In a world where personal brands, social media and an absolute plethora of content stretches into every waking moment of our lives, what role does a logo play in contemporary branding?
There are simple answers: the ongoing interdependence between corporate reputation and corporate brand is always a consideration. The logo is the trust mark that symbolises the heritage and history of an organisation and its people to all their stakeholders, not just their customers. This symbol is a living artefact and signature of the organisation, its past and all its aspirations.
I have just completed a presentation to staff in ABC offices around the country, outlining a range of measures we propose to implement over the next few years. The initiatives are designed to reposition the ABC for its current and future challenges and to maintain a clear focus on our audience strategy and Charter obligations. I am aware that some of you may not have caught the address or are seeking further detail. This email is designed to provide more information about our plans. It sits alongside a statement released today by the ABC Board. Read more »
CMO’s have never struggled more with bigger challenges than they are today. New technology and new audience behaviour is one thing; future business strategies and innovation to stay relevant are another.
Meanwhile in ad land there has been an array of new acquisitions and agency models but what has really changed? The majority of media and creative agencies still sell and generate space and ideas for ad formats; TV, print, digital or otherwise.
The fact is advertising is no longer about ads.
Advertising is now about content, participation, conversation, experiences and utility. Based on that agencies need to continue to evolve to deliver to this new definition.
There has been much made of the substantial reductions in Foxtel pricing announced recently. It appears that most of the sentiment suggests that this is a defensive move, designed to take on the multiple streaming services ready to hit our shores. This may well be the case, but my belief is that it’s the opposite. Read more »
Ahead of a session at tomorrow’s Publish conference on whether native advertising will be the saviour of publishing Newsmodo founder Rakhal Ebeli sets out where how he sees the relationship between brands and editorial playing out..
There are so many question marks hanging over the future of the industry. Will print be extinct? Will journalists be endangered? Will publishers have evolved into a new, unrecognisable species? Here’s how I see it developing.
With Click Frenzy kicking off tonight and amid warnings over the state of Australian e-commerce Mark Troselj says there are some simple things local businesses can do to beat international pure-plays like Amazon at their own game.
Warnings by GroupM’s digital boss last week that Amazon has the potential to crush Australia’s e-commerce market “like an Anaconda” should not be written off as hyperbole. Too many Australian businesses have been slow to grasp the enormity of the wholesale transformation of the global retail sector and have procrastinated at the expense of market share and current and future revenue streams. Read more »
Recently undergraduate Jacob Hkeik penned an opinion piece about a lack of awareness of media agency careers amongst students looking for careers. Here Linda Wong from the Media Federation Australia responds.
Two weeks ago we read an article by MGrad graduate Jacob Hkeik, saying media offers some of the most interesting career opportunities to graduates, but most of them don’t know media agencies exist.
The fact is, the MFA and our members put a lot of work in to educating lecturers and students about the opportunities in our industry and our most recent survey shows that in actual fact, more than 60 per cent of new recruits to the industry came from MFA-accredited universities. Read more »
During the Hector Crawford Memorial Lecture at the Screen Forever conference, writer, broadcaster and film maker Phillip Adams called for a repeat of the Government largesse of the 1970s and for the “cultural and political idealism” of the Whitlam administration to save Australia’s film industry. Read his full address here.
Hector Crawford. Named for the Trojan prince. Presumably his parents also considered other classical heroes – Rome’s Horatio, the Carthaginian Hannibal or Hercules, son of Zeus.
On balance I think Hercules might have been a better fit given Hector’s herculean efforts to get local drama onto Australian television.
I first met Hector in the mid-fifties, hours before television was introduced to this country and years after the Americans and British had managed to crush what was left of an Australian film industry through their ownership of Hoyts and Greater Union.
Network Ten’s director of corporate and public communications Neil Shoebridge has penned a letter to the editor in response to an opinion piece by Alex Hayes on Friday on Ten’s upfront presentation the previous evening.
The column you posted on November 14 described Network Ten’s 2015 programming slate as “frugal”, “lean” and “minimalist”. That description is inaccurate, misleading and puzzling.
At our Upfronts 2015 presentation on November 3, we laid out a full 12-month schedule, including eight new local productions: Read more »
There’s a saying that necessity is the mother of all invention, and Network Ten certainly got inventive at its upfronts last night. Read more »
I first encountered the notion of online DVD rental between pints of Sierra Nevada at the Black Watch (a dive bar in Los Gatos, California). It was late 1999, and my friends and I were toasting my two years survival in Silicon Valley. Those were halcyon Internet bubble days in the Bay Area. Notable successes (Amazon) were emerging. Others (webvan) burned brightly but briefly. Most wouldn’t see the other side of the 2000 tech wreck. Read more »
Dan Sloan, a former broadcast journalist for Thomson Reuters, is editor-in-chief of Nissan’s Global Media Center in Yokohama. He oversees a team of brand journalists who produce multi-media content, known as “kotozukuri” or storytelling.
In this cross-posting from Mumbrella Asia editor Robin Hicks spoke to Sloan about how an in-house content house works, the ROI of content, and the impact of the brand-side content creation concept on agencies.
So how do agencies get involved with the Global Media Center? Read more »
It’s time for change, radical and evolutionary change.
No point us all talking about it, constant rhetoric and then back to the day jobs to do things they way they have all been done.
Working in the advertising and marketing world is one of the best jobs any person can have, we play with ideas all day and get paid to do it. We are all on the hook to get this amazing industry back on track, because in all honesty, we are in serious trouble. Read more »
In a guest post for Mumbrella BrandMatters managing director Paul Nelson looks at Qantas’ new TV campaign, arguing while it is a beautiful piece of advertising it is not enough to overcome the brand challenges of the past three years.
On Sunday night Qantas launched its new TV campaign across all the major Australian TV networks.
The TV-led campaign is an attempt to get Australians to reconnect emotionally with the embattled brand. It is unquestionably a beautiful piece of advertising. But from a brand strategy perspective, it isn’t enough to overcome the brand’s challenges of the past three years and increase flagging revenue. Read more »
In a guest post for Mumbrella, composer and music branding specialist Anthea Varigos analyses the musical content of Australia’s TV commercials from throughout 2014.
It’s obvious once you notice. Ads have their own musical colour palette.
As I begin this project, the screen is soon awash with beauty products, insurance and cars. Before long I start to hear similarities in the instrumental pallets and genre choices for various product segments.
There is “pink” sounding music to capture your attention if you are a girl. This frequently has an upbeat dance vibe and a rather stereo-typical chimes/bells sound because girls love pretty things. Olay Regenerist is a perfect example. Read more »
Earlier this year a group of well-known high street travel agents rebranded under the Helloworld banner. Steve Jones sat down with marketing boss Kim Portrate to discuss the challenges of rebranding a legacy business, why creating a brand from scratch is like an iceberg, and how the job is never done.
It’s no secret that high street travel agents are under pressure from their low-cost online counterparts. Add that to the fact the sector has been dominated by retail giant Flight Centre and you start to get the scale of the challenge facing the new Helloworld brand. Read more »
While the video streaming battle has garnered most of the headlines it is just one piece of a much more lucrative puzzle being pieced together by the telcos. Nic Christensen talks to some of the key players in the looming “triple plays” war set to redefine the media world.
Brace yourself, a media winter is coming.
But it’s not the impending streaming war between Presto, Netflix and newly minted Stan that you’ve been hearing so much about that will redefine the Australian media landscape, but rather what sides the various media companies fall on. Read more »
Media offers some of the most interesting career opportunities to graduates, but most of them don’t know they exist, argues MGrad graduate Jacob Hkeik.
Last year I barely knew how media agencies worked. While they can be big and complex beasts I am not sure the industry is doing enough to explain themselves to potential graduate recruits. And that’s before you add in the intricacies of each specialisation. Read more »