Brand funded content is the key to saving Australia’s TV production companies

As TV’s traditional funding sources continue to dry up, long form production companies have been forced to search for new sources of income. Essential’s Chris Hilton’s recent experimentation with brand funded content proved an eye-opener into the burgeoning Australian market.

Pure production companies – as opposed to agencies – usually finance their content production budgets through traditional funding sources – licence fees, distribution advances, tax credits and third party investment.

However, as any long-time Mumbrella reader will know, the funds available from these sources are now in serious decline. In order to offset this, TV production companies need to find alternative funding models for some of their content.

Many long form production companies have historically refused the opportunity to dilute their goal of serving audiences first by also having to serve the needs of clients with different objectives.

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