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Opinion | Features
Can sport save Ten?
First there was the Grand Prix. Next came the reported $500m bid for cricket rights, then Ten secured the 2014 winter Olympics. So, can sport save the ailing network? In a feature that first appeared in Encore, Nic Christensen investigates.The television sports rights bidding process is a bit like a game of poker.
Check, fold or bet. Those were the options for the Ten Network last week when it had to finalise its bid for the cricket rights.
Andy Lark: good for the marketing of marketing
I can still remember the first story I wrote about Andy Lark, when it emerged that he was to be the new chief marketing officer of CommBank.
It was immediately clear that Australia was about to meet an interesting marketer, one who blogged and tweeted and thanks to his time at Dell in the US was digitally savvy. Even two years ago, that was a big deal. The fact that he also had a stint in public relations gave him an absolutely intriguing background before he even arrived.
Storming the media barricades - advice for young journalists
This week Mumbrella’s Nic Christensen, who began his career four years ago, gave the keynote address to would-be journalists at the Media, Entertainment & Arts Alliance’s Student Day. This is an edited version of his speech.Good afternoon, I can remember distinctly the last time I was in this room.
It was 2009 and I was sitting where you are. I’d come to this event, a friend and myself — from memory we sat up the back — and I can remember at the time wondering if I’d ever get a job as a journalist.
It was only four years ago and then as now getting a job was ultra competitive but I’m not sure there was quite as much media ‘doom and gloom’ as there is now…
Paywalls will help fund campaigning journalism
In this guest post, News Limited’s group editorial director Campbell Reid responds to the views of ninemsn’s Hal Crawford that the company’s push into metered paywalls is about data rather than dollars.Hal Crawford is both right and wrong in his article which argued that our digital subscription plans are all about the data.
Fake it 'til you make it... as a features editor
Cosmo’s Kate Leaver tells us how to bluff it in her job in a feature that first appeared in Encore.What do you do, as a features editor?
Really, play with words and ideas all day. At any one time, we’re working across three issues of the mag – getting one on its way to the printers, pooling all the words together for another, and planning the issue after that. It’s busy but it’s a pretty magnificent process.
Savage counsel - JFDI
Hi Chris,I run a medium-sized agency that is doing pretty well. As the leader, I am finding my workload just seems to go up and up. I am struggling to stay motivated and particularly to tackle the bigger and tougher challenges I have to face every day. How do I keep up the energy when there just seems so much to do? How do you do it?
Productive, successful executives are those able to consistently tackle difficult and big challenges. It’s a constant struggle for me so I know how you feel. How do the successful leaders do it?
Q&A with Brett Clegg
Brett Clegg, group director – business media, Fairfax Media, in a Q&A that first appeared in Encore, on the journo who refuses to work with him – his wife.Who is the most powerful person in Australian media and why?
Hard to go past Rupert Murdoch. He controls the single largest and most diverse portfolio and is intent on leveraging its scale (and, of course, influence). He’s an innovator and his will to win is obvious to all.
The experiential experience
Anyone can throw up a tent in a high-traffic area and harass the general public, but what does it take to pull off an effective experiential event? In a piece that first appeared in Encore, Matt Smith investigates.A television commercial can easily be muted and ignored, but try ignoring a purring, squirming cat in your arms. That was the experience awaiting passers by in Sydney’s Martin Place in October last year when Mars Petcare built Whiskas Kitten Palace.
The News Limited paywall isn't about revenue. It's about data
In this guest post, ninemsn’s editor in chief Hal Crawford argues Fairfax Media and News Limited’s new paywalls won’t draw much revenue, but will generate data. And they’re late to the data party.When I first learned that ninemsn’s major digital competitors Fairfax and News Ltd were going to introduce paywalls across their mainstream properties, I was excited.
Every obstacle thrown in the way of their audiences is an opportunity. People hate friction and anything that makes life difficult on a rival site is a chance to get them on yours.
Is this the worst time to be a journalist?
