place; a simple engagement that seams together multiple channels. TV is still a real-world experience, as opposed to YouTube, and people still get a kick out of being broadcast around the country.”
Credits:
AAMI Executive Manager Marketing: Richard Riboni
Ogilvy Melbourne: Creative Group Head: Nicholas Desira
Copywriter: Lenna Boland
Art Director: James Barkley
Creative technologist: Tim Divine
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Comments
15 Nov 11
3:09 pm
Isn’t this against the Facebook competition policy? As you may not use the ‘like’ button as a way to gain fans as it creates a false economy of the number of fans who like your fan page. As the fans have liked your page under a false pretence?
15 Nov 11
3:49 pm
So 80 viewers (and their parents, maybe) are going to watch out for the ad with their faces in it. In the holy name of dis-engagement everybody please go back to real ideas that involve a clever human insight rather than a “creative technologist”.
15 Nov 11
4:12 pm
no.
15 Nov 11
5:07 pm
Rushie. Agree 100%. Well played sir / madam.
15 Nov 11
9:31 pm
Salman, you’ve done it again, you keep prodding things that don’t make sense, and I love it.
15 Nov 11
10:10 pm
‘Anonymous’ you may be right- unless there is more to this than we know from this article.
For any competition on Facebook you cannot have people enter by simply liking a Facebook page. I am guessing that AAMI are either: a) not running this as a competition or b) do actually comply, but I have seen many Facebook competitions that do not comply.
You need a third party application on your Facebook page to capture entries. The possible result of a breach of Facebook’s promotional guidelines: the Facebook page being pulled down and money wasted!
JC- http://www.permitzgroup.com
16 Nov 11
7:16 am
Hi Anonymous/John,
You’re correct in that the act of liking a page cannot be used as the actual registration or entry mechanism to a competition. However, registration can be made conditional on the basis of liking a page as stated in Facebook’s promotional guidelines. This is a common and effective way of building a community. The key to this approach is making sure you target the right people with your campaign to ensure ongoing engagement and conversation within the community post campaign
https://www.facebook.com/promotions_guidelines.php
16 Nov 11
8:29 am
“A simple engagement that seams together multiple channels. TV is still a real-world experience, and people still get a kick out of being broadcast around the country.”
Guys, you gottaloveit: This is creative technology speak? And this guy gets paid to speak it? There’s a lot to be said for gobbledygook. If you wrap it up in the right words it morphs into music for gullible ears, and sends rhyme and reason to the bottom of the charts.
16 Nov 11
3:42 pm
Hi Anon#2,
Can you please explain this a little bit more for me. When I have read the guidelines I understood it to not be allowed based on this statement ’3.You must not use Facebook features or functionality as a promotion’s registration or entry mechanism. For example, the act of liking a Page or checking in to a Place cannot automatically register or enter a promotion participant.’
I’d really like to know the answer, as I have been wanting to run a similar campaign but was under the impression that this was a breach of the guidelines.
Thanks!
17 Nov 11
8:07 am
Hi Anon,
Sure. So the act of using FB features of functionality cannot be used as the ‘registration’ or ‘entry’ mechanism, but…you can make access to the competition conditional on being a fan of the page. This simply means that as a user you are unable to enter the competition (through means other than using FB functionality) unless you have ‘liked’ the page. It’s what’s know as a like-gate or fan-gate and is usually done by creating an overlay requesting a like to view the competition. A good example is the Spring Valley campaign that is currently running https://www.facebook.com/springvalley
Cheers
17 Nov 11
11:49 am
Hi Anon#2,
Thanks for taking the time to explain that. It makes much more sense now
17 Nov 11
4:31 pm
No probs at all!