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Opinion | Features
Can sport save Ten?
First there was the Grand Prix. Next came the reported $500m bid for cricket rights, then Ten secured the 2014 winter Olympics. So, can sport save the ailing network? In a feature that first appeared in Encore, Nic Christensen investigates.The television sports rights bidding process is a bit like a game of poker.
Check, fold or bet. Those were the options for the Ten Network last week when it had to finalise its bid for the cricket rights.
Andy Lark: good for the marketing of marketing
I can still remember the first story I wrote about Andy Lark, when it emerged that he was to be the new chief marketing officer of CommBank.
It was immediately clear that Australia was about to meet an interesting marketer, one who blogged and tweeted and thanks to his time at Dell in the US was digitally savvy. Even two years ago, that was a big deal. The fact that he also had a stint in public relations gave him an absolutely intriguing background before he even arrived.
Storming the media barricades - advice for young journalists
This week Mumbrella’s Nic Christensen, who began his career four years ago, gave the keynote address to would-be journalists at the Media, Entertainment & Arts Alliance’s Student Day. This is an edited version of his speech.Good afternoon, I can remember distinctly the last time I was in this room.
It was 2009 and I was sitting where you are. I’d come to this event, a friend and myself — from memory we sat up the back — and I can remember at the time wondering if I’d ever get a job as a journalist.
It was only four years ago and then as now getting a job was ultra competitive but I’m not sure there was quite as much media ‘doom and gloom’ as there is now…
Paywalls will help fund campaigning journalism
In this guest post, News Limited’s group editorial director Campbell Reid responds to the views of ninemsn’s Hal Crawford that the company’s push into metered paywalls is about data rather than dollars.Hal Crawford is both right and wrong in his article which argued that our digital subscription plans are all about the data.
Fake it 'til you make it... as a features editor
Cosmo’s Kate Leaver tells us how to bluff it in her job in a feature that first appeared in Encore.What do you do, as a features editor?
Really, play with words and ideas all day. At any one time, we’re working across three issues of the mag – getting one on its way to the printers, pooling all the words together for another, and planning the issue after that. It’s busy but it’s a pretty magnificent process.
Savage counsel - JFDI
Hi Chris,I run a medium-sized agency that is doing pretty well. As the leader, I am finding my workload just seems to go up and up. I am struggling to stay motivated and particularly to tackle the bigger and tougher challenges I have to face every day. How do I keep up the energy when there just seems so much to do? How do you do it?
Productive, successful executives are those able to consistently tackle difficult and big challenges. It’s a constant struggle for me so I know how you feel. How do the successful leaders do it?
Q&A with Brett Clegg
Brett Clegg, group director – business media, Fairfax Media, in a Q&A that first appeared in Encore, on the journo who refuses to work with him – his wife.Who is the most powerful person in Australian media and why?
Hard to go past Rupert Murdoch. He controls the single largest and most diverse portfolio and is intent on leveraging its scale (and, of course, influence). He’s an innovator and his will to win is obvious to all.
The experiential experience
Anyone can throw up a tent in a high-traffic area and harass the general public, but what does it take to pull off an effective experiential event? In a piece that first appeared in Encore, Matt Smith investigates.A television commercial can easily be muted and ignored, but try ignoring a purring, squirming cat in your arms. That was the experience awaiting passers by in Sydney’s Martin Place in October last year when Mars Petcare built Whiskas Kitten Palace.
The News Limited paywall isn't about revenue. It's about data
In this guest post, ninemsn’s editor in chief Hal Crawford argues Fairfax Media and News Limited’s new paywalls won’t draw much revenue, but will generate data. And they’re late to the data party.When I first learned that ninemsn’s major digital competitors Fairfax and News Ltd were going to introduce paywalls across their mainstream properties, I was excited.
Every obstacle thrown in the way of their audiences is an opportunity. People hate friction and anything that makes life difficult on a rival site is a chance to get them on yours.
Is this the worst time to be a journalist?
With scores of redundancies in 2012 and a mass exodus of experienced journos, is this the worst time to be a journalist? In a feature that first appeared in Encore, Nic Christensen asks the question.In June last year a tsunami of redundancies began to sweep across Australia’s media landscape. They came in a series of waves and in the 12 months that followed, an estimated 1,200 journalists departed the mainstream media.
Are you a conscious leader?
As the advertising and marketing industry struggles to address the issue of rocketing rates of staff churn in their businesses, Slingshot CEO Simon Rutherford argues that today’s ‘conscious leaders’ should be more focussed on creating ‘staff wellness’ in order to deliver high performing teams and healthy profits.
A conscious leader believes the business has a greater responsibility towards the community it operates in. To ensure sustainable long-term profits, people must come first. Awareness, trust, authenticity, transparency, 100% responsibility, connection, compassion, and love: these are the tools of the conscious leader.
Suits: less popular than pest controllers
Advertising suits have a thankless job that is currently being eroded by the changing industry says Naren Sanghrajka in a piece that first appeared in Encore.Not in my wildest, craziest nightmares would I ever have thought I’d say this. But I’m going to. Being a bean counter is far more appealing than starting as a suit in advertising. There it is. I said it. I actually said those words.
Yes, it’s incredibly depressing. But it’s true.
An answer for Adam: What's the future for creatives?

Each fortnight, Adam Ferrier poses a question to the industry. This week, he asks about the future of the creative.
Who or what is a creative? It’s an old thought, but as I continue on my merry journey in advertising I wonder if there is a role for a ‘creative’ and if there is, what that role is?
In the world of film and TV there is not a ‘creative’. There is a director, a writer, a producer, a DOP and so on. From this mix the creativity happens. But no-one is charged with being ‘the creative’.
Australian films stand on their own merit
The argument that Australian audiences only embrace local films once they’ve picked up a gong at an international festival is inherently flawed says Lee Zachariah in a piece that first appeared in Encore.As much as we like to pretend that we collectively fulfil the world’s need for a country comprised entirely of laid-back, mellow beach dwellers, we do seem to get disproportionately excited when someone else mentions us. Our cool exterior drops away as our local news bulletins breathlessly report that CNN or the BBC or really anyone in one of the ‘real countries’ acknowledged our existence.
We feel detached from the world, and therefore crave its validation.
The vindication of Paul Fishlock
You may have noticed that not much went up on Mumbrella over the last couple of hours.
That’s because I’ve been reading the judge’s findings in Paul Fishlock’s case against The Campaign Palace.
I’d always known that agencyland can be a brutal place. But the picture of the cynical, ego-driven, unsentimental world that comes through in the findings of Justice John Sacker is something else. I recommend you take the time to read it yourself.
The reputation of Young & Rubicam’s global creative director Tony Granger certainly takes a battering in my view. The word “bully” is a hard one to come back from.
And former Campaign Palace CEO Mark Mackay comes across as someone you might think twice about either hiring or working for, based on the evidence presented. The judge calls him contemptuous of both Granger and Fishlock.
Introducing the new look Southern Cross Austereo
Newly merged radio groups Southern Cross Media and Austereo have announced a new company name – Southern Cross Austereo.
The $700m deal took place earlier this year with Southern Cross CEO Rhys Holleran taking the helm of the new group.
Previously Southern Cross was more of a regional player, with Austereo bigger in metro markets.
Holleran told Mumbrella: “We are trying to position this in the market as one company, with one offering.”
Austereo’s Today Network radio shows such as Fifi & Jules, Hamish & Andy and Kyle & Jackie O‟s Hour of Power have already been syndicated to the regional Hit Music Network.
As well as the radio operation, the group owns Southern Cross Television and Southern Cross Ten.
The TV stations will still contribute about a third of the group’s revenue. Holleran said that there would be brand crossovers including digital radio brand Radar being turned into a television show.
Asked whether in time the brand name would be shortened to Southern Cross, Holleran said: “I doubt it.”
He added: “This is not going to be a five minute journey. This is a five year plan.”
The rebranding was led by Southern Cross Austereo’s head of marketing and communications Nikki Clarkson. She said: “We’ve taken the best of both brands and united them as one, creating a new logo that is familiar yet progressive.”
According to the company: “Each of the colours that appear in the logo represent a sub-brand of the business; Radio, Television, Digital, an Entertainment unit, Research and Sales.”
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Comments
21 Jul 11
1:33 pm
That logo makes me want to vomit.
21 Jul 11
2:10 pm
@anonymous
Isn’t that the concept?
21 Jul 11
2:16 pm
“familiar yet progressive” is she living in the 80s?
21 Jul 11
2:25 pm
Dunno about the rainbow colours – bit too 1970s revival
21 Jul 11
2:35 pm
Southern Cross Austereo or “Scary-O” for short.
21 Jul 11
2:40 pm
A lot of great comments on the logo but not about the product.
I think it’s quite formidable product and will do quite well.
21 Jul 11
2:50 pm
That is the most ridiculous blend of two brands that I have ever seen. It’s like both businesses don’t want to let go of their image and identity. No need to treat the market like children. We all know the businesses are now combined without sticking one logo over the other.
21 Jul 11
2:52 pm
$700 million and that’s the logo. I understand the need to combine the two companies but oh my golly gosh.
21 Jul 11
3:13 pm
Is this a joke?
21 Jul 11
3:18 pm
That is possibly the ugliest logo design ive ever seen. She might have led it but it looks like 20 people all had their input and she couldn’t work out what to do – so she just loaded it all in there
Smells like design by committee to me
21 Jul 11
3:25 pm
Introducing the 2-GAY FM network lol
21 Jul 11
3:37 pm
Looks like what the next Ansett logo would have been, had they still existed.
21 Jul 11
3:58 pm
Their video has all references to cross platform TV media properties. That’s fine to claim as long as you are a client looking to reach one of the 20 people who still live in a country town
21 Jul 11
4:44 pm
It took me 10 minutes and some Googling to work out what those random grey lines are – how exactly are you supposed to see that that’s an “A” without knowing what the original logo looked like??
21 Jul 11
4:47 pm
@ anonymous: Population of regional Australia is 8.5 million people, most of whom live in cities and towns. Or are you just being a d%ckhead for the sake of it?
21 Jul 11
4:57 pm
If the Oakland A’s had a gay team that could be their logo.
21 Jul 11
5:23 pm
The benefit to Austereo on this deal is next to nothing. Apart from retail and government, regional is not even on the radar of marketers and it’s the first to be cut. The only thing austereo are going to get from this is more focus on their un necessary resources and costs.
That’s why there are so many Austereo CV’s in the market at the moment
21 Jul 11
5:26 pm
@ Gargamel – you’re my hero.
That logo is an abomination
21 Jul 11
5:28 pm
Newsflash – mumbrella readers hate on logo. Shock!
Criticism on here might actually mean something if it didn’t happen EVERY SINGLE FRIGGING TIME.
21 Jul 11
6:18 pm
My new sales strategy is buy Austereo metro and get regional as bonus
21 Jul 11
7:45 pm
The merger of two companies whose stand alone organisational cultures are at the absolute opposite ends of the spectrum…..literally like oil and water.
21 Jul 11
8:08 pm
I really hate how regional areas are ignored in this industry.
21 Jul 11
8:44 pm
WTF – its clearly about heritage of two strong brands. Don’t know where the rainbow came from, but whatever. It’s different to the usual corporate dross.
21 Jul 11
9:07 pm
Hope they did not pay too much for logo
21 Jul 11
10:18 pm
Easily. EASILY the shittest logo ever created. It’s almost offensive to logos, to call that a logo.
22 Jul 11
7:43 am
Infected by the Nyan Cat.
22 Jul 11
11:51 am
That logo is comical
22 Jul 11
4:45 pm
Is everyone on here that’s bagging the logo and signed in as anonymous from Southern Cross Austereo?
22 Jul 11
6:53 pm
And now we just wait for the next two installments of the story
2/ Scary-O announces lay offs….
3/ Scary-O to sell under performing assets…….
We all know the process, financial boffins see two business, and think wow lets put them together and…… well you know the rest
23 Jul 11
6:42 am
Logos hardly matter anyway so who cares other than the usual cadre of hating muppets who need a daily target for their vacuous, infantile venom
23 Jul 11
12:09 pm
Please don’t take this as a negative or critical comment, but merely as an observation.
It appears that there is a recent trend on Mumbrella of posts that vehemently object to people (or even a cadre of hating muppets) who post negative comments. Ironic eh?
25 Jul 11
3:23 pm
As a flat 2D logo, it looks awkward and out of place. Google has a lot to answer for in companies trying to go ‘rainbow’. Get it wrong, and it looks like someone lost their crayons.
However, the 3D animation redeems it a bit. The grey lines still look horribly out of place but then I suspect the animation company were trying to polish a turd there, so hats off for their efforts.