With scores of redundancies in 2012 and a mass exodus of experienced journos, is this the worst time to be a journalist? In a feature that first appeared in Encore, Nic Christensen asks the question.In June last year a tsunami of redundancies began to sweep across Australia’s media landscape. They came in a series of waves and in the 12 months that followed, an estimated 1,200 journalists departed the mainstream media.
Are you a conscious leader?
As the advertising and marketing industry struggles to address the issue of rocketing rates of staff churn in their businesses, Slingshot CEO Simon Rutherford argues that today’s ‘conscious leaders’ should be more focussed on creating ‘staff wellness’ in order to deliver high performing teams and healthy profits.
A conscious leader believes the business has a greater responsibility towards the community it operates in. To ensure sustainable long-term profits, people must come first. Awareness, trust, authenticity, transparency, 100% responsibility, connection, compassion, and love: these are the tools of the conscious leader.
Suits: less popular than pest controllers
Advertising suits have a thankless job that is currently being eroded by the changing industry says Naren Sanghrajka in a piece that first appeared in Encore.Not in my wildest, craziest nightmares would I ever have thought I’d say this. But I’m going to. Being a bean counter is far more appealing than starting as a suit in advertising. There it is. I said it. I actually said those words.
Yes, it’s incredibly depressing. But it’s true.
An answer for Adam: What's the future for creatives?

Each fortnight, Adam Ferrier poses a question to the industry. This week, he asks about the future of the creative.
Who or what is a creative? It’s an old thought, but as I continue on my merry journey in advertising I wonder if there is a role for a ‘creative’ and if there is, what that role is?
In the world of film and TV there is not a ‘creative’. There is a director, a writer, a producer, a DOP and so on. From this mix the creativity happens. But no-one is charged with being ‘the creative’.
Australian films stand on their own merit
The argument that Australian audiences only embrace local films once they’ve picked up a gong at an international festival is inherently flawed says Lee Zachariah in a piece that first appeared in Encore.As much as we like to pretend that we collectively fulfil the world’s need for a country comprised entirely of laid-back, mellow beach dwellers, we do seem to get disproportionately excited when someone else mentions us. Our cool exterior drops away as our local news bulletins breathlessly report that CNN or the BBC or really anyone in one of the ‘real countries’ acknowledged our existence.
We feel detached from the world, and therefore crave its validation.
The vindication of Paul Fishlock
You may have noticed that not much went up on Mumbrella over the last couple of hours.
That’s because I’ve been reading the judge’s findings in Paul Fishlock’s case against The Campaign Palace.
I’d always known that agencyland can be a brutal place. But the picture of the cynical, ego-driven, unsentimental world that comes through in the findings of Justice John Sacker is something else. I recommend you take the time to read it yourself.
The reputation of Young & Rubicam’s global creative director Tony Granger certainly takes a battering in my view. The word “bully” is a hard one to come back from.
And former Campaign Palace CEO Mark Mackay comes across as someone you might think twice about either hiring or working for, based on the evidence presented. The judge calls him contemptuous of both Granger and Fishlock.
Ten: We gave it a shot but we have to cancel Everybody Dance Now
Ten’s dance competition show Everybody Dance Now has been cancelled after its last ditch reformat failed to bring in a bigger audience on Sunday.
No more episodes will air, with this Sunday’s episode dropped from the schedule.
This Sunday, the show rated just 385,000 down on the previous week’s.
The network has ruled out moving the FremantleMedia-made show to Ten’s digital channel Eleven. It was fronted by Sarah Murdoch and featured Kelly Rowland and Jason Derulo as team captains.
James Warburton, CEO of Ten, said in a statement: “As part of the renewal of Network Ten’s creative content, we are trying new formats and creating more programming options. Unfortunately, we didn’t get the Everybody Dance Now format right. Kelly, Jason and Sarah are fantastic presenters. Their professionalism and commitment to Everybody Dance Now was remarkable, and the many talented dancers on the show were amazing. Although we worked with FremantleMedia to reset the program, clearly it has not struck a chord with viewers.”
