Adland is dragging its feet on #MeToo, as perpetrators continue to win awards and hide in plain sight

Adland in Australia still hasn’t had its #MeToo moment yet, says Bec Brideson. But what if clients stopped separating the ‘art from the artist’ and drove the change survivors in this industry need?

Woody Allen and Roman Polanski are arguably two of the greatest film directors of the 21st century. Nevertheless, after #MeToo accusations against them, audiences and actors alike became less willing to engage with their art. In the era of personal-brand accountability, I don’t believe in separating art and artist. 

I can’t help but wonder if or when the day will come when clients start applying this principle to agencies and their personnel. After all, how does any agency that harbours or hides predators credibly create work for brands that value respect, safety and the wellbeing of their customers?  

It is not beyond the realm of possibility that strict policies and full disclosure around harassment settlements or non-disclosure agreements could become standard requirements for major pitches and contracts. Earlier this year, the National Workplace Sexual Harassment Inquiry forced this issue into the open, displaying which agencies were willing to cooperate.

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