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Opinion | Features
My memo to your boss
So let me guess?
You really want to come to Mumbrella360, but you’ve got to justify the time and cost to your boss?
Good news! I think I can help.
Woz not great
In this guest post Tony Prysten argues that the thousand dollar price of seeing out-of-touch Apple co-founder Steve Wozniack on his Australian tour was a waste of money.
This week, for the cost of two iPads (yep, two) I went to the Woz Live conference in Melbourne. I was not impressed.
What the hell is transmedia?
From advertising campaigns to online video series, the term ‘transmedia’ gets quite the work out. But what does it actually mean? Cathie McGinn trawls the media landscape for a definitive definition.

Transmedia, all media and multiplatform are terms often used interchangeably when referencing modern storytelling techniques. Yet, depending who you speak to, there are distinct differences between them.
According to industry experts Encore spoke to, the key elements that define transmedia can be summarised as follows: platform, time, audience, adaptation, and creative collaboration.
Innovation is the remedy for the ailing magazine industry
With magazine circulations plummeting, FHM closing and rumours rife on future ownership of ACP Magazines, Paul Merrill says the only way forward is launching new titles.Eight years ago in the UK, nearly a quarter of all magazine sales came from magazines that were less than four years old. In Australia, the figure was slightly lower, but still significant. Today, the situation is very different. For a start there are so few new magazines. Yes, Masterchef briefly flared, and Top Gear made an initial impact. But Grazia and Alpha fizzled, and now ACP has shelved their plans to launch Elle.
More than a game: broadcasting the Olympics
The 2012 London Olympics will be the biggest televised sporting event of our time. Brooke Hemphill discovers the logistical challenges and technical requirements of producing the event.
From July 27 to August 12, the Australian media will go sport crazy as the Games of the XXX Olympiad, aka the 2012 London Summer Olympics, unfold. The games will be the most televised sporting event of our time as broadcasters look to master every manner of technology at their disposal.
The Voice - Australia's best example yet of social TV
I am an addict of Channel Nine’s hit show The Voice. Such is the extent of my addiction I seriously think my housemate might kick me out of our apartment for the semi-frenzied yelling and tweeting that ensues in our lounge room each time the show airs.It’s the first time in almost three years that such disagreement has resulted in less than civil behaviour towards one another, and it’s made me think it might be a microcosm of the large volume of online debate about the show and, correspondingly, an explanation for its success as a social TV experience.Why brands are the US Army - and culture jammers are the Viet Cong
In this guest posting, Dave Burgess, who painted ‘No War’ on the Sydney Opera House, claims that ‘amoral’ advertisers have copied his idea.
Culture jamming is a 28-year-old term coined by the San Francisco-based band Negativland, who declared that the ‘Studio for the cultural jammer is the world at large’.
Branded content is dead. Long live branded content
In this guest posting, Anthony Freedman argues why branded content is making a comeback.
A few short years ago, probably concurrent with the advent of the PVR, a new term emerged within the marketing communications industry; branded content. This was really synonymous with advertiser funded TV shows where programming was created by brands and deals struck with networks to broadcast them.
There were varying degrees of success with this model.
Shock advertising: 30 ads that would give Australia's ad watchdog a coronary
Is shock an underused weapon in Australian advertising, asks Robin HicksToday, Sydney agency The Cabana Boys used an image of a mouth sewn together to shock people with the idea that problem gamblers lie to conceal their habit. Is it the most disturbing image ever? No. Will it get banned by the Advertising Standards Bureau? No. But it did make me wonder why shock is not used more often in Australia – and not just by charities and government bodies. (WARNING: NSFW)
The making of ratings blockbuster The Voice
Jason Mountney goes on the set of Channel Nine’s talent search series, The Voice, to see how the format, based on an international franchise, has come together. What ingredients have gone into making this certified hit that’s rated more than two million viewers on three consecutive nights?
Mike Goldman has one of the toughest jobs on the set of the Nine network’s new talent show, The Voice. He not only has to narrate the show, but also keep the audience from losing their enthusiasm as they realise shooting TV programs takes a lot longer than the one-hour bursts they see in their lounge rooms. A lot longer.
Nine problems stopping The Global Mail from getting an audience
While it’s a shame The Global Mail has failed to make an impact on the media landscape, the signs have been there for some time.I love the concept of a well resourced, philanthropically-funded independent news site. Anywhere in the world, that’s a rare and wonderful thing. In Australia even more so. So I hope that Grame Wood gets to see his investment make a difference.
And I have no inside info on whether Monica Attard’s sudden departure is linked to the site’s failure to find an audience so far.
Regardless, here are nine areas they can easily start to address:
Journalism’s new model?
Does the launch of philanthropically funded news site The Global Mail signal a new era for journalism or is the model destined to be a passing fad, asks Cathie McGinn in this article first published in Encore magazine.With little fanfare, philanthropically funded news site The Global Mail launched in February this year.
The online-only title received a generous five-year funding commitment from businessman Graeme Wood, founder of accommodation website wotif.com, who donated $15million.
Five things that make a great suit
In this guest posting, Gareth Collins argues that the role of a great account manager is to make the work betterI’m surprised at how many suits I meet who don’t know their role in the advertising business. The question ‘what does an advertising account manager or director do?’ is frequently met with answers such as project manager, relationship manager, plate spinner or go between … and those are the nice ones.
Success is judged on the ability to manage a process, be strong administratively and get stuff done. And while a good suit needs to do all of these things brilliantly, if these are the traits that define a great suit, then I’m in the wrong job.
What the hell is transmedia?