The show premiered with 598,000 on Sunday 12 August. It was the only episode to get above 400,000. Monday 13 saw a big drop to 304,000 up against Nine’s resurrection of Big Brother, while Tuesday 14 failed to recover, rating 324,000.
The results prompted Ten to reschedule, with the show due to only air on Sundays. However following last night’s ratings the show has been axed entirely.
Ten’s new Sunday line-up is as follows:
6.00pm – The Project
6.30pm – The Simpsons
7.00pm – Modern Family
8.00pm – Graham Norton Express
8.30pm – NCIS
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Comments
21 Aug 12
5:40 pm
DAnce shows are difficult and not many work. Even SO You Think You Can Dance which started strongly petered out in the end after only two seasons. People can relate more to singers and other acts but not so much dancing which is better live than on TV. Also, nobody had any idea what the format was to begin with. They need a proper format structure that is simple and easy for viewers to understand. No matter who hosted the show, it was doomed to fail.
21 Aug 12
6:49 pm
Long ponderous ‘evening-eater’ programmes are all doomed. Viewers want short ‘in &out’ quality blasts to intersperse between their lives that are being lived.
21 Aug 12
7:00 pm
At least they tried something new rather than rehashing an old format
21 Aug 12
7:07 pm
So much for “Super Sunday” – maybe we can call it “Super Repeats”
21 Aug 12
7:11 pm
I can’t believe another program has bitten the dust. This must be costing Ten a fortune.
21 Aug 12
7:31 pm
Whew!! finally
21 Aug 12
8:28 pm
Unfortunately SM is simply dull on screen. Looks good, but not enough personality to help pull-off a tricky format. Aside from that, the format (like her presenting) was stilted without any vibrance or natural flow. Pity really, as there was some real talent in the contestants.
21 Aug 12
10:05 pm
Not surprised. Unoriginal idea, plus they should have learnt from So You Think’.
21 Aug 12
10:19 pm
The format of the show was disappointing. Letting the audience vote was a terrible idea, because there wasn’t enough of them to get a representative result of what the viewers enjoyed most. From the first episode people seemed to be extremely disappointed watching dancers which they thought good send home, which no reasons other than a bunch of young kids pressing a button.
21 Aug 12
11:17 pm
Shame to see a local production get canned, but the format really was questionable.
22 Aug 12
12:26 pm
Here’s proof, there is a ‘god’. Sarah Murdoch as presenter had no energy at all.
22 Aug 12
12:50 pm
This show was doomed from the start; ignorant title stolen from a top-charting disco song from the 1980s they thought would be clever; woeful and soulless talent. I agree with other comments here that “dance is dead.” I could have saved Ten the financial loss and embarrassment of this disaster, but they never called!
22 Aug 12
1:27 pm
Dance is dead – RUBBISH.
They got the formula wrong. Do a search on YouTube for various dance styles… You will see just how popular this is. But what we got here was an immature, family style version of a dance show.
Needs balls, needs ideas out of the box, needs an addictive component. I am going to call up 10 and give them some ideas one of these days. Can’t believe how bland this version was.
22 Aug 12
2:56 pm
I agree that SM was a terrible host – no energy and she came across as though she was embarrassed to be hosting such a show.
What made it impossible to watch was the filming. Shots of the contestants and then a sharp quick shot of Jason or Kelly totally stilted the flow and entertainment of the dancer. A total injustice to the talent and frustrating for the view – flick.
22 Aug 12
4:59 pm
Did SM at least announce the right winner this time?
23 Aug 12
8:41 am
I think what people wanted to see were the work shops where the judges chose their teams, then go into the duals. When the show started it was like they jumped a whole step. There was too much talking and not enough dancing…. the show seemed to drag on too much. It was a shame because I was excited for the show but lost interest halfway through the first episode.
28 Aug 12
3:04 pm
This is what you get when you try and ‘Americanise’ a show. It had absolutely no local flavour. The presenter was boring and inappropriate and the dancing was average. Reality TV is on the wane and viewers who want decent programming with creative and captivating story lines, strong characters and the like will vote with their remotes. A lot of viewers are tired of stale and repetitive formulaic reality garbage.