Opinion

What’s the point of papers printing corrections if they don’t own up to the mistake?

There is a dark journalistic art known as the correction.

It may appear to readers as an example of transparency on the part of the newspaper when those short paragraphs pop up clarifying some apparently minor matter. It’s not.  

Of course the hidden game is to correct that fact, while leaving the poor old reader none the wiser what the error was in the first place.

Take today’s on page 2 of the Sydney Morning Herald:

“Yesterday’s sports report ‘Not a whole lot of shaking going on in twisted love triangle’ should have referred to the British politician Alistair darling as a Labour MP”

It’s a classic of its genre – no reader looking at that today could possibly guess the mistake. Which for the record was that yesterday the newspaper described an encounter in the EPL “as if this were Tory Alistair Darling versus Labour’s Gordon Brown”.

In fact, both politicians are ministers in the British government.

By the looks of the same report that appears online in the UK’s The Guardian, it was an error introduced locally.

The problem I have with this sort of non-correction is the way it treats readers. It feels like they’re being deliberately misled by omission.

Sometimes, there’s a legal reason. Last night’s Media Watch on the ABC ran a piece on an equally mysterious corrrection in Saturday’s Daily Telegraph in Sydney about a far more serious matter.

I vageuly remember seeing that correction at the weekend without remembering the original story and assuming there’d been a minor subbing blunder. Not least because of the unenlightening phrase: “The error was made during the production process and not by the author.”

Having seen Media Watch, I now realise this was a huge howler which the correction disguised.

So while the Tele correction may have been to fend off a legal issue or perhaps a future Australian Press Council ruling, it was certainly not about making the readers better informed.

More puzzling though is correction of the SMH type discussed above. What makes newspapers, or rather journalists, behave like that?

Partly, I think it’s ego. Believe it or not, most journalists actually don’t like making mistakes, and they hate even more to go through the embarrassment of admitting them.

And partly, it’s just ingrained habit. It’s how it’s always been.

I’ve previously edited four different magazines in three different parts of the world. Before that I was on a couple of papers’ news desks. In every case, corrections were always a fight with the journos involved – particularly if you let the person who had made a mistake write the correction.

I’d make the argument that properly informing the readers of the small number of mistakes we inevitably made would give them greater confidence in the title’s content as a whole.

It was an approach inspired by The Guardian’s readers’ editor – an independent ombudsman who handled such matters on behalf of the readership. Consequently, the Guardian’s corrections slot is high profile, informative and enhances rather than detracts from the newspaper’s reputation.

But it needs a culture shift to do that. Newspapers need to stop treating readers like idiots who can be fooled or ignored.

Tim Burrowes

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