From advertising campaigns to online video series, the term ‘transmedia’ gets quite the work out. But what does it actually mean? Cathie McGinn trawls the media landscape for a definitive definition.
Transmedia, all media and multiplatform are terms often used interchangeably when referencing modern storytelling techniques. Yet, depending who you speak to, there are distinct differences between them.
The top seven...most patronising pieces of communication
Sometimes brands have big ideas. Sometimes marketers get so caught up with a grandiose idea that instead of finding engaging ways to sell breakfast cereal, they start to believe their own rhetoric. And sometimes it’s just lazy marketing. Here are my top seven inadvertently patronising pieces of communication…
1) Last night thousands of women gathered in Sydney’s Centennial Park to take part in She Runs the Night, an event created by Nike.
AAMI invites Facebookers to star in its TV ad
In what is being billed as a first for Australian TV, people who ‘like’ the Facebook page of insurance company AAMI have the chance to appear in a TV ad.
Viewers will feature alongside Rhonda, who was hailed a heroine for not claiming car insurance in the Tim Bullock-directed spot launched last month. Their profile picture will be exported into the TV spot, appearing in place of the existing characters in the ad.
The TV ad will feature the Facebook profile pictures of 80 viewers, and will air on 23 November during NCIS LA on Ten, and will be broadcast in Brisbane, Sydney, Melbourne, Adelaide, Perth and Tasmania, as well as regional NSW and Victoria. The idea will also be supported by the Hamish and Andy website, Hamishandandy.com.au, of which AAMI is the sponsor.
Sibling agencies Badjar Ogilvy and DTDigital worked on the campaign.
Ogilvy Melbourne’s creative group head, Nicholas Desira, said: “To get audiences to interact with the AAMI brand we developed a first for Australian television. The idea allows people to interact with the brand via social media, and in doing so, appear in the AAMI commercial starring alongside Rhonda – all by simply clicking the ‘like’ button on Facebook.”
Ogilvy creative technologist Tim Devine, added: “We’ve created an experience that will one day be common place; a simple engagement that seams together multiple channels. TV is still a real-world experience, as opposed to YouTube, and people still get a kick out of being broadcast around the country.”
Credits:
AAMI Executive Manager Marketing: Richard Riboni
Ogilvy Melbourne: Creative Group Head: Nicholas Desira
Copywriter: Lenna Boland
Art Director: James Barkley
Creative technologist: Tim Divine
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Comments
15 Nov 11
3:09 pm
Isn’t this against the Facebook competition policy? As you may not use the ‘like’ button as a way to gain fans as it creates a false economy of the number of fans who like your fan page. As the fans have liked your page under a false pretence?
15 Nov 11
3:49 pm
So 80 viewers (and their parents, maybe) are going to watch out for the ad with their faces in it. In the holy name of dis-engagement everybody please go back to real ideas that involve a clever human insight rather than a “creative technologist”.
15 Nov 11
4:12 pm
no.
15 Nov 11
5:07 pm
Rushie. Agree 100%. Well played sir / madam.
15 Nov 11
9:31 pm
Salman, you’ve done it again, you keep prodding things that don’t make sense, and I love it.
15 Nov 11
10:10 pm
‘Anonymous’ you may be right- unless there is more to this than we know from this article.
For any competition on Facebook you cannot have people enter by simply liking a Facebook page. I am guessing that AAMI are either: a) not running this as a competition or b) do actually comply, but I have seen many Facebook competitions that do not comply.
You need a third party application on your Facebook page to capture entries. The possible result of a breach of Facebook’s promotional guidelines: the Facebook page being pulled down and money wasted!
JC- http://www.permitzgroup.com
16 Nov 11
7:16 am
Hi Anonymous/John,
You’re correct in that the act of liking a page cannot be used as the actual registration or entry mechanism to a competition. However, registration can be made conditional on the basis of liking a page as stated in Facebook’s promotional guidelines. This is a common and effective way of building a community. The key to this approach is making sure you target the right people with your campaign to ensure ongoing engagement and conversation within the community post campaign
https://www.facebook.com/promotions_guidelines.php
16 Nov 11
8:29 am
“A simple engagement that seams together multiple channels. TV is still a real-world experience, and people still get a kick out of being broadcast around the country.”
Guys, you gottaloveit: This is creative technology speak? And this guy gets paid to speak it? There’s a lot to be said for gobbledygook. If you wrap it up in the right words it morphs into music for gullible ears, and sends rhyme and reason to the bottom of the charts.
16 Nov 11
3:42 pm
Hi Anon#2,
Can you please explain this a little bit more for me. When I have read the guidelines I understood it to not be allowed based on this statement ’3.You must not use Facebook features or functionality as a promotion’s registration or entry mechanism. For example, the act of liking a Page or checking in to a Place cannot automatically register or enter a promotion participant.’
I’d really like to know the answer, as I have been wanting to run a similar campaign but was under the impression that this was a breach of the guidelines.
Thanks!
17 Nov 11
8:07 am
Hi Anon,
Sure. So the act of using FB features of functionality cannot be used as the ‘registration’ or ‘entry’ mechanism, but…you can make access to the competition conditional on being a fan of the page. This simply means that as a user you are unable to enter the competition (through means other than using FB functionality) unless you have ‘liked’ the page. It’s what’s know as a like-gate or fan-gate and is usually done by creating an overlay requesting a like to view the competition. A good example is the Spring Valley campaign that is currently running https://www.facebook.com/springvalley
Cheers
17 Nov 11
11:49 am
Hi Anon#2,
Thanks for taking the time to explain that. It makes much more sense now
17 Nov 11
4:31 pm
No probs at all!