Opinion

Pre-testing ads doesn’t kill creativity

In this guest posting, Millward Brown’s Darren Poole champions the pre-testing of ads

It’s a truth universally acknowledged that a man in possession of research must be a tosser – or so 42 Below vodka founder, Geoff Ross, would have us believe.  

Speaking at the Battle of Big Thinking event last month, Geoff is reported as saying: “In my view, advertising is completely in a quagmire, multiple layers, pre-testing, post-testing. In the end nothing good is going to survive.”

I believe he is wrong.

Great ads shine in pre and post-testing, just as they hit the spot with consumers, make clients happy, and keep them coming back to agencies for future campaigns.

Of course, if the definition of a “good” ad is one that wins you the adulation of the advertising industry without regard for the target audience, then I can see why research is not popular.

In my experience, there are many clients who are willing to put their faith in an agency and go out on a limb with creative. However, before they commit to a multi-million dollar media roster and put the new creative out there for all to see, they test the ad with the target audience to make sure the emperor really is wearing new clothes.

We absolutely value the creativity that has gone into an ad and given Millward Brown’s heritage in providing research-based advice to help clients build brands and achieve cut through, the last thing we want to do is create a mediocre, homogeneous ad. Clients wouldn’t continue to use our services if we did.

Despite widespread fears that pre-testing involves a Charlie and the Chocolate Factory-style sorting room with a garbage chute for “bad nuts”, the reality is that research rarely leads to an ad being canned. More often than not, pre-testing (certainly our brand of copy testing, anyway) leads to optimisation of creative – weak ads are given the ability to be good and good ads can become great.

While none of us like the idea of someone evaluating our work (hands up who loves performance reviews?) the reality is that advertising is a most public profession and the target audience is the ultimate judge of creativity.

Pre-testing means a brand can gain insights into how an ad is going to be received by that audience.

The best ads engage, deliver the intended message, and generate some form of response. If there’s an engagement gap, off-strategy communication, or a response other than the one intended, there may be cause for concern. If the response is one of disappointment or thinking the ad is boring or irrelevant, there’s a problem with the idea or the execution.

Our job is to identify the problems and recommend ways to solve these problems. This is where our experience in testing well over 1400 ads in Australia and 65,000 ads worldwide comes into play.

I can’t give away too much detail, but some of the work we have done with CPG brands in the past 12 months has seen a soundtrack transform from something viewed as a little strange to become quirky and impactful. Another great example is where we helped characters evolve from being creepy and a bit disturbing to wonderfully eccentric. We also indentified the route to help a brand develop one of the most popular ads of the Summer, and we’ve helped make a brand’s consumer benefits more evident in more than one case.

Of course, pre-testing is not 100 per cent foolproof. I remember one case, early in my career, where we were wide of the mark because we were evaluating the wrong strategy among the wrong sample. This taught me that understanding the intentions of client and ad agency as early as possible in the creative development process is critical.

I’m the first to admit the research industry could do a better job of debunking the myths about advertising testing and I’m hoping this piece gets the conversation started. In my experience, the most common myth is that pre-testing assumes that all advertising works in the same way or is intended to have the same outcomes. Other chestnuts – to name a few – are that it’s a pass or fail test, that it can’t do emotion, and that it favours ads that are full of packshots.

To close, I’m going to quote another Battle of Big Thinking speaker, Richard Sauerman, as reported in the Sydney Morning Herald: “Consumers won’t remember what you tell them, but they’ll never forget how you make them feel.”

I couldn’t agree more.

  • Daren Poole is chief client officer at Millward Brown